The Objective (2008)

Sorry, this movie sucks

Absolutely Fantastic

Absolutely brilliant

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Sorry to say so but war movies mixed with horror rarely succeed. Besides Outpost and for some Dog Soldiers, not many such productions come to mind.I for one got bored out of my mind, I wanted to go with the flow, see what is about to happen next, but they made sure the viewer would hit a wall and stay there. It had potential, it had a good premise, even a good direction but the destination itself is laughable. It should have done better.All in all, The Objective is a pass from my point of view as it offers nothing new, nothing exciting, just a story said many times before under a different director but not a different direction. Trust me on this one. Cheers!

Friends ask me this question fairly frequently - especially now that the movie's been back on Netflix. I thought I'd post my analysis, which, for what it's worth, has satisfied most of them... (My background is in Eastern philosophy and mythology, which this movie is primarily about and why I'm asked this question.)(1) The Background (2) The AnalysisFirst question is usually, "What are those balls of fire? Ufos, ghosts, souls?" Short answer is: none of the above. Or at least, not specifically. In order to answer this question, it's necessary to understand what "a Vimana" is and how they function in Indian religion and mythology. (1)Vimanas are, in short, "chariots of the gods." They are typically depicted as peaked royal palanquins or stupas (peaked temples), hence their visual representation as triangles. But they are also occasionally birds, as in the case of Vishnu's mount Garuda, or winged structures.In Hindu mythology, existence consists of seven higher and seven lower heavens or planes of existence. When Indra, leader of the Devas (a group of lesser gods) wants to visit earth he - you guessed it - jumps in to his Vimana and shoots down to our plane of existence. Running through all planes of existence is an endless pillar of fire, lingodbhava-murti, the primal form of Shiva, the creator (that later also includes Vishnu at the bottom and, generally, Brahma at the top). While the pillar is endless in Hinduism, in Buddhism the top of the pillar ends at Brahma until Buddha (or anyone) achieves enlightenment, at which point it becomes endless. The top of the "Brahma pillar" is a triangular structure with Brahma's three faces representing dominion, or arbitration, over the past, present and future (he looks in to or "sees" all-time). The lingodbhava-murti, then, is both endless (spaceless) and timeless or "out of time."But what does all of this have to do with the movie?(2)So, Keynes and his team are off searching for Vimanas in the desert. And they find them: the arrival of Vimanas signified by helicopter sounds ("birds" - see above), triangular structures, and the small metal airplane (a chariot with wings). But why is the metal airplane first discarded in the dirt by the oasis and later clutched in Keynes' hand at the end?Specifically, Keynes achieves a form of enlightenment as indicated by the touch on his forehead at his third eye (a common association), his levitation (another common trope), his "open eyes" in the medical suite, and his entrance into - or acceptance by - the Vimana. At this point he has moved outside of our specific plane and is traveling throughout existence. He too "sees all."There are also, I believe, references to quantum mechanics and string or multiverse theory at this point - specifically with regards to the flares. Waveform collapse, in quantum mechanics, refers to when an infinite number of possibilities, or potentialities, collapse (mathematically) in to a decision point or "singularity." (Interestingly, both waveforms and strings are often described as "vibrating" and waves - after all - DO vibrate; another sly association, I think, with his vibrating hand.) In certain forms of multiverse theory these decision points do not cancel out other potentialities (as in QM) but birth additional universes in which they did occur: a universe in which you went left instead of right, called your mother back instead of ignored her, liked peanut butter instead of hating it, etc, ad infinitum.The flares, then, are all from Keynes. As Keynes begins to "enter" the Vimana and transcend - or move out of - fixed existence he/we begin to see his entire waveform - if you will - or his mutiverse of singularities. We see flares that he might have sent up or did in another space/time-line... past, present and future. Simultaneously. There are also reasons to believe that his wife is actually dead during the timeline we observe in the film (from earlier dialogue, his weeping over his wife's picture, references to why he took the mission in the first place knowing it was suicidal (nothing to live for)). Yet she's alive at the end credits giving an interview? And the plane is both in his hand and back at the oasis... Notice, too, that the final ascentional montage contains formulas from Einstein's relativity theorem (on Space-Time) and what appears to be the head of Brahma, among other symbology. Neat!Finally, why is Keynes apparently "saved" or "enlightened" when everyone else gets blown away? On somewhat shaky ground here, but I think, possibly, that he is meant to be seen as at least seeking enlightenment, attempting to "see farther," while the rest of the group do not. This evidenced, mainly, by his camera... Of the large, monocular variety, as you recall: literally "a third eye." The only other group member to individually see the other "travelers" dies after having seen them through his BINOCULAR night vision goggles (and killing the guardian/ascetic/enlightened old guy).As far as production goes, I agree with most other reviewers: it certainly could have benefited from a larger budget. But it worked for me and I'm a fan of deliberate, well-done low-budget sci-fi (as well as the other kind).If you'd like more of this, I recommend Shane Carruth's two fantastic movies: "Primer" and "Upstream Color." Also can't say enough about "Valhalla Rising," another great "film of ideas." Bone up on your Dante, Apocrypha (Dismas/The Harrowing of Hell) and Norse mythology to enjoy that one though... But if you do, it's fantastic.For what it's worth, I have no connection whatsoever to anyone involved in the production of these films...Best, Chris.

The struggle of the band of searchers in the Objective reminded     me  of so many of the epic journeys . . . Gilgamesh . . . Hector  . . . men trying to cope with what their culture, or their family, or their their mission instructed . . . only to have to yield what they know  to an  incomprehensible power . . . a force far, far beyond the human  . . .  or die. Forget all that you understand about war, politics, or weaponry and concentrate on the individual struggle to make sense out of something that makes no sense within the paradigms of meaning, which we commonly understand. This film demands the suspension of disbelief. And when you,  the viewer, realize this task, you're in for the ride of your life.

One of the best Sci-Fi movies I've seen in a long while. And I've seen plenty. All this whining and complaining about unanswered questions, low-budget CG, unauthentic language, misses the whole point of the movie.....to entertain and to get us to think...THINK, people....about those unanswered questions and seek out the answers. As Mulder would say, "The truth is out there". It's up to us to be willing and courageous enough to seek out those answers, to follow the truth wherever it leads, accepting the truth and the conclusions they bring us to, however ugly they may be, no matter how much they may challenge our preconceived notions of who we are and what we're here for.