The Turning Point (1952)

Strong and Moving!

Highly Overrated But Still Good

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Paramount's THE TURNING POINT is unfortunately a forgotten movie. A reasonably good crime thriller the film has suffered probably because of its unavailability in any format. It cannot be found even on VHS and its TV screenings are few and far between. Why this should be is anybody's guess for it is nicely written by Warren Duff and has a sterling cast in William Holden, Edmond O'Brien, Alexis smith and Ed Begley. Produced for the studio in 1952 by Irving Asher it comes from a story "Storm In The City" by Horace McCoy. Crisply photographed in black and white by Lionel Linden it was given a nice noirish style by director William Dieterle. Like Robert Wise's "The Captive City", made the same year, the picture is heavily influenced by the Kefauver Crime Hearings in the U.S. senate in 1950 and 1951 set up to investigate organized crime and its cross border activities.Newly appointed crime commissioner John Conroy (Edmond O'Brien) is determined to crack down on the crooked syndicate that is holding the city to ransom with its extortion racket and other illegal enterprises. With the help of his police detective father Matt Conroy (an excellent Tom Tully) he intends to eliminate the hoodlum element controlled by syndicate boss the ruthless Eichelberger (Ed Begley). But to his surprise he finds his father is reluctant to get involved. Investigative reporter and John Conroy's boyhood friend Jerry McKibbon (William Holden) is suspicious at Matt's reticence in helping out his son and follows him. He is shocked to discover he does business and has dealings with the syndicate. He is now undecided on just how to tell his friend that his father is no more than a crooked cop. To further complicate matters he begins having an affair with John's secretary and girlfriend the attractive Amanda Waycross (Alexis Smith). The picture comes to a nail-biting finish when an out of town hit man (Neville Brand) comes gunning for McKibbon (an exciting sequence at a boxing match) so as to prevent him from reporting anymore about the activities of the mob in his newspaper.The acting is splendid from the entire cast. William Holden in the wake of his brilliant performances in the unforgettable "Sunset Boulevard" and his fine railroad cop in the excellent "Union Station" gives his usual well polished performance this time as a hard bitten newspaper reporter. Excellent too is Edmond O'Brien as the commissioner. O'Brien was an actor who was never known to give a bad performance and doesn't disappoint here. Supplying the romance is the attractive Alexis Smith an actress who for years was buried in nothing roles at Warner Brothers here comes out of her shell to give a nice portrayal of a woman torn between two men. The following year she would steal the acting honours from all around her in RKO's neat little thriller "Split Second".There is no original music in the picture which is something of a disappointment. All that is heard are bits and pieces culled from unused music of Victor Young and Miklos Rozsa and conducted and supervised by Irvin Talbot. However the music score not withstanding the picture doesn't suffer because of it and it remains a good solid crime thriller. Now where is Olive Films to give us the DVD?

THE TURNING POINT is a crime drama based on Horace McCoy's novel Storm in the City. Crusading district attorney John Conroy(Edmond O'Brien)is tabbed to crack down on a powerful crime syndicate that is believed to have control of many of the city's leading citizens and officials. Conroy wants his father Matt(Tom Tully), a veteran cop,to be his lead investigator. Friend and hard nosed newspaper man, Jerry McKibbon(William Holden)has doubts John is the right choice for the assignment and during his own investigation discovers that Matt Conroy has been running around with local mobsters. Neil Eichelberger(Ed Begley)is believed to be the syndicate's kingpin and it will be a tall order to prove such. This film is directed by William Dieterle and has a supporting cast featuring: Alexis Smith, Don Porter, Ted de Corsia, Ray Teal and Neville Brand.

In some ways, the plot of this film seems pretty familiar for a film noir picture. However, its starring cast seem to make the most of the material. The film stars William Holden as a crusading reporter, the ever-reliable Edmond O'Brien as a Special Prosecutor and Alexis Smith as 'the girl'.The film begins with O'Brien promising to clean up the massive corruption in the city. However, when he appoints his own father to work for him, Holden assumes the fix is on, as he has long thought the father was on the take. But, O'Brien is honest and has no idea this is the case--and much of the film the two work separately from each other. Only later do they team up and together they think they can clean up the mess run by the wicked boss (Ed Begley). But, it's not like the gang is just going to roll over and play dead--they are tough and have no problem killing the people that get in their way. And, by the end of the film, several key figures in the story are killed.The corrupt city angle is pretty familiar. Quite a few noir films have such a premise. But, it's all handled pretty well and I loved the VERY snappy and tough dialog. It's a fine film for lovers of the genre and worth your time.By the way, during a scene where a murder is taking place, one of the guys in on the killing is Russell Johnson--the guy who later played The Professor on "Gilligan's Island". Look fast to see him.

William Dieterle's resume shows him to be a solid craftsman only occasionally rising to true distinction. Same can be said of The Turning Point, an often routine noir about a government committee -- this was the era of the televised Kefauver hearings -- investigating mob activity and corruption in a "midwestern" city (though one scene is shot on Los Angeles' funicular railway). Routine also are cynical journalist William Holden and chief investigator Edmond O'Brien, though we're lucky to have the seldom-seen Alexis Smith as a woman attracted to them both. But the best thing in the movie is Ed Begley as the owner of a trucking company who is of course the hoodlum in chief, despite his panelled office and tailored suits. He's memorably slick and squirmy in front of the committee. But his best moment comes when he confides to a henchman his plans to burn down the tenement building where his records are stored: "You don't believe I'd do it?" he jokes. "I don't think a jury would believe it either." The following conflagration is as brutal a plot development as can be found in film noir, with firetrucks, ambulances and bodybags aplenty. It's a scene that sticks with you long after the screenplay's romantic triangle has faded from memory.