Dick Tracy's G-Men (1939)

It's no definitive masterpiece but it's damn close.

Excellent but underrated film

best movie i've ever seen.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

That's probably the less interesting serial of all that William Witney made in his all carrier. And certainly the less of the three Dick Tracy ones he made; the best is the fourth. This one was the third. One good point is of course Raplh Byrd - the best Dick Tracy actor of all times - and the villain played by Irving Pichel - whose face reminds me Benicio Del Toro. Yes Pichel is a terrific heavy here. But besides, I won't say it's a tepid serial, far from that, but I could prefer those directed later, even in the fifties, made by the likes of Fred C Brannon or Spencer Bennet. The weak point, if you compare with those made by Republic Studios several years later, is the fist fights. Here, you perfectly see that they have not reached their peak yet. But a couple years later, the fist fights are spectacular, oh my God !!!One more good an surprising point for this serial is the ending. I am not a serial specialist, but the ending here, although not spectacular, is very interesting and unforgettable. I won't spoil it, but I don't think that in another serial you could Watch such an end. But maybe I am wrong.

Typical of the Hollywood approach to comic strip characters, particularly in serials, the studio acquires the rights to the name so they can advertise it outside the theater, but pays no further attention to the things that made the original successful Here, Dick Tracy is not a cop but a G-man. No Pat Patton, but a sidekick named Steve Lockwood. No Tess Truehart, but secretary named Gwen. Only Junior survives the transition the the screen, spending most of his time with another new character named Mike McGurk, played by Smiley Burnette for comic relief.My guess is that Republic already had a script on the shelf called "King of the FBI" or some such, and just changed the name of the title character. You can see the same approach in the Captain America serial.A great serial, but it's not Dick Tracy.

This video, from a film series made in 1939, is a classic example of a hangover from the silent era for action films, when heros & heroines stood in mortal peril at the end of the film, only to magically escape when the punters returned from their suspense the following week to see what happened in the next serial.This is a classic marketing ploy seen several times in this combined film.The previous reviewer adequately summarised the plot.I bought it to obtain a copy of the second feature film ever made by Jennifer Jones when she was still Phyllis Isley (her given name).Made at the low budget minded Republic Films, this was her second attempt at Hollywood stardom at Republic, her first & easier to obtain, was "Frontier Horizon" with John Wayne.However, the low status and lack of character depth of roles (not to say money) offered, left her somewhat disillusioned and after this film she returned to New York with her then new husband of that year, Robert Walker, for a second crack at stage stardom on the "Great White Way".In this film she plays Gwen Andrews, Dick Tracey's girl Friday, a role like Miss Moneypenny in the James Bond saga, you will note was played by another actress from the 1937 series.An interesting example of the serial film genre from the 1930's.

Zarnoff, the world's most notorious spy, is sentenced to death in the gas chamber for his activities. Zarnoff escapes through a drug he ingests before being brought to the death chamber. For the rest of the serial, he wages war with the man who sent him there, Dick Tracy. Very good cat and mouse game between Tracy and Zarnoff, couple with good action sequences, make this serial well recommended. Watch for the stock footage of the Hindenburg disaster. Great score as well. In terms of serials, 9 out of 10.