The Girl on a Motorcycle (1968)

Absolutely the worst movie.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Cult movies don't come much 'cultier' than "The Girl on a Motorcycle". This film was British in name only; fundamentally it was French through and through from its source novel, (La Motocyclette by Andre Pieyre de Mandiargues), to its leading actor, Alain Delon. Pop singer Marianne Faithful, naked but for a black leather jump suit, was really only standing in for Bardot. There's no real plot to speak of but there's a lot of sixties psychedelia, sex, nudity, cheesy dialogue (Your body is like a violin in a velvet case), and, of course, Faithful tearing along the highways and byways of Europe on a big, phallic motorbike to the bed of her lover, Delon.The director was a somewhat unlikely Jack Cardiff whose superb cinematography also gives the film its texture. Faithful's non- performance is really rather appealing while the film itself is ripe for rediscovery. It's not actually very good but it's certainly weird enough to be of more than passing interest.

This 1968 film is often dismissed as being a joke, but compare a lot of the scenes, filmed by Jack Cardiff of 'The Vikings' fame, to the now legendary 'Easy Rider', filmed a year later. The similarities are too close to be accidental, especially at the end where the camera pans back and up into the air, surveying the autobahn crash scene from above, to the ending of 'Easy Rider' alongside the Florida levy. Another scene features Marianne roaring her Harley-Davidson Electra Glide past horses, coincidental with scenes from 'Easy Rider'. It's not beyond reason that seasoned motorcyclists like Peter Fonda and Dennis Hopper would have seen 'Girl on a motorcycle', and been influenced by the cinematography. If you are a Harley-Davidson enthusiast, you will probably cherish this film for the fine motorcycles featured, namely the aforementioned 1967 Harley-Davidson, while smirking at the ludicrous upright posture of Marianne while apparently riding the motorcycle. I own a very similar machine, and can only marvel at the skill of the stuntman who actually bullied the brute through twisty, damp, oily country lanes, at a real speed that makes my socks roll up and down in panic just watching it!

I feel I must comment on what aimless-46 said in his (or her) review:"The ending is a bit of a puzzle; after the accident they pull up from the scene to a wide aerial shot and you expect the movie to go out on this shot (copied for "Easy Rider's" ending), which would have been very effective. Instead they cut to a travelogue-like scene of a European village and go to credits after about 60 seconds of this stuff. It serves no purpose other than to deflate any lasting impact."Actually the ending is quite clear and extremely effective!Earlier in the film, Rebecca daydreams about seeing her lover at 8am. As the clock chimes 8 in Heidelberg, we see Rebecca on her motorcycle traveling the road, parking her bike, running up the garden path to the gazebo and falling into Daniel's arms. She is then pulled out of her daydream (I believe by the tank full of soldiers driving past her on the road) and continues with her "real" travel to her lover.At the end of the film, this scene is played out again. Once the camera pulls away from Rebecca's crash, we hear the clock begin to chime 8 in Heidelberg. The camera focuses in on the clock, then revisits the same locations that Rebecca had imagined in her daydream, only she is not there. There is a sadness as we see the deserted road where she imagined she would travel, the place where she would have parked her bike, the empty garden path and the gazebo. We see the void she has left behind due to the carelessness leading to her horrible (yet spectacular) crash. And the viewer can't help but be reminded of how she told Daniel the last time they met that she would never come to him again. One wonders how he will take the news of her death, or if he will find out about it at all. Basically it's a meditation on loss and it's really quite moving.By the way, it's impossible to see this film and not get the metaphor of a teenage girl's dark sexual awakenings as embodied in the wedding gift of a motorcycle from her lover.A groovy soundtrack, leather, whips, motorcycle races, Alpine skiing, free love, fondue, Marianne Faithful getting lashed by a dozen thorny red roses - what a film! Thank you, Mr. Cardiff!

I can't get enough psychedelic silliness, and the DVD revolution has given new life to several 60s/70s gems. First 'Ciao Manhattan' with commentary, now 'Girl On A Motorcycle', also with commentary (by veteran cinematographer Jack Cardiff, who directed). Most people who have seen this movie don't seem to rate it very highly, but I thoroughly enjoyed it. Marianne Faithfull looks absolutely beautiful, and watching her race across Europe in a leather jumpsuit is my idea of a good time! Faithfull's acting talent is difficult to gauge. She spends so much time "emoting" over the endless voice overs that her expressions sometimes border on the absurd. There are quite a few unintentional laughs just looking at her face, and there are some naff lines in the script that will provoke smirks. That added to the impressive photography, a couple of solarized freak outs, some swingin' soundtrack music, and super cool Alain Delon ('Le Samourai') makes this lots of psychedelic fun! It would make a great double bill with Roger Corman's exploitation classic 'The Trip'.