Arena Season 2018

A satirical look at the contradictory pressures faced by women today. It examines how television and social media can help us explore identity, at the same time encouraging women to conform to strict beauty ideals. Multimedia artist Rachel Maclean has created a world that is both seductive and dangerous, a place where surveillance, violence and submission are a normalised part of daily life. Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her fellow inmates are encouraged to compete for survival. Forced to go head to head in a series of demeaning tasks, Siri and Alexa start subverting the rules, soon revealing the sinister truth that underpins their world.

In 1979, Bob Dylan released Slow Train Coming, an album of strictly devotional songs. He declared he had found God in Christianity. For the following two years, accompanied by the finest musicians and gospel singers, he toured with a repertoire solely of songs expressing his new-found faith. A film was made of one of those performances, but it was never released. After 37 years, it is broadcast for the first time - but with a twist. The performance is enhanced by a series of sermons between the songs, all specially written for the film and preached by Oscar-nominated actor Michael Shannon. The result is Bob Dylan's gospel service combining the then of the gig with the now of the message of The Preacher.

Film exploring the relationship of artist Stanley Spencer's two daughters, Unity and Shirin, as they try to understand and reclaim their father and investigate their family's archaeology. The film examines what it is like to be the children of a genius in a family whose private life has been described as 'the most bizarre domestic soap opera in the history of British art'. At the heart of the film are Stanley's daughters - Unity, 87 and Shirin, who's 91. Their separation, post-Stanley's divorce from fellow artist Hilda was traumatic. So, too, the fiasco of their father's second marriage to self-confessed lesbian, Patricia Preece. This separation took root in the daughters' lives, and only in old age have they come together. The film follows this late-life rapprochement, as Unity boxes up her father's drawings and letters and leaves her London home of 40 years to be with Shirin in Wales.