The Good Heart (2010)

Best movie of this year hands down!

Please don't spend money on this.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This film is about a bitter bar owner who insults everyone he sees. He encounters a homeless young man with a good nature, and takes him as his apprentice in the bar."The Good Heart" is filmed artistically. The mostly dark colour scheme, and the old and bleak sets augment the film's dismal atmosphere. The story follows a predictable pattern, as two individuals with vastly different personalities collide, they change each other. Brian Cox puts on a great performance as a character who is bitter and cold. Paul Dano's character is very good natured to the point that he is vulnerable to exploitation. He has the good heart, which I did not imagine it to have a literal meaning. However, the slow pacing and the overly bleak atmosphere hurt the enjoyment factor. If this story was filmed as a light hearted comedy, it would have worked better.

Brian Cox & Paul Dano are a remarkable pairing in a film that doesn't really accomplish much, but somehow remains okay. Jacques, a bitter bartender looking for someone to carry on his legacy stumbles upon Lucas, a homeless young adult who is hopelessly giving. The pairing between the two is what allows the film to float above complete disaster, as their on screen chemistry elevates the otherwise nonexistent storyline to a level slightly beyond entriguing. As Jacques determines to break the kid and turn him into a "proper bartender", one who does not help people but destroys them, he finds a kid unwilling to bend in his giving ways. This changes Jacques, but the seeds of contempt Jacques has planted within Lucas in his "lessons of life" rub a lot deeper. This movie would've easily gotten an 8 had it ended about 5 minutes earlier. I must say that there was a scene in the beginning where I knew exactly what would happen at the end of the film, and this not only cripples any film revolving around this as a plot device, it destroys the very purpose of the entire piece. The only reason to watch this film is Brian Cox & Paul Dano's amazing on screen chemistry, and that alone places this film slightly above palatable.

Dagur Kari's film The good heart was a good way to start a film festival in my eyes. I just got back from the screening, and although this film i heavily dramatic, i have to say the audience was laughing quite a bit, as was I. Its not a comedy though, just a film that some great comedic reliefs, and does a great job portraying a story of human interaction. In this case, Brian Cox is spectacular as a bitter, foul-mouthed and at times cynical barowner who takes in a homeless man in his early 20s (Dano) who he meets while being roommates with at the hospital where he has his 5th heart-attack. The film's strength lies in its script which gave its talented actors (mainly Cox, but also some talented character actors in the supporting cast who played some regulars at the bar). The cinematography is perfect and has aesthetic qualities, colors that show authenticity of the bar atmosphere. the Score is also quite suitable, and perfectly adds to the whole experience. Dagur Kari created somewhat of a gem with this film. perhaps it was also an advantage that i saw this in an impressive venue, on opening night of cinequest in the "California Theatre" with what seemed like almost 7 or 8 hundred people in attendance.

I attended the North American Premiere of "The Good Heart" at the 2009 Toronto International Film Festival. Brian Cox and Paul Dano (reunited after the 2001 indie classic "L.I.E.") pull off a tour de force that left me breathless in this character piece from Icelandic writer/director Dagur Kári.The film opens with Lucas (Dano) barely eking out a living in a cardboard box under a rusty highway overpass, with only a scrawny kitten as a companion. Jacques (Cox) runs a worn old bar where he's beginning to take on its characteristics. The two meet and a classic intergenerational arc is set up that carries the film to the end.The film is dominated by a triumphant performance from Cox, one of the film world's masters. Shot primarily in one interior location, the theatrical nature of the script lends itself to playful interaction between the two leads. The chemistry between Cox and Dano began in 2001 with "L.I.E." and there's still magic in that relationship, forged over time as Dano has matured as an actor and into manhood. Interestingly, there are some references to cars and shaving which have carried over from "L.I.E." to "The Good Heart," intentional or not. Conflict is infused by the sudden appearance of April (Isild Le Besco), who forces the two to take sides even as their friendship is beginning to blossom.Shot with mostly hand-held camera by cinematographer Rasmus Videbæk, "The Good Heart's" grainy film stock, washed out colors, and natural lighting without compensation for shadows give the film an honest look. A sweet soundtrack is mostly provided by the player piano that holds a prominent place in the bar. It's a clever and amusing device.A long time in the making, "The Good Heart" spent five years in production with exteriors in New York and interiors in Iceland. Cox's introduction after the screening brought the first standing ovation of the festival.