Heartbeat (1983)

Too much of everything

The acting in this movie is really good.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Hasn't Naschy already done the ancestor/descendant thing? No matter, for watching Naschy direct and write and act (he does it all here) is always a pleasure - a guilty one, of course, as his films will win no awards.The film opens with a man on horseback in full armor swinging a mace as a naked girl runs for her life. Let's see Scorsese do a better job of directing that scene! Initially, the film does not appear to be more than lots of screaming at ghosts and gore, semi-transparent nightgowns, and a man determined to rid himself of a sick wife. But, hey, that's enough for an enjoyable film. However, more murders occur, the gore gets ratcheted up, and there are some interesting twists.Besides Naschy, Paquita Ondiviela by herself makes the film worth watching. Too bad it is the only film available in which to see her. Silvia Miró is no slouch either. Both provide considerable full frontal.

This is a typical Paul Naschy movie and as such is difficult to describe to someone who hasn't seen one. On one hand, it is very old fashioned movie hearkening back to classic American thrillers like "Gaslight" or classic European thrillers like "Diabolique". On the other side, it opens with the scene of a completely naked women being chased through the woods by a knight on horseback and then brutally maced (in the medieval sense)into bloody pulp. (People who complain about the sexism and violence toward women in American films ought to take a gander at this).Naschy has a way of combining disparate horror themes and subgenres in what seems like a very random, everything-but-the-kitchen-sink manner (his werewolf films, for instance, have involved everything from Dr. Jeckyl and Mr. Hyde to Countess Elizabeth Barthory to a Himalayan yeti). In this film he uses the evil Count Marnac he created for an earlier movie, "Horror Rises from the Tomb", but rather than making a conventional sequel he freely re-writes the legend making the knight an avenging figure who punishes unfaithful women (in "Horror" the count's wife was a conspirator in his crimes, here she is his first victim). Then he proceeds to ignore the supernatural elements of the story until the very end to tell a "Gaslight"-like tale of a man (Naschy himself, natch) who is only using the legend to frighten his wife to death. He wants to be with a mistress, of course, but just to needlessly complicate things he has TWO mistresses--the very sexy "bad seed" niece of his housekeeper(insert audible drooling sounds here) and another woman (who seems to only exist to provide additional nudity and and another gory killing, but oh well). The whole thing really shouldn't work, but somehow it does.The recent Mondo Macabre disc this comes on is one of their best with a very interesting (but lamentably short) documentary that serves as an excellent primer for Spanish horror in general, and a longer, equally interesting interview with the erstwhile Spanish werewolf himself. This is neither the best or the worst Naschy movie I've seen, but this new disc should be a must-have for any Naschy/Spanish horror fan.

From the moment I saw this listed as on the Mondo Macabro website, I was intrigued. It looked good and the reviews I read were mostly positive. So when it was finally released, I couldn't wait to get my hands on it. After watching it, I wish I would have waited.What a major disappointment. Right from the start, I knew that Panic Beats couldn't meet my expectations. The whole look and feel of the film is terrible. It has that straight-to-video look that usually destroys atmosphere. The sets are nothing special at all. Most of the film looks like it could have been shot in my house. The story is incredibly predictable. There are a lot of twists and turns in the plot, but most are telegraphed from a mile away. The gore scenes are horribly done. And the whole concept of a knight that comes back from the dead is straight out of Scooby Doo. It's not a very frightening image.Paul Naschy does his best to provide some chills. With raised eyebrows and a menacing stare, he does his best to look frightening. But for the most part, it doesn't work. The most frightening scenes are of Naschy naked in the bathtub. Now that had me screaming.As for Mondo Macabro's disc, it's very well done. I have no complaints with the image, sound, or subtitles. The extras are quite nice, including a brief history of Spanish horror.

This entertaining effort from 1983 has everything you would expect from a Spanish horror movie: a) Paul Naschy, b) a low budget, c) a curse from the past and d) gratuitous gore to satisfy splatter freaks.Even though the production values are rather low key, the film is always entertaining and keeps you interested from beginning to end. There are enough twists to develop a decent plot filled with surprises. And, as mentioned before, there are also a handful of gory moments that are well crafted and really nasty (but don't expect a movie focused on blood and guts).The most remarkable aspect of the plot is its mix of crime thriller and ghost story elements, which fit together surprisingly well. And this is one of those movies, where Paul Naschy's character is NOT the ill-fated Valdemar Daninsky!Recommended for all friends of European horror.