Mom (2017)

I love this movie so much

That was an excellent one.

Don't listen to the Hype. It's awful

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

This movie could have been a commentary on rape victims and justice in India. But they turned it into a cheap revenge thriller badly executed. The last movie of Sridevi was probably her worst.

The movie was so good. Sridevi and everybody acted very well in the movie. Songs were not good but BGM in the movie was so good. The movie was so interesting and thrilling. But the movie has some logic mistakes and there were some vulgar scenes. But the movie was so good.

"Mom" is a family thriller centered around a step mother who avenges the rapists freed from the court following the gang rape of her daughter. Besides, it includes her journey to come close to her estranged and traumatized daughter.The story is emotional, nuanced which gets a mesmerizing touch through the beauty of its camera work and stupendous performances from Sri Devi (after English Vinglish), Akshaye Khanna, and Nawazuddin Siddhique. However, in between the film becomes sluggish and feels weary to see how manipulative and clichéd its revenge drama becomes. Despite its flaws, the film feels compelling to view for the emotional layer the film carries till its last minute alteration.Rating: 3 stars out of 4

The feminazi takeover of Bollywood continues with it's anti male, feminist propaganda, this time churned out by Boney Kapoor & Zee Studios.Following the likes of 'Pink' & Hollywood's 'I Spit On Your Grave', another slyly crafted feminist film, with overly dramatic performances by Sridevi & Sajal Ali.The script is terribly twisted, advocating male castration, murder & violence among other crimes.Double standard exists within the plot, as a group of young men have committed a gang rape, however the film comes to an abrupt end failing to address the outcome of other heinous revenge crimes being committed throughout the second half by lead character Sridevi under the pretense of a 'mother's love' all while seeking validation of her spouse's daughter who is not her own biological offspring.A scene is also shot where Akshaye Khanna's character (main cop) gets put off the case by his senior because the second suspect in the case (Sridevi) happened to be a female.Yet another film where men are prosecuted for committing crimes, but if you are a woman, you get to commit crimes and walk away scott free! Nothing special about Sridevi's performance here other than her resurgence making great marketing for the film subtlety pushing it's feminazi propaganda. Something not new to many of her casted roles since the 80s.Akshaye Khanna's comeback performance is refreshing. He is casted well along Nawazuddin Siddiqui whose character, given his acting talents, could have been given better depth, however ends up being mediorce, as comedy did not seem to not be working within the overall theme of the film.Pathetic music by India's once musical genius of the 90's A.R. Rahman. To compare to Hans Zimmer here is ludicrous!Writer Girish Kohli seems to be an atheist or spiritually ignorant, since tagline for the film reads: 'God could not be everywhere, so he created MOM'. How blasphemous a statement! The script also contains skewed feminist views surrounding character 'Draupadi' of Hindu mythological text Mahabharat. Not forgetting the transgender character casted to appease feminists, LBGT & Gays.The notable strong aspects of the film however remain in its technical aspects being its cinematography, editing & direction which are all well done.