Saturday Night Fever (2002)

Good concept, poorly executed.

Good , But It Is Overrated By Some

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Tony Manero (John Travolta) is in his early 20s. He lives in Brooklyn with his parents (who treat him like dirt) and has a dead-end job. He blows off steam every Saturday by going to a disco with his immature buddies. He's also GREAT at dancing. One night there he meets Stephanie (Karen Lynn Gorney) and falls in love. However she's ambitious and is moving forward. He isn't. Can their love survive.This was a HUGE hit in 1977. It made disco popular and made Travolta a star. There's tons of swearing (in the R rated version) but that's how guys that age talk. It moves quickly and has a compelling story. With the exception of Gorney all the acting is good. Travolta is superb! His acting is great and his dancing is beyond belief. Also the soundtrack (primarily by the Bee Gees) is wonderful. It's actually a pretty dark movie but the acting and soundtrack make you forget all that. A true must-see movie.

Saturday Night FeverIt is no mere musical movie as it portrays an enormous amount of practicality and vulnerability especially in its final act considering its premise that is a clubbed youth drama.

Will openly admit to having very fond memories of school discos, singing along (often forgetting words) and dancing (with some energy if not such a discernible beat) to music, a music college graduate has to start somewhere, that was great then and still is now.'Saturday Night Fever' may not be a perfect film, or a masterpiece, but to me and many others it is high-energy and hugely enjoyable entertainment that took me back to nostalgic, and happier, times in my life. This was the late 90s-early 2000s, just to make things clear, memories of the 70s are none due to not having been born yet. 'Saturday Night Fever' is one of those films where it is easy to sit back and forget any problems and relax after a hard day (am hardly any stranger to those, so 'Saturday Night Fever' was a much needed distraction).There are imperfections sure. Anybody looking for one of the all-time great scripts or a great story and iconic characters better look elsewhere. This said, the script is not all bad, but does have some cheesiness that will make one cringe, regardless of whether they are demanding much or not. The story and characterisation is somewhat more patchy though better than given credit for, the story does absorb but a couple of the subplots are silly and don't feel as resolved as they should, particularly that for the rival gang.One of 'Saturday Night Fever's' biggest problems is how the character of Stephanie is written and how Karen Lynn Gorney plays her. The character is very underwritten and often very annoying, giving Gorney little to do and failing to inject much charm or likability, outside of some great dancing.However, the production values are great with lots of glorious colour and style. John Bradham directs with a clear affectionate love for the period and subject, and the film does offer a more complex view of disco than one might think with some easy to relate to themes.Best assets are the music, dancing and John Travolta. The soundtrack, with some of the most memorable contributions being from the Bee Gees, is one of the best, most unforgettable and iconic soundtracks of any film from the 70s, and great music in its own right. Music is a real passion and something that is always talked about in my prolific reviews here, and something that mostly garners a lot of praise but have also been known to be picky. The dancing is full of high-octane energy, snazz and pizazz, Travolta especially though the dancing is the best thing about Gorney's performance.John Travolta is a revelation in the role that made him an overnight star and pop-culture icon. Danny from 'Grease' may be the slightly more famous role but to me Travolta is better here.In conclusion, very enjoyable though not without its imperfections. 7/10 Bethany Cox

Tony Manero (John Travolta) is a strutting 19 year old Italian-American in Brooklyn. He works in a paint store, fights with his loud combative family, and lives for disco. He's the local disco king with a group of friends. Local girl Annette is desperate to be his girl. The Verrazano–Narrows Bridge divides this world from the magical world of Manhattan. He is taken with new girl Stephanie Mangano. Annette convinces him to be her dance partner in the big contest. Tony pushes to get Stephanie who has her eye on Manhattan. The family is shocked when his sainted brother decides to leave the priesthood.From the first scene, Travolta brings a power into this disco fable. It's the music. It's the fashion. It's the family and friends. Best of all, it's a hungry Travolta on the prowl. Tony is clueless but he's hungry. He doesn't know what he's hungry for but he's restless for it. Travolta is uninhibited. He's a disco god. Special mention goes to Donna Pescow and her great portrayal of Annette.