Sweet Sixteen (1983)

Excellent but underrated film

Admirable film.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Sassy teenager Melissa (a nicely brash portrayal by fetching brunette Aleisa Shirley) stirs things up in a sleepy small Texas town. After two boys with the hots for Melissa are murdered, both folksy sheriff Dan Burke (the always excellent Bo Hopkins) and his inquisitive wannabe Nancy Drew daughter Marci (an appealing portrayal by Dana Kimmell) decide to investigate.Director Jim Sotos adroitly crafts a strong rural backwoods hamlet atmosphere, relates the engrossing story at a steady pace, and delivers a satisfying smidgen of mild splatter. While the strictly so-so script by Erwin Goldman provides a novel spin on slasher conventions by making horny dudes the key targets of the killer's wrath, the final explanation for the killer's bloodthirsty spree alas proves to be really far-fetched and thus dissatisfying. Fortunately, the fine cast of reliable pros keep this movie watchable: Susan Strasberg as Melissa's friendly mom Joanne, Patrick MacNee as Melissa's uptight archaeologist dad Dr. John Morgan, Don Stroud as rowdy hell-raiser Billy Franklin, Don Shanks as tough Indian Jason Longshadow, Steve Antin as the jocular Hank Burke, Sharon Farrell as perky forensics expert Kathy Hopkins, Logan Clarke as racist jerk Jimmy, Michael Pataki as smarmy politician George Martin, Henry Wilcoxon as aged Native American Greyfeather, and Larry Storch as a bartender. As a yummy bonus, the comely and slender Mrs. Shirley takes an utterly gratuitous, yet still much-appreciated shower and also goes skinny-dipping (don't worry folks, Shirley is clearly a good deal older than her underage character). Both James L. Carter's competent cinematography and Tommy Vig's shivery score are up to par. The less said about Melissa's hideously sappy theme song, the better. A rather flawed, but overall worthwhile picture.

This 1983 Texas-made feature is more of a murder mystery, and not a terribly successful one. The problem is that apparently the filmmakers (led by producer / director Jim Sotos) and cast were working from an unfinished script, and it shows: the writing overall is muddled. Still, this has an awfully good cast for this sort of thing, and Sotos and company do try to give the story a little extra something by introducing racism (the poor treatment of the local Indians) into the proceedings. "Sweet 16" also banks a lot on the importance of its central character Melissa and the actress in the role, Aleisa Shirley. She's a hot to trot 15 going on 16 year old who seems to enjoy making trouble and being the centre of attention.One problem with this is that we seem to be getting encouraged to ogle Shirley at every opportunity, and even though Shirley was older than her character, she wasn't *that* much older, making scenes such as a shower sequence highly uncomfortable.The tale, written by Erwin Goldman, shows what happens as bloody murders begin to occur as Melissa's 16th birthday approaches. The plodding sheriff on the case is Dan Burke (ever amiable Bo Hopkins), whose mystery junkie daughter Marci (Dana Kimmell, a.k.a. the final girl of "Friday the 13th Part III") is eager for some excitement in her small town and follows her fathers' cases with interest. Meanwhile, Indians such as Jason Longshadow (Don Shanks, a.k.a. Michael Myers in "Halloween 5") and his grandfather Greyfeather (Henry Wilcoxon, in his final film role) are targeted by rowdy racist rednecks Billy (Don Stroud) and Jimmy (Logan Clarke).At the least, "Sweet 16" boasts solid atmosphere, although some slasher aficionados are likely to be dissatisfied with a very small body count and too much murkiness in the gore scenes. (Still, they may be pleased with the various revealing shots of Shirley.) The cast also includes Susan Strasberg, looking lovely as always, Patrick Macnee (who replaced Leslie Nielsen), Steve Antin ("The Goonies"), Sharon Farrell ("Night of the Comet"), Michael Pataki ("Dead & Buried"), Larry Storch ("Without Warning"), Michael Cutt ("Night of the Demon" 1980), and Glenn Withrow ("The Outsiders").The music, by Tommy Vig, is good, but viewers may cringe at the ultra-sappiness of Melissas' theme song.Also available in a directors' cut.Six out of 10.

The plot of "Sweet 16" is relatively simple:a beautiful young sixteen-year-old girl named Melissa is the center of male attention until all of her boyfriends are stabbed to death by unknown knife-wielding killer.A tough Native American is one of the suspects.I must admit that I expected more from this not very well-known slasher flick.The mystery element is pretty stagnate and there certainly isn't much slashing going on.The killings are rather bloodless and are mainly knife stabbings.The final plot twist is outlandish:the killer comes totally out of left field,but with the revelation comes a history of parental abuse,repression and psychosis.The nudity provided by Aleisa Shirley is a nice touch.A generous 6 out of 10.

SWEET SIXTEEN (1983) **/***** 86 minutes Director Jim Sotos Cast Bo Hopkins, Susan Strasberg, Aleisa Shirley, Patrick Macnee, Dana KimmellFifteen year old bad girl Melissa is new in a desert town and it isn't long before folks around her start dying off. The detective has to put together the clues with the help of his Nancy Drew good girl daughter played by Friday the 13th alumni Dana Kimmell. The local Native Americans are prime suspects since they seem to upset the prejudiced townsfolk. These events all lead up to the revealing of the killer at Melissa's sixteenth birthday party.This below average slasher isn't too memorable. It has a made for TV feel, without much score besides the title character's own corny theme song which plays a couple times throughout. Lines like "the killer will turn us into coleslaw." Fit into standard eighties slasher screenplays. Marci calls Melissa a bad name then somehow immediately they develop a friendship. Apparently Marci sees how hard it is to fit in because Melissa knows how to wear make-up. This movie would be hard-pressed to be made today with the main character being fifteen and the director inserting multiple gratuitous close-ups of her. The social commentary on Indians wasn't developed enough to be taken seriously. I am too surprised at the fairly high rating this movie gets. Both Sweet Sixteen and Ed Hunt's Bloody Birthday had the potential to capitalize on that time honored tradition of the birthday party to create an intense sequence of carnage but I feel failed to deliver. But on the bright side releasing obscure movies like this on DVD gives hope that others will follow.