Spare Parts (1979)

Such a frustrating disappointment

People are voting emotionally.

A story that's too fascinating to pass by...

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

"Fleisch" or "Spare Parts" is a German horror/thriller movie from 1979 written and directed by Rainer Erler. He is in his 80s now and has not made new films in a long time. The 1970s were probably his most successful decade and you may find more semi-famous film by him from that time. Just like this one here. It features Jutta Speidel as the main character and she is still fairly known here in Germany. She is in her early 60s now and looking at stuff like "Um Himmels Willen" I don't think she is a particularly talented actress or even a German Mia Farrow. And her performance in these 110 minutes, during which she is in almost any scene, does not change my opinion either. I won't go into detail about the other actors as I don't know any of them, but let me say that there is a clean structure in this film. Early on, the husband plays a major role (just like a motel lady), then a helpful truck driver and finally a dubious doctor. I think I definitely preferred the first half, maybe even first two thirds of the film. The final sequence was slightly underwhelming, but I don't think that was Charlotte Kerr's fault. They really did a lot wrong with Dr. Jackson. They build her up as some kind of main antagonist, then she is suddenly a useful helper and then they rush in her death eventually. It's just too much in too little time and it does not feel authentic anymore, just shocking for the sake of it and this is actually disappointing because early on the film manages to shock a lot through subtlety as well. The entire premise was very well executed early on and you could even guess there were supernatural forces behind the ambulance car driving the helpless victims away. I also think Erler did a great job with the camera work here and the locations too that fit well in terms of tone and atmosphere. So with a better ending it may have been a great film even, but it's still a good one. The last 30-35 minutes aren't as bad that they could actually destroy the film and I can also see why they were the way they were. Organ transplants were a much bigger and much more controversial back in the 1970s than they are today, so maybe you can't really blame the film that it has not aged as well as it could have. But wait, maybe it has. The suspense from early on is something that many filmmakers these days can only dream of when it comes to their talent and movies. I have seen other stuff by Erler that was also about a darker take on reality and did not like some of it. But I certainly enjoyed this movie here. Better lead actress (then again it's more of a writer director movie and Speidel doesn't do anything really wrong) and better last half hour and this could have been a stunning achievement. I recommend checking it out.

I was drawn to watch this movie in part because it was a foreign production filmed and set in America, and that promised that the movie would have a unique angle. The portrayal of America is surprisingly balanced - there is a deep and deadly conspiracy in the story, but the movie does give us plenty of innocent and helpful American characters at the same time. Unfortunately, this interesting balance is about the only good thing I can say about the movie. Certainly I can't blame the filmmakers for the atrocious dubbing, but they are guilty of other things. At 105 minutes, the movie is way too long (and slow) for its own good. Along this tedious journey are some real unbelievable plot elements like the fact the protagonists don't consider contacting the police until very late into the story. The movie is also directed with no sense of style, with no tension or any great feelings coming from the movie at any moment - it always feel flat. It's capped off with one of the worst opening/closing credits songs I have ever heard in a motion picture. There is the occasional hint of a decent (though not original) thriller here, but as a whole it simply does not work.

Going by the title, you would be forgiven for thinking this film would be some sort of grisly slasher; but actually (and disappointingly) it's a subdued made-for-TV thriller that bears more than just a passing similarity to Michael Crichton's 1978 film, Coma. The film is directed by Rainer Erler and is a German made film; although it takes place in Texas, USA. Being a TV film, you've got to expect it not to be heavy on the gore and special effects; and this is the case. Spare Parts relies on the plot and its characters to remain thrilling...and unfortunately it doesn't really pull it off effectively. The plot focuses on a newlywed couple having their honeymoon in Texas. They stop at a motel and meet the friendly proprietor; shortly before an ambulance swings by and abducts the husband. The girl goes back to the motel for help; but the proprietor insists she's never seen her before. The woman ends up getting a lift with a trucker, who helps her get to the bottom of the mystery.This plot has been done several times; not only in the aforementioned Coma, but also in later efforts such as Larry Clark's The Ambulance. The film feels very cheap throughout, and never manages to get past its TV movie status. At one hundred and five minutes, it really has to be said that the film is too long also; and it becomes less than interesting before the end. The central character; a young German woman is fairly likable, although despite the long running time; we don't really get to know a great deal about her. The plot certainly could have been very interesting, but not a great deal is made of it. There's very little suspense in the film either and that doesn't exactly help the film when it comes to the excitement stakes. To its credit, however, the plot does at least make sense throughout and the film does feature an ending that wraps everything up nicely. Spare Parts is not an easy film to find and to be honest I wouldn't recommend anyone bothers to track it down - Coma is (slightly) better anyway!

The opening scenes of this film are pure cheesecake with soul music, people frolicking through the street and dogs trying to grab wedding bouquets. There's some cheesy dubbing as well. It eventually settles down into a more serious affair after a sinister ambulance abducts one half of a honeymooning couple. The girl, Monica, gets away and eventually garners the help of trucker Bill and his trucking buddies in finding out where the ambulance took her husband.This is a pretty good film which kept me on edge throughout, as the characters were really likable. Good cinematography and a moody score help it along, and the story here is intriguing... certainly a hell of a lot moreso than the somewhat similar 1980 piece of garbage, Cardiac Arrest. If you find a copy, give it a look.