Bird People (2014)

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Story: It's very simple but honestly that is fine.

Blistering performances.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I discovered this film by chance and when I watched the trailer I imagined a film about a man who is disenchanted with life, who feels a vague emptiness and leaves it all behind and forms an unusual connection, quasi-romance with the maid whom is a dreamer and a man whose dreams and love for life long ago died. Akin to Lost in Translation.This is not the case! The film is nothing like what one imagines and does in fact involve bird people; although I will not spoil it. It is hard to rate Bird People as it does not fall in line with a traditional film. It does not fall under any genre; although it would be easy to see it as a observation of the ills of "modern" life; modernity and technology in the film fulfills the background not focus. It is a surprising movie and one that will leave an impression on you. I highly recommend it!.

This is actually a big day for me, because I witnessed the worst movie in the history of the universe. That's a milestone. I was actually quite excited initially by the plot summary and setting. I love stuff that involves airports, Paris, and hotels.The first half hour held me, because I assumed they were establishing the setting for what was to come, and the payoff would be later. I really enjoyed the scenes of the hotel basement, and the housekeeper girl's routine.But then something went completely haywire. There was a narrator coming out of nowhere. It wasn't even the character narrating. Just a random French male voice talking about the male character in third person. Then an endless Skype conversation that bordered on voyeurism for the rest of us. Then a bird flying around looking for snacks. I was looking for a rope and a stool."Experimental" is one thing, but completely discombobulated fantasy mixed with reality is yet another. Make up your mind and roll with one style. Like other reviewers, I got the metaphor about feeling trapped and wanting to fly free. But I would have preferred more interaction between the two main characters. That would have made for a decent film.

I'm debating with myself how many points I should give this film. The lowest score, a "1", feels too low,given the production values and on rare occasion interesting scenes. However, if the lowest score can stop someone from watching the film, then it is definitely worth it, because 20 minutes into the thing I wanted to get up from my seat and leave the theater. Firstly, Bird People is boring. There are two main characters in the film. One of the two, Gary the American decides to change his life dramatically. But there is no real investment into his character before this big change takes place. The audience gets left out and it is hard to give a damn about Gary, which is especially true during the "so bad it's funny"- skype breakup scene. Add really hammy acting and dumb dialogue to the mix and you have a complete train wreck of a first hour.The other character, Audrey, is marginally more interesting. But before the film has time to really draw you in - SURPRISE, Audrey turns into a bird! Yes, she really morphs into a bid. The rest of the film is like a cross between a Disney film and an ad for Marlboro Cigarettes. I understand the connection between becoming a bird vs freeing yourself from work and relationships. But it is so overstated and ridiculous that any value the film might have had flutters away. And the ending scene just stinks.

The stars look different and just the sunlight is more beautiful when we fly away from our lives, even for a moment. "Beauty surrounds us," Rumi writes "but we usually need to be walking in a garden to know it." Audrey and Gary are not quite birds of a feather. They are strangers to each other. Yet each of them goes through a similar transformation and dramatic shift in perspective. Their eyes open to new opportunities, as with Cinderella, after dreams or realizations of wonder. Audrey is a young hotel maid appreciating just how much the world is open to her. Gary is an American traveling in Paris on business who abruptly, and in a computer message, calls it quits on his wife, kids and job. With capable acting and directing, and superb writing, the film unravels slowly. At times a little too slowly. Is it really necessary, for the sake of the plot, to see Audrey light up and smoke almost the entire length of cigarette? As the film unwound I began to suspect and understand the reasons for the plodding pace. It is for us, and the characters, to ponder the intricacies of their lives, the possibilities of their newfound and limitless horizons, and more. Still, the next time someone breaks out a pack of cigarettes in a French film, I am going to walk around the block, read a book chapter or something, and return to the theater to see them on their last puffs in front of the same window. Seen at the 2014 Toronto International Film Festival.