Fighting Back (1982)

You won't be disappointed!

Just perfect...

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

One of the worst ways to make a cult movie is to set out to make a cult movie.

I love these 1970s and early 80s gritty movies, and in this regard, the film delivers. The large old American cars, the street scenery, the police, etc. all has that feel that you don't get in today's movie. But overall, the film fails to deliver. By the middle of the movie I was starting to get bored waiting for something more interesting to happen. Much of the movie is also unrealistic. The police seem virtually non-existent, which is not genuine (even if the point is that a neighborhood watch is needed). The rivalry with the pimp also made no sense, there were a series of meetings which just did not flow with the plot. Overall, you are unlikely to be very satisfied with this film, although it is reasonably watchable. This is why the rating is in the 5-6 range and the film remains obscure. The few reviewers who gave it an 8 to 10 rating are waaaaaaay over-rating the movie and do not know what a true 9 or 10 movie is (in my view, only 4-6 movies a year can really be called a 9 or 10).

Oh here we go again, another low-budget vigilante feature of someone trying to make a difference. Actually I enjoy these types of features, no matter how well-worn or rancid they can be. However "Fighting Back" was a surprisingly effective if mildly realistic piece (up until a point), while not always fulfilling it did provoke some harsh and lasting set-pieces with a barnstorming performance by Tom Skerritt. It kind of crosses paths with films such as; "Death Wish" (1974), "Boardwalk" (1979) and "Vigilante" (1983). While scathingly violent and exploitative, its messages are obvious (especially the use of Yaphet Kotto's pointless character) and ambitiously put across with a multi-facet bunch of central characters that are thoroughly illustrated and this helps make the situations deliver on the impact. There's a lot more food for thought here, but it kind of over does towards the end.After an incident involving a pimp and his elderly mother ending up injured in a hold up, John D'Angelo finally has had enough of the crime suffocating his community. With the support of friends and neighbours he organises the People's Neighbourhood Patrol to protect their lifestyles. Dressed up in uniforms (caps, bubble vests and wooden bats) and their own patrol car ("Ghostbusters" anyone?). The only way to do it is to fight fire with fire, but still staying in the boundaries of the law. This gets on the nerves of the local police, upsets worried politicians and only aggravates the street gangs, especially the pimp he crossed paths with.What starts off basic, than moves away into political territory and the problems that face the D'Angelo character (things getting out of hand). Where soon he becomes self-obsessed and pinned-down with his campaign, where judgements are clouded, hot-headed confrontations erupt and his wife's (Patti LuPone) well-being for her family is discarded. Skerritt's character is not particularly sympathetic either, as from what he's doing he becomes news --- popularity sky rockets --- a people's hero --- why not run for office. So he does. Michael Sarrazin is excellent in the role as D'Angelo's friend, who just happens to be a cop. Sarrazin's character is much more agreeable in his motives.Director Lewis Teague ("Alligator (1980)", "Cujo (1983)") does a respectably stark and gritty job capturing the urban decay and crime-riddled environment. There's a tit for tat structure to the group doing their rounds, but the constant beatings are excitingly gripping ""Nobody laughs at my momma!". There's one sequence where a fast food outlet owner just happens to have a battle axe(!?) stored away, when D'Angelo comes a knocking. The pacing is rapid and some scenes are highly charged, although the ending (D'Angelo and the Pimp) does feel so anti-climatic."Fighting Back" has its feet in both camps; exploitative but also contemplative.

Set in an Italian neighborhood of Philadelphia "Fighting Back" tells the story of a storekeeper(Tom Skerritt),who is outraged by an incident on the streets that results in his pregnant wife losing the baby and by a robbery in which his mother's ring finger is cut off.He organizes the local people into a security patrol.The patrol does wipe out crime but operates beyond the law with our vigilante carrying on more of a personal vendetta than a campaign to establish law and order."Fighting Back" by Lewis Teague is a taut and exciting revenge thriller obviously influenced by "Death Wish" movies.The film is well-acted and looks surprisingly authentic.There is not much violence on display,however if you are a fan of thought-provoking cinema you can't miss this gritty flick.8 out of 10.

How disappointing this isn't available on DVD. It seems people are even absurdly inspired by "Fighting Back", judging from wannabe vigilante "Legend_In_The_Making"'s comments, (thinks it's a friggin 10 star classic). I consider this as good badfilm, nothing more. I remember back in the 80s, this was one of those films HBO would show constantly - must have been cheap for them! Some very classic moments - the plot provides plenty of reasons for Tom Skeritt's character John D'Angelo to vent his righteous rage - the old lady getting her finger cut off for her wedding ring - the family dog found hung in the shower by thugs, and the neighborhood pimp who calls John D'Angelo's wife a bitch, and then tells JA "a man who can't control his woman can't control his bowels - he shits his pants." Oh no he din't!! The crime in the area becomes so bad that John D'Angelo forms a "citizen's patrol", complete with a bad-ass modified ex-police car and a black member so you'll know that the urban paranoia at least isn't racist. I won't reveal any more, but suffice it to say that I really miss this film, and much of it is indelibly etched into my memory.This movie is so over the top, I would recommend it to anyone like me who enjoys the unintended humor in this type of genre. Good luck finding it on VHS. I give it the five stars (out of ten) that it so richly deserves.