Lucky Luciano (1974)

Sadly Over-hyped

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

If you want to watch Gian Maria, the greatest actor of all time, at his best, watch him in "Investigation of a Citizen Above Suspicion", "Le Cercle Rouge", "For a Few Dollars More" or "I Am Afraid", he worked much much better with Petri, Melville, Leone and Damiani. This one is very boring and Volontè doesn't appear much. And when he appears, he has the same face that does not say too much. This role did not quite fit him. Rosi's films, most of them, are a special genre, very close to the documentary, very hard to follow, you got to have a patience of steel...

Despite its pedigree, LUCKY LUCIANO is not a particularly good movie. Gian Maria Volontè has the title role and he's fine, but the great Italian director Francesco Rosi has really misfired here. The film lacks all cohesiveness as it tries to bend time with various episodes in the turbulent life of not only Luciano but the entire Italian mafia. Volonte is gone for long stretches of the film and the likes of Rod Steiger, Charles Cioffi (as deported crime boss Vito Genovese) and Edmond O'Brien fill the voids. It's all pretty confusing rather than ambitious. The acting is very uneven. Steiger is hammy and O'Brien is all bluster while Cioffi is quite good. Rosi's direction features a number of striking images but they're obscured by the film's poor editing. There is a terrific score by Piero Piccioni.

loosely focusing on Lucanio's life in Italy, this movie combines elements of documentary, gangster flick and political movie. a Reality component is added to the movie by Charles Siragusa playing himself as prosecutor of Luciano. In the real world Siragusa failed to prove Luciano's involvement in drug trafficking from sicily into the US. and in this movie he seems to put an effort into using the results of his work to render luciano's role in the business.in the first half of the movie there is an extended sequence about vito genovese's time in italy something that seems completely disconnected from the rest of the plot, no hints are given about his actual connection to luciano and his role in the Gene Giannini hit shown later in the movie.things may be very confusing for viewer who doesn't know the biographies of people like luciano, vito genovese, joe pagano, meyer lansky and other mobsters as the movie constantly jumps between different periods of times, places and people without explaining their interconnections.so that being informed on those characters should be necessary to understand what this movie is about.for the whole time characters are elaborated very well and portrayed in a humanistic way supported by the brilliant soundtrack composed of a couple of 50ies jazz tunes and absolute top level cinematography.the performances delivered by Volonte as Lucky Luciano and Rod Steiger as Gene Giannini are on a Level that remains to be seen in other movies.culminating in the Gene Giannini hit where the atmosphere reaches a level of stunning dramatical density.

This biography of notorious American racketeer Charles "Lucky" Luciano would have probably worked better if they had made it into a TV mini-series which traced his entire life from his poverty-stricken childhood in Sicily to his rise to power in New York's gangster underworld to his extradition to Italy in 1946 and, finally, his death from a heart attack in 1962. As a 2-hour movie covering the events of his life in Italy after his extradition, it just doesn't work. There's not enough action (eg. shootouts and fistfights) to make it worth watching. Plus, it moves slowly and it's very talky. The English dubbing of the French and Italian actors is great, but not enough to sustain your interest.Rent "The Godfather" movies instead.Rating: *1/2