512 Hours (2021)
In the summer of 2014, tens of thousands of guests flocked to the Serpentine Gallery in London to experience Marina Abramović’s exhibition ‘512 Hours’. But when it opened, it dawned on everyone that the audience itself was the actual work in the iconic performance artist’s landmark exhibition. The audience members were also active participants and co-creators of the social experiment, which - set against the minimalist background of the gallery’s empty space - developed continuously into new, unpredictable directions during the three weeks (or 512 hours) in which the exhibition took place, while Abramović herself took part in the performative ritual.
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Reviews
Fantastic!
Bad Acting and worse Bad Screenplay
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.