Time Without Pity (1957)

Instant Favorite.

Great Film overall

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

****SPOILERS****We see here that a father's love for his son has no bounds even to the point of willingly giving up his life to save him from going to the gallows. Just released from a Canadian sanitarium where he spent the last two years for acute alcoholism writer David Graham, Michael Redgrave, flies to England to save his son Alec, Alec McCowen, from being executed for the murder of his girlfriend Jennie Coles, Christina Lubicz.. It was Jennie who was found beaten to death at the Stanford Mansion where they both were attending a Christmas Eve party. Alec who was so drunk at the time can't remember what happened but feeling guilt for Jennie's death he meekly accepts the judgment of the court to have him executed.It's David Graham's stubborn determination to not only find his son Innocent but also who really murdered Jennie Coles that leads him to hit the bottle that he promised his son Alec never to do again that in his alcohol induced state eventually lead him to expose Jennie's killer but at the very cost of his own life! It takes a lot of legwork as well as shots of gin whiskey and scotch for David to get to the bottom of the bottle as well Jennie's murderer. In the end with time running out and David's son Alec about to take the 13 steps to the gallows he finally finds out who Jennie's killer really is-no surprise since we saw him murder her before the starting credits even rolled down the screen-the psychopathic and maniacal owner and a bit off his rocker sports car manufacture Robert Stanford, Leo McKern,who's sexual advances she resisted!****MAJOR SPOILERS**** With Alec's execution just minutes away David confronts Stanford at his office and after pleading for him, by admitting his guilt to the authorities, to save Alec's life then as a last resort does the unthinkable! That in him throwing caution to the wind and getting into a wild slug fest with Stanford in order to have him murder David as well! That's to prove to the courts that if Stanford was willing to murder David in preventing him exposing Stanford as Jennie's killer why wouldn't he have murdered Jennie herself! With David dead on the floor and the police as well as Stanford's adopted son Brian,Paul Daneman, breaking into Stanford's office and catching him,with the murder weapon,red handed the totally crazed and hyperventilating Stanford goes into a wild and uncontrollable tirade that should have easily and hands down won him the 1957 Academy Award as the years best actor!

I finally caught this interesting little film about six months ago on Turner Classic films. This is based on one of Emlyn Williams twisty murder plays (like his classic, NIGHT MUST FALL). Here we have Michael Redgrave as the father of Alec MacGowan (who is on death row) trying to find out who actually committed the murder his son is charged with. Redgrave is an alcoholic, and a failed parent, and his every effort is stymied by hostility and stonewalling. But slowly he realizes that the guilty party is a millionaire car manufacturer played by Leo McKern. Peter Cushing also appears, as the solicitor who gradually becomes convinced that Redgrave knows what he's talking about (a welcome normal role for the horror film star). I recommend the film, particularly for the ironic way that Redgrave finally turns the tables on McKern, making it impossible for McKern to escape punishment.

This Emlyn Williams play about the relentless search for truth intertwines craftily in and out of the lives of some very imperfect human beings and builds to a surprising but inevitable ending.Redgrave, McKern, Todd, Plowright, Maxwell, Daneman and the rest of the cast all do well to bring this gritty black and white puzzle into focus. The son played by Alec McGowen was a bit over-the-top at times but then his character's madness required that.It's not a masterpiece...but I don't expect there are too many of those around. But what it does provide in dramatic tension elicits interest and compassion from the viewer until the very end.The Tristram Cary music must be cited here for its unflinching power to shake us up and take notice of the action on the screen. If there is any masterful work here it is the music.The only qualm was the less-than-satisfying editing which tended to bring the down the tension-building instead of heightening it.Yes, it was a low-budget movie...it's a cop-out to say that in view of the fine acting of the magnificent cast which redeemed it many times over.I'd recommend this to fans of film-noir, classic thrillers, mysteries and the British cinema.

A bizarre psychogram of a series of characters, all of whom are disturbed in their own manner. Losey delineates the characters through a series of images which are so effective because they're so simple.A cheap B-movie. The choppy dramaturgy and editing, viewed from today's perspective, conveys a nervousness and an intensity to the film that was probably lost on a 50's audience. No happy end, but a just and noble one.