Stealing Sinatra (2003)

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This movie isn't for everybody, but I enjoyed it thoroughly. It probably helped that I grew up in the L.A. area, and the San Fernando valley in particular (I've been to Canoga Park, and driven down Sherman Way!). I loved the way they evoked the Southern CA surf culture, and especially the surf music, of the early 60's. I've always been a big a fan of that era. And has anyone noticed how prevalent 60's surf music still is today? You hear it constantly on TV commercials and in the media. The pre-counterculture 60's period detail in this movie was excellent: clothing, cars, houses, hairstyles etc. It's an almost overlooked time in our history and culture. (As a former valley-boy, I was amazed to see on the end credits that this was filmed in Vancouver B.C!). The real-life story here is no secret. The fun of this movie is in the journey, not the destination. I'm glad they chose to make it as an almost surreal, truth-stranger-than-fiction comedy. This is serious subject matter, but it would have been a total flop as a straight ahead drama. The thrill was in getting to know the perpetrators and in the realization that they were really just regular, likable guys (guys I might have hung out with at one time) doing incredibly stupid things and getting in deeper and deeper. Of course the glue that held the whole thing together was David Arquette. You can have fun just watching him think. I've followed him, on and off, since the Scream movies, and he just gets interestinger and interestinger. I was mesmerized watching him go from friendly to scheming to salesman to wounded in the time it took to light a cigarette. Bill Macy also added depth and dimension to the whole affair and provided a solid foundation for Arquette to stand on. For me, this is an excellent low budget gem, and a movie I never get tired of watching.

I am a fan of David Arquette, so that is the reason I saw this movie. I didn't really know what to expect, I read other peoples reviews, which weren't the best. However, I think people were being much to critical with this movie. I think that the performances given were great, and believable. The movie was shown in the kidnappers point of view, which in a true story, is very rare. Personally, I think that the performances of the criminals were yes bumbling, but that is simply because the actual criminals were. If you are a fan of someone in this movie, you will enjoy it. This is the type of movie that you watch just to watch and have fun.

(Only light spoilers in here)Stealing Sinatra is a half-slapstick comedy about dimwit kidnappers, dimwit victims, and a few other side-stories thrown in to eat up some time.You will see some poor performances all around in this movie. The drama is forced, and the humor makes no sense. Whether you're watching the kidnappers threaten the victim who won't shut up, or a victim's father responding to the criminal's death threat with "Care for some tea?", none of it is believable. This quite comfortably fits into the "wannabe movie" category.You will also be listening to a repetitive goofy music track throughout pretty much the entire movie. It's quite unprofessional, and adds nothing. It's really just a sad attempt at making an achingly unfunny movie seem somewhat witty.However, if you're able to look past all of this and suspend a lot of disbelief, you might be entertained by the adequate storyline.I voted 4/10.

Forty years ago when Frank Sinatra Jr. was kidnapped, those who read the story weren't sure how seriously to take it. Intentionally or unintentionally, this movie captures the uneasiness. Sinatra Jr. is portrayed as a hapless dweeb, his kidnappers as quixotic eccentrics. An excellent soundtrack featuring period music serves to distance us from the whole 1960s setting. But other touches, particularly James Russo's brief appearances as Sinatra Sr., give a powerful believability to the family's victimization.