Alien Invasion: S.U.M.1 (2017)

The Worst Film Ever

Redundant and unnecessary.

Excellent but underrated film

The acting in this movie is really good.

I'll keep it short, the poster was more exciting than the film

My main reasons for seeing 'Alien Invasion: S.U.M.1' were because there are some interesting alien invasion films out there and for Iwan Rheon. Am a big fan of 'Game of Thrones', and, despite not mentioning him a lot when every episode of the show has so many standout moments, great elements and performances, Rheon is very good in it indeed. 'Alien Invasion: S.U.M. 1' unfortunately didn't really deliver. It is far from terrible and has some good things. There are also far worse films, especially fellow films made on a low budget and as an overall whole. Don't even think it is the worst alien invasion film, or one of the worst. It is just one of those films where potential, while not large, was decent, as it was not a bad idea at all even if unoriginal. The execution just didn't work and that is genuinely saddening to say. Lets start with what 'Alien Invasion: S.U.M.1' does right. Rheon is good and the best thing about it. In fact the acting on the most part is quite competent. Another particularly good asset was the ending, a rare part of the film that stopped the viewer from being completely bored and was actually unexpected and pleasantly surprising. It engaged me while also having me sad that it took so long to get there. The low budget does show sure. Editing is less than crisp at times, especially in the action-oriented scenes, and the drabness can be taken too far. It is decently shot though and looks pretty atmospheric. Unfortunately, what 'Alien Invasion: S.U.M.1' does wrong eclipses the good things. The conflict is far from aggressive and has no involvement or menace, it even doesn't look particularly good. The monotony and dullness of the main character's everyday routine is taken too far agreed in the story execution, which is essentially an over-stretched short film with a lot of padding, too much of it unnecessary, and scenes that drag badly with no tension or suspense so to speak. Things do get silly and too much is underdeveloped or left in the air in an incomplete way. Despite that the acting is not so bad, the characters fail to engage which makes it difficult to like them let alone empathise or relate. The dialogue, which is far too exposition-heavy, is a lot of gibberish rambling and doesn't flow very well, while the more action-oriented scenes are clumsily choreographed and the anti-thesis of thrilling or exciting. Overall, has its moments (Rheon and the ending coming off best) but very dull on the most part. 4/10 Bethany Cox

I think this is one of those movies that is good if you like the character / actor playing it. If you don't enjoy them after the first 5 mins, it won't work, and you can safely skip it.Story-wise it is something that echoes other movies, the basic ingredients are quite similar. It is also obvious that they had a pretty tight budget, but the sets hold up well enough to not look cheap.Since it lacks the elements that most people appreciate about other movies, mainly drama, social stuff, explosions, pointless sex scenes, cars, it will not appear to mainstream viewers.The ending surprised me (in a positive sense), not what I was expecting.

In the not-too-distant future, Earth has been invaded, overrun and defeated by a race of hostile aliens, or so we are led to believe. With only a small fraction of Earth's population remaining, humanity has taken to life underground in a grim bid to keep the human race alive. Out of necessity, this subterranean society is rigidly structured along militaristic lines.Only a few die-hard human stragglers eke out a meager existence on the surface. A major focus of the subterranean militaristic society is to round up as many of the top side stragglers as possible, ostensibly for altruistic purposes and as part of the overall push to save humanity.A lowly private, named S.U.M.1, within the subterranean society is sent out on a 100 day mission to man one of the outlying security towers in keeping with the general operation to keep a lookout for the dangerous aliens, referred to as the "Nonesuch".Over time, S.U.M.1, as part of the supposedly mentally deleterious effects of "long-term" isolation (although the private has the opportunity to regularly communicate with his fellow personnel twice daily, not to mention being able to contact his superiors more or less at will as needs be), begins to suspect that the aliens either do not exist at all or if they do exist, that they have already departed, and that the rigid and unpleasant life everyone leads is simply part of a nefarious plot to subjugate the human rank-and-file population to the benefit of the elite human power structure.Having devised a way to disable the security perimeter intended to fence him within his operational area, S.U.M.1 travels to an adjoining security tower only to encounter the "big reveal" of the movie.This is obviously a very low-budget effort and of relatively low quality. It would not be untruthful to say that the only thing that makes it stand out is that it does feature Iwan Rheon as the protagonist, the eponymous S.U.M.1. Viewers may know him from his primary debut as Simon Bellamy in MISFITS and as the creepily monstrous Ramsay Bolton in GAME OF THRONES. He is a very competent actor and he brings a certain… what?… cinéma vérité?… that this movie would otherwise not possess.As others have mentioned, ALIEN INVASION: S.U.M.1 is conceptually very closely related to MOON and OBLIVION in its fundamentals and simply tacks on a twist or "surprise" ending in the hopes of not winding up being completely derivative. I empathize with the movie on this point; there are only so many movie story lines to go around and, after all, where was it going to go for $1.95?Unfortunately, there are innumerable gaping plot holes that inexorably drive the movie into the realm of the subpar and amateurish.Here is a partial list.In an in-your-face sort of way the aliens are actually CALLED the Nonesuch, which is highly suggestive that they don't exist by the very name. Hint hint.Inexplicably, each of the security towers occupies a hexagonal territory grid pattern bordered by an electronic fence and augmented with some kind of embedded security chip within the leg of our private, very similar in concept to the pet-corralling product, Invisible Fence. Anytime S.U.M.1 approaches this barrier, he is overcome with pain and driven back, the implant beeping and flashing away in his leg. From a plot standpoint, this is clearly to inject into our minds the notion that the powers that be don't want him to wander from his grid location because he will "find something out" a la OBLIVION. Given what we find out about the truth at the end of the picture, such a barrier makes no sense. Especially if one of the private's primary operational orders is to corral any loose humans running around the surface. All such a wandering human would have to do to avoid corralling is simply go beyond the perimeter and S.U.M.1 wouldn't be able to follow them. So this fence doesn't jive with either the ending or the situational set up.Realistically, the movie only consists of 2 parts: 1. The situational exposition (the exciting alien invasion idea, humanity hanging on by the skin of its teeth) and 2. The "surprise" ending. NOT surprisingly, this makes the giant, movie-length chunk of time in between these 2 plot points rather difficult to fill. And so the movie cheaply falls back on the notion that somehow being stationed in an isolated observation tower just naturally drives the occupant nutty. For the vast majority of the movie we're just watching S.U.M.1 behave more and more erratically without any real explanation as to why. I guess were just supposed to accept it on face value.While the depiction of the aliens themselves isn't bad at all, their apparent combat strategy is just to run around at random and eat people. We see no sign of any advanced technology, nor do we actually see any incidents of the advanced energy weapons possessed by the humans actually HITTING any alien. Our primary protagonist even has an opportunity to shoot one at point-blank range and it somehow never happens.A complete list of the plot holes would go on much longer than allowed, but I'm sure you get the idea by now. It's a terrible movie with a disastrous plot line only slightly elevated by the inclusion of a namebrand actor. On top of this we add glacially slow pace while we illogically kill time going insane for no reason between the exposition and the big reveal at the end, and what you have is, well, kind of a junker. If you decide to watch it, just keep in mind that watching Iwan Rheon will realistically be the high point of the movie.