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Kotch

Kotch (1971)

September. 17,1971
|
6.6
| Drama Comedy

When retired salesman Joseph Kotcher begins to feel pressure to move out of the house he shares with the family of his son, he opts to embark on a road trip instead of settling in a retirement home. Befriending Erica, a young pregnant woman and his grandson's former nanny, Kotch begins to finds new meaning in life as he helps her prepare to welcome her baby into the world.

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Hellen
1971/09/17

I like the storyline of this show,it attract me so much

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AnhartLinkin
1971/09/18

This story has more twists and turns than a second-rate soap opera.

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Mandeep Tyson
1971/09/19

The acting in this movie is really good.

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Curt
1971/09/20

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

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ChromiumVortex
1971/09/21

I saw this movie when I was a teenager. From what I remember of it, it was a waste of good talent. Walter Matthau did his best acting and Jack Lemmon did his best directing. However, somehow the script just didn't do justice for either one of these two celebrities. I've seen Deborah Winters in other movies and back then it seemed as though she gravitated towards controversial roles such as a 16-year old drug addict or pregnant teenager. I absolutely hate that song "Life Is What You Make It," because they played it throughout this entire movie over and over again; and seeing the pregnant teenage Deborah Winters and hearing Walter Matthau's New York accent as this unusually compassionate older man somehow reminded me constantly of how much I absolutely hate deadbeat teen fathers. I always got the feeling throughout the film that I just wanted a scene in which the teen father of this girl's baby got the tar knocked out of him for being such a jerk. I vaguely recall one scene in which he actually spoke with Deborah Winters after he had gotten her pregnant, but he was more annoying than anything. The kind of teen father that would create a precedent in our court system to make justifiable patricide perfectly legal for all youngsters who have the indignity of having someone like him for a biological father. By the way, I disagree with the title of that stupid song, "Life Is What You Make It." I can't believe that song even won an award. It's crass and callous in its lyrics, because some people are born more privileged than others in the real world and the lyrics of that song just don't own up to that same reality of life. If you have nothing better to do with your time, you may want to give this movie a peek. However, if you have limited time like me, it's probably not worth watching.

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edwagreen
1971/09/22

What a wonderful movie. For a change,Walter Matthau plays a sympathetic rather than a cantankerous character. He is just wonderful here in his Oscar nominated performance.What makes the movie so good is that it doesn't really stress the attempt of his son and daughter-in-law to put him in a home and then show the misery of homes. Rather,it deals with the coming of life anew for Matthau when he takes a profound interest in the very pregnant babysitter for his grandson. What an interesting idea and it is so well developed.Deborah Winters gives a fantastic supporting performance as the pregnant girl,orphaned, raised by an uncaring brother who finds meaning in her life when she aided by Kotch.There is a totally winning song dealing with what you do with your life.This film was definitely an under-rated gem. Too bad.

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Mark Freckleton
1971/09/23

When this movie first came out I was in college and must have taken 4 or 5 different dates to see it. This movie was a mini cult phenomenon on campus, at least where I was, so I have always been surprised that it didn't get more publicity and acclaim. I saw it so many times because I felt it was a very worthwhile and meaningful film as a view into aging, the way we take care of elderly people, especially when it might be inconvenient for us. It was a good look into the feelings and hang-ups of people interacting among themselves: a retired man feeling increasingliy irrelevant in the environment he is compelled to live in, his spineless and uncomprehending son who doesn't offer much support at all, and his post-natal depressive daughter-in-law who can't understand why she has to put up with this codger who complicates her alreay-more-complicated life. The movie also has a lot to say about the power of the human spirit to cope with change and make the best of things that aren't always going the way we always want them to.I would like to see it again after 30+ years, but I can't find it at the usual rental stores. Having thought about it, though, I will continue to seek.

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gazzo-2
1971/09/24

I first saw this back in the late '70's on TV. We loved it in the family, great fun, heart and performances. Matthau's intrepid, smart if slightly 'out There' Kotch is a unique character, well acted, and always someone we root for. It's not much different from the roles he would go onto play in the 90s, but...done by a younger man. Sometimes the makeup and haircoloring doesn't quite look convincing, but that's okay too. The performance is put across as much by body language and posture as anything else.The car is a great added touch-the knocking engine and etc a counterpoint to Kotch's own creaky body.I liked Ellen Geer as the crabby daughter too-was surprised that she wound up in 'Phenomenon' and several other flix(Patriot Games) that I have seen before. Never made the connection.It is dated sure, but that is inevitable with films. It's worth yer time.*** outta **** Nice job by Lemmon, too.

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