War Hunt (1962)

I love this movie so much

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

It's May 1953, and fresh-faced US Army recruited Robert Redford (as Roy Loomis) has joined the battle for Korea. Women in the area greet the American private by saying, "Welcome to Korea, I hope you don't die" and "I love you." Mr. Redford soon notices strange behavior from fellow handsome private John Saxon (as Raymond Endore). A loner, Mr. Saxon nightly paints his face, stealthy makes his way into enemy territory, single-handedly kills an enemy soldier, and performs a ritual Indian dance over the body.Redford finds Saxon's behavior troubling, and tries to separate the increasingly disturbed man from his only friend, eight-year-old Tommy Matsuda (as Charlie). The orphaned Korean lad has formed a hero-worshiping relationship with Saxon, which Redford seeks to sever. There are things to admire about this inexpensively made anti-war drama, especially Saxon's characterization, but the film makes the old symbolic points rather ordinarily and the new ones haphazardly. Some character motivation is noticeably lacking.***** War Hunt (4/6/62) Denis Sanders ~ Robert Redford, John Saxon, Sydney Pollack, Tom Skerritt

John Saxon has a memorable role as a black-faced, gun-crazy soldier who volunteers for solitary nightly ambushes on the enemy until he finally cracks up completely and wants to be left behind in Korea. The film also marked the screen debuts of Robert Redford (as the clean-cut rookie hero who stands up to Saxon’s fearsome grip on his unit), Sydney Pollack (a rare early acting stint for him as a sympathetic sergeant) and Tom Skerritt (as a cheerful sergeant); of course, the latter would later appear in the ultimate Korean War movie, Robert Altman’s M.A.S.H. (1970). Other cast members include Tommy Matsuda (as an orphaned Korean boy taken under Saxon’s wing and unwisely befriended by Redford), Charles Aidman (as the Captain who often covers for Saxon’s insubordination given the importance of the information he gathers from his nightly rounds) and Gavin MacLeod (who advises Redford to steer clear of the highly-strung Saxon).Being set during the final days of the Korean War, the film features the deceptive and ironic musical interludes played on loudspeakers by the teasing enemy prior to the inevitable combat; despite its obviously modest budget and low-key nature, it is effectively shot in gritty, black-and-white by veteran cinematographer Ted McCord and nicely scored by Bud Shank. On the other hand, co-producer Terry Sanders was an award-winning documentarian who seemingly brought to the film an unusually sensitive and anti-militaristic outlook, while his brother Denis was an occasional feature film director – including the sci-fi/exploitation flick INVASION OF THE BEE GIRLS (1973) – who had previously co-written the screenplay for Raoul Walsh’s WWII epic THE NAKED AND THE DEAD (1958). Trivia note: reportedly, Francis Ford Coppola appears uncredited as a truck driver; also, the film’s associate producer (Noel Black) later became an erratic director himself – most notably of PRETTY POISON (1968).

Director Denis Sanders isn't a very well-known or acknowledged filmmaker. After seeing "War Hunt", I looked up his filmography, hoping to credit him to another, more mainstream film – one does not exist. Fortunately, a man does not have to be well known or have a huge fan base to be a good director. "War Hunt" is one of the best low-budget sleepers in the video store, now available on DVD from MGM.Running less than 90 minutes, "War Hunt" tells a powerful story about the toll of warfare on those who fight it. Idealism, patriotism and notions of heroism are forgotten in the midst of battle. Instead of making men into saints, war usually turns them into demons. Pvt. Loomis (an impossibly young Robert Redford) arrives in Korea during the last few weeks of the war. He meets Raymond Endore (John Saxon, "The Cavern"), an unhinged draftee who thrives on night patrols, during which he kills North Korean soldiers in their sleep. Endore has taken Charlie (Tommy Matsuda), a Korean orphan, into his care and Loomis also befriends the boy, hoping to wrest him away from Endore's dangerous influence.Much like "Hell is for Heroes" which premiered the same year, "War Hunt" was shot on a shoestring budget in the Midwestern United States. From start to finish, it's obvious that the military did not back the production. After all, this is a very anti-military movie. There are only a few extras on-hand and we only see a few trucks. The lack of financing really shows through in the climactic scene in which hordes of Chinese troops attack the entrenched Americans; most of the explosions and reactions to them look utterly false and stagy.Thankfully, this is not a picture about action and the glory of war – it's about the aftermath of such scenes. The fighting serves to push the conflict forward in the quiet moments of rest and recuperation when the bullets are done flying. In fact, in the film's third act, set during the cease-fire with the Chinese, the most devastating violence occurs. Endore sets off with Charlie to live in the mountains after the war's end, refusing to admit that he is part of the Army and must return home. The final conclusion between Endore and Captain Pratt (Charles Aidman) is quick, gritty and comes to an unexpected, powerful conclusion.Sanders' ensemble cast is superb in every way. Redford, in his film debut, is actually quite memorable as Loomis. The first time we meet Loomis, we already know what to expect: we've seen this type of clean-cut, fair-haired boy before. He'll go on to undergo a baptism of fire and become the hero of the piece. Not so, here. Loomis arrives in Korea with ideals and patriotism; much like Charlie Sheen's Chris Taylor in "Platoon", he comes to realize that there are only two kinds of men in warfare: those who crack under its pressures, like Endore, and those who just want to survive, like his new found friends Crotty (Gavin MacLeod) and Showalter (Tom Skerritt). His scenes between Charlie are tender, poignant and moving. His encounters with Endore are chilling and unconventionally solved. As Endore, John Saxon brings a new meaning to the word psychopath. We've never met a wacko like him before. His mannerisms, dialog, expressions, are all played with utter randomness. It's as if he was handed the role and told "do what you want with it". There are times when Endore is almost completely human, but something in his eyes tells us that perhaps there is something slightly wrong with this guy. As the nature of his character is gradually revealed, we can't help but become shocked, almost frightened."War Hunt" is a cliché-free, freshly original and involving drama. It makes a strong statement about war's general destructive nature. This is a movie about survival and flawed idealism, not heroism and courage. Kudos to the director for choosing to pick such a controversial subject. The film is almost prophetic in that it approaches the Korean War with an attitude that would come across with force and power in Vietnam films 25 years later, like "Hamburger Hill" and "Platoon".

This character study remains one of the best intimate views of conflict ever filmed, and features Robert Redford's first film appearance. There's also a major appearance by actor Sydney Pollack, before he made is mark as a major director. It's starkly made, grim, and engaging, without any of the jingoism and/or sentimentality applied to most older and recent Hollywood product. The moody score was provided by jazz composer Bud Shank. Nice.