The Devonsville Terror (1983)

the audience applauded

Good concept, poorly executed.

Don't listen to the negative reviews

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

THE DEVONSVILLE TERROR is one of many low budget horror flicks that director Ulli Lommel was making in the early 1980s, his video nasty THE BOOGEY MAN being the best-remembered of them all. This one's a typical witchcraft story, of the kind that seems to have been filmed over and over again over the decades in America. A bunch of witches are killed by Puritans and swear vengeance; in the modern day, an innocent young woman is possessed by the spirit of one of the dead witches and the cycle of revenge begins. This is familiar small town material, with a fair bit of atmosphere but not much in the way of plotting or originality. There are nice roles for an always-reliable Donald Pleasence and Robert Walker Jr., while Suzanna Love acquits herself well as the feisty lead. However, it's all a little staid, a little forgettable, at least until the hilariously over the top climax, which rips off the ending of RAIDERS OF THE LOST ARK but is even more gruesome - something I really enjoyed.

300 years after townies killed three witches, the citizens of Devonsville feels that crusading urge again when three new women (an environmentalist, a deejay, a schoolteacher) move into the community. Teacher Jenny (Suzanna Love) finds only local stud Matthew (Robert Walker Jr.) to be a willing dating prospect, which is bad because his ancestors were the ones who organized the witch killings. Meanwhile, Dr. Warley (Donald Pleasence) investigates the town's history to cure himself of the curse of having worms crawl out of his skin (really). This was another childhood viewing I decided to revisit that holds up as well as one would expect an 80s Ulli Lommel flick could. This flick is just plain weird at points though and full of bizarre scenes like when Paul Willson shows up at Jenny's house and gives this long rant about love before playing his violin. Lead Love was married to Lommel at the time (and apparently writing the checks) with both players fresh off the success of THE BOOGEYMAN (1980). She is probably the main appeal here. The end is pretty amusing as Jenny is revealed to be a witch with superpowers and she causes heads to roll, explode and melt. Then she splits town, with her relationship with Matthew left with no resolution and a guy trying to ape Pleasence's voice doing a voice over. Pretty sure Pleasence did one day of filming as all of his scenes are shot in the same room and he is wearing the same outfit. Filmed in Wisconsin, this had Bill Rebane working on the production and captures some gorgeous fall foliage.

Watching this movie a second time was very feasible. I understood the plot more better and I liked the movie better as well. If you really watch and pay attention to the movie, you will see that it has a strong plot that makes since. I think people don't like this movie because it was hardly any gore and it was kind of slow moving, but again, just pay attention to the plot it is a good move. *** 1/2 out of *****

One of the biggest problems I have with this film - apart from the fact that it actually exists - is that, in the hands of finer craftsmen and with a stronger budget, it could have been quite good. The premise, while familiar, could have been put to good effect: an accused witch's curse comes back to haunt the people of a small New England hamlet 300 years after she was wrongfully burnt at the stake. Ultimately however, 'The Devonsville Terror' just lays down and dies quite quickly, offering no suspense or horror whatsoever outside of a cheap play at being a bad exploitation film here and there (at the beginning and again at the end, where almost the same things happen) with a minorly repulsive 'shock' somewhere in the middle. The film is so cheap the producers don't seem to have even been able to afford to pay more than one of the female actors to go topless, blowing the budget instead on pulling unconvincing maggot stunts and a laughable torn by dogs sequence, stealing the melting head scene from 'Raiders of the Lost Ark', having a ghostly, horribly burnt face with a full head of hair float around and making the heroine shoot laser beams out of her eyes! An unintentional murder apparently releases the vengeful spirits of three women brutalised hundreds of years before; the superstituous, horribly-cliched small town hicks naturally think the spirits have taken possession of three female outsiders: a radio broadcaster, an environmentalist and the newly-appointed school teacher who hitch-hikes into town and falls foul of the townsfolk by telling her pupils that the Babylonian chief god was a woman. Eventually, after some extended film time where nothing very interesting happens, the locals decide to do them in. All the while the village doctor is trying to purge Devonsville of its curse by exposing his patients to seemingly meaningless hypnotherapy that exists only to allow more lame scenes of women being victimised. Apart from a rather nasty scene where one poor girl is dragged to death behind a pick-up, it would all be quite appalling if it wasn't so half-baked. Because it is, it's appalling for very different reasons.