A War (2015)

Wonderful character development!

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It's easy as an American, with our American-centric media, to think of military conflicts like those taking place in Afghanistan as essentially American conflicts. It's interesting, therefore, to see films that explore those conflicts through the perspectives of other countries fighting the same fight we are.Documentaries and fictional films I've seen that have the war on terror as their subject, "A War" included, remind me of the films I've seen about Vietnam. A bunch of soldiers wandering around, not sure of what their assignments are or who's giving the orders, living in a constant high-key state of extreme anxiety that any moment might be the moment where they or a friend die. Whatever the conflict's origin, the purpose seems to gradually be obscured by the sheer monotony and bureaucratic confusion of the whole thing, important decisions being made by men in offices miles away from where the actual fighting is taking place."A War" establishes this environment, and then asks us as viewers how well we would do at making critical decisions if we were in the same situation. The commander at the film's focus is put on trial, and from a purely legal standpoint should probably have been found guilty. He certainly lies in an attempt to gain an acquittal. But I for one didn't want him to be found guilty and didn't blame him for lying or a member of his unit for lying for him. The film asks of us what wars since the beginning of time have been asking of those who are forced to fight them: measure the value of one human life against that of another. It's an impossible position to be put in, one that has no good outcome, and one that is destined to haunt the person who has to make the decision for the rest of his life, no matter what he ultimately decides."A War" brought Denmark an Academy Award nomination for Best Foreign Language Film at the 2015 Oscars.Grade: A-

It's no secret that the Danish people are making very good films. In the last four years they have been nominated for three Oscars, including this film Krigen. It is a tale of Danish troops stationed in Afghanistan, with a special focus on their commander Claus Michael and his family back home in Denmark. The Danish troops takes daily patrols to meet and speak with the locals. At the same time back in Denmark, Claus Michael wife Maria struggles with their children, especially the middle son who is in a defying period. Life in Afghanistan changes quickly when suddenly one of the soldiers gets killed and Claus Michael during a heavy fire exchange, is force to make a decision that comes with devastating consequences.Krigen is like many other Danish films brutally realistic and dramatic. With a limited budget, they hardly had any possibilities to make a big Hollywood war film, but in some ways Krigen captures something else. With smaller environments, more focus on the soldiers mental health and the relationship between them, Krigen feels very realistic. It doesn't glamorize war or the life of war. When the soldiers lives are put on edge, you really understand that they are also victims in something they perhaps don't fully comprehend. Parallel with the war in Afghanistan, we also see Maria's life in Denmark. She is forced to fight her own kind of battle and the contrast between hers and her husbands life is very interesting.The best and really most scaring thing about Krigen is the moral questions it asks about war and warfare. When Claus Michael is forced to make a decision to save his squad, he himself gets into deep trouble and suddenly risk prosecution back in Denmark. The country he serves and the soldiers whose lives was his duty to protect, suddenly turns more or less against him. Very interesting and a bit disturbing. I don't think the purpose of the film is entirely to be an anti war tale, but more likely to create debate. What is it like to be a soldier so far from home and can the authorities back home in Denmark really make decisions about certain things when they couldn't possibly understand what it is like to be in the middle of a war zone? I have for a long time, wanted Sweden to make this film but Denmark beat us to it. A very strong and interesting film.David Lindahl - www.filmografen.se

A War is not just about one war in Afghanistan; it is also about a war at home in two parts. So I guess that makes three. Anyhow, director Tobias Lindholm, who scored big with his docudrama A High Jacking, repeats the illusion of reality while presenting a fully-metaphoric tale about a commander caught between saving a man under fire and endangering civilians, in this case causing the deaths of 11 Afghans.As Lindholm depicted the tension aboard the hijacked tanker, in Afghanistan the tension is even more pronounced as bullets and mines abound with death even nearer than aboard the ship. Company Commander Pederson (Pilou Asbaek) is a decent man, whose second war is his attempt to be a father to children who have seen too little of him. Young Julius starts his own wars at school and Pederson's wife has a challenge keeping order, much less worrying about her husband in clear and present danger.The third war, and the center of the film's drama, is his court marshal for violating International humanitarian law by murdering civilians. That he did not have PID (identification of enemy in the target) is the charge. Although it appears to be scant evidence he had PID, the director continues to show the confusion of fighting an enemy in the field and at home.What makes this an Oscar-nominated Danish film is the non-manipulative narration, the lack of screaming at home, and the first-rate acting and directing. While the story strives to tell a linear morality tale, it ends up telling a story of not-so-clear motives and circumstances, whereby a good everyman faces implacable forces on the world stage and at home.Although A War did not beat Son of Saul for the best foreign film of 2015, it will resonate with practically all the human race cornered by the conflicts in the Middle East.

Modern local conflicts and crisis areas have brought along a different approach in depicting military activities - confrontations without clear battle fronts, with a foreign military mission in assisting role. But as, in essence, there is a war going on, one is unable to predict every next move and incorporate all situations/events into specific legal framework; in the event of military events, there are always casualties.Such is the background and essential point in Krigen, where the Danish Company commander Claus M. Pedersen (solidly performed by Pilou Asbæk) has to equally deal with both a severe accusation against him and his family (the characters of his spouse and three children seem to be more dynamic and interesting than those of officers and soldiers). I know that legal proceedings are not snappy, particularly among the Danes who are curbed and reticent, but still - the plot is a bit slow and arid, often uncovering the documentary aspect rather than that of a feature film, and the solution and the final scene are too plain. All this is just a narration running its course, and most of otherwise good and distinct actors have nothing profound to perform. Krigen is not a bad film, but not at the level of e.g. Tobias Lindholm's Jagten or Submarino. For me, Krigen is a less intensive and less diverse than some related films, e.g. Stop-Loss or Brothers. Despite having an Oscar nomination, I would be surprised if it gets this award.