Gunsight Ridge (1957)

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

"Joel McCrae" -- almost all you need to say.But here he is surrounded by extraordinarily talented actors, all working well together in a much better than average script.Many of the characters get a chance to stand out, including one played by one of my favorites, the great Herb Vigran. I actually had a chance to meet him when he was playing in a stage version, in Los Angeles, of "Merton of the Movies."A certain major TV series star played "Merton," but, to be honest, he was the least talented actor on stage.Herb Vigran could have given him lessons -- as could a very young girl (maybe 7?) in the cast -- on how to project. But Herb Vigran had been around and started with some built-in talent that just grew and grew in his years as, for example, a villain in the "Superman" series, and in guest appearances in such other shows as "Adam 12."He was also a charming and gracious person.Leading lady Joan Weldon was outrageously padded and I wonder, again, why talented actresses allowed themselves to be so used. She was already beautiful, she did have talent, and being made to look almost grotesque simply made no sense.There were three other important female characters, merely one more factor that prevents "Gunsight Ridge" from being properly called a "B movie."As a character not named in the credits except "Farm Girl," young Carolyn Craig just plain stole every scene she was in. She was a really beautiful 23-year-old who looked younger, and had an amazingly expressive face. In short, she was a marvelous actress and I would bet she was stage trained."Rosa" was the girl-friend of the bad guy and, as played by Darlene Fields, about whom is nothing known, was a very sympathetic person. Darlene Fields also was beautiful, and I'm surprised so little is know about her. She too gave a superlative performance and should have been in dozens of movies and TV shows. What a shame we know so little about her.Another great actor was Addison Richards who seemed the perfect career law enforcer.All the other cast members deserve mention, too, but we're running out of electrons. Let me just say, again, nearly every one had a chance to stand out as characters and every one performed superbly.There were two or three director flaws, but there is no reason to mention them. They did not detract much.One major flaw, though, is that one character who is killed off early is not listed in the credits. And the actor who played him really deserves mention.There is a very good version of "Gunsight Ridge" at YouTube, but for some reason whoever uploaded it allowed most of it to be added on again after "the end."It doesn't hurt the viewer: You just stop when the movie stops. But do start! This is an excellent movie, and would have earned a "10" except for the director flaws and one sound flaw.

Gunsight Ridge is directed by Francis Lyon and written by Talbot and Elisabeth Jennings. It stars Joel McCrea, Mark Stevens, Joan Weldon, Addison Richards, Darlene Fields and Carolyn Craig. Music is by David Raksin (title tune sung by Dean Jones) and cinematography by Ernest Laszlo. McCrea plays Mike Ryan, an undercover Stage Line agent who while investigating a series of robberies takes the job of a deputy Sheriff in a border Arizona town. Gunsight Ridge is a neat little Western, better than most of its black and white type because it rises above its formulaic story to reveal interesting characters and good strands of plotting. In the mix is the detective work as Ryan hunts stagecoach robber Velvet Clark (Stevens) whilst also enforcing law in the town. There's a gang of ruffians on the outskirts of town known as The Lazy Heart Boys, who offer a side-bar of criminal activity, while Ryan and the Sheriff's daughter (Weldon) start to build an attraction. There's cold blooded murder on show, a rampaging stagecoach sequence through the rocky terrain and a finale up in them thar rocks that satisfies greatly. It is also a film that looks and sounds terrific. Raksin's score is full of thunder and sorrow, while Laszlo's moody photography is atmospherically noirish. It's the characterisation of Velvet Clark that is the trump card though. He is shown to be a ruthless killer and thief, yet he also has a sympathetic edge. He is given some depth by the writers, shown to be a frustrated pianist, he's tortured by his artistic leanings and how he has ended up on the wrong side of the law. With McCrea doing another in his line of straight backed and stoic man of the people turns, the dual aspect of good and bad characters works beautifully. There's other little character moments of worth as well, such as Carolyn Craig playing a young farm girl romanticising herself with the outlaw Clark, and old Sheriff Jones (Richards) obsessed with catching the robber because he doesn't want his perfect record blemished. Comfortably recommended to fans of 1950s "B" Westerns. 7/10

Joel McCrea stars in Gunsight Ridge as an undercover agent for Wells Fargo which has been getting regularly robbed on a certain stagecoach run through the territory of Addison Richard who is the sheriff. He's not getting the job done so McCrea's brought in.The title refers to a particularly rough stretch of country where McCrea has his final showdown with the bad guy or at least the chief bad guy.There are two sets of them, one is a group of four cowhands from George Chandler's ranch who do a little cattle rustling on the side, two of them western standbys L.Q. Jones and Morgan Woodward. The other is a man of mystery who plays an exquisite piano and goes by the unlikely western name of Velvet. This is a guy who clearly has some issues which in a better script would have been more explicitly dealt with. Mark Stevens may have had his career role in playing this man.Addison Richard gives a nice performance as an aging sheriff who won't quit until the stagecoach bandit is taken dead or alive. McCrea does what he can to help and the sight of Richard's pretty daughter Joan Weldon gives him all that more interest.Viewers might also note the presence of farm girl Carolyn Craig who helps both Stevens and then McCrea. She's one lonely girl with a budding libido and an itch to get off the farm. In a bit role as a bartender is Dan Blocker who with his frame and voice you can't miss.Not one of Joel McCrea's best westerns, but his fans should like it.

Pretty fair Western. The script meanders some, but with characters coming in and out of the story line, it's not a conventional screenplay. McCrea plays a stagecoach agent on the trail of hold-up man Mark Stevens. They're not exactly routine good-guy bad-guy. As a deputy sheriff, McCrea enjoys collecting county taxes and getting a 10% cut-- and how many tax collectors have you seen in a Western? Also, bad guy Stevens plays the moody piano, not well, but enough to suggest a sensitive soul lurking somewhere inside-- and how many Western villains have you heard named "Velvet"!. Then there's teen-age Carolyn Craig alone on the prairie, doing a good frontier imitation of Debbie Reynolds, and ready to hook up with anything in pants. I like the four rowdy cowhands who take about 10 minutes to totally trash a cabin. The scene may be unnecessary, but it sure looks like someone's having a lot of fun. Also worth noting is the final shootout, which takes good advantage of the scenery and reminds me of the final shootout in the classic Winchester 76. All in all, there are some offbeat touches for a cowboy movie of the 1950's. And besides, any film with that great Western star Joel McCrea is worth watching.