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Halla Bol

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Halla Bol (2008)

January. 11,2008
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Ashfaque (Ajay Devgan) is a small town boy aspiring to be a film star in the Hindi film industry. He joins a street theatre group run by a reformed dacoit Sidhu (Pankaj Kapur) who uses street theatre as a medium to bring about an awakening in the masses. Ashfaque struggles to give a creative vent to the actor in him in order to realize his dreams.

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Reviews

Beanbioca
2008/01/11

As Good As It Gets

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Sexyloutak
2008/01/12

Absolutely the worst movie.

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Merolliv
2008/01/13

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Bluebell Alcock
2008/01/14

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Sherazade
2008/01/15

'Halla Bol' Directed by Rajkumar Santoshi (China Gate, Lajja, Pukar, The Legend of Bhagat Singh, and Khakee) is a film about recognizing what is wrong in society and standing up for what is right. Anybody who has a problem with the director's decision to cast his male lead as a sexy superstar should first refer to present day Bollywood and ask why all of India has selected and endured an average looker as their bad-shah for nearly two decades now. Okay, with that kind of an introduction, I am pleased to tell you that the movie stars Ajay Devgan as a larger than life Bollywood superstar with a rags to riches story (Shah Rukh Khan any one?) Aptly named, Sameer Khan (Devgan) has it all, the fame, the fortune, the goods & the glory. But he is also a ruthless businessman without honor, who would choose his career over his wife in a heartbeat. When the film begins we met our protagonist as he arrives at the premiere for his latest film. We are immediately introduced to the notorious two-faced world of behind-the-scenes Bollywood. What with back-stabbers at every corner and gold diggers on every street, it's the true definition of a dog-eat-dog world. However, Khan navigates through all of these would-be obstacles with such finesse and ease that it's practically second nature to him. That is until he witnesses a murder one night while out reveling with his friends and fans at a nightclub. The initial shock of witnessing such a gruesome crime coupled with the fact that he had been acquainted with the deceased young woman earlier, may be the reason why Khan then decides to keep quiet about what he had seen. When a police investigation is launched, with big star Khan implicated in the case, it instantly catches the media's attention and becomes front page news. A chanced encounter with the younger sister of the deceased forces Sameer to battle the demons within himself in order to "Halla Bol" (translated to mean "Speak Up" or "Raise Your Voice") & a media circus erupts when he steps forward to recant his testimony of not seeing anything that fateful night when indeed he had accidentally witnessed the murder.As he ponders the implications of the new turn of events, Khan flashes back to his life before he was a superstar (with half of the movie already done, I'm sure most people –like me- were probably wondering where does Vidya Balan -- his big name co-star-- fit in to all of this?) and it is at this point where we first see Ms. Balan. She initially appears as Khan's love interest then later as his wife as the film progresses. Ms. Balan has given applause worthy performances since her debut in 'Parineeta' but she seems to have faltered with this film. No, I am not talking about the fact that this is her first (second billing) flop, I am strictly commenting on her lack luster performance in this film (she did better in her multi-starer flop 'Salaam-e-Ishq'. Maybe the fact that she was up against the stellar acting prowess of Ajay Devgan (a legendarily talented actor in his own right) had something to do with it; I don't have all the answers. All I know is that I did not like Balan in this film at all. Something just was not right.All of the characters that we are introduced to in Sameer's flashback, now come to life to help defend his character against the forces that have turned against him(don't worry, the reason why they were initially absent from his life to begin with is explained during the flashback). The two men that Khan witnessed murdering the young party-goer turn out to be sons of prominent members of society, including a crooked politician with ties to the underworld and top-notch business mogul. This spells out trouble for superstar Khan who must now not only defend his honor but also his life as well as the lives of everyone he holds dear all in the quest for justice.Look for blink-n-miss-it cameos by Kareena Kapoor (in a weird non- speaking role…even though u can clearly see her speaking dialogue for some strange reason her audio was muted while in conversation with other people whom we could hear…I guess they did not want to pay her LOL!), Jackie Schroff, Sridevi, Tusshar Kapoor (his was the longest cameo, he could even be considered a character in the film.) Just to mention a few. Devgan's playing a Bollywood superstar after all; he has to have star friends. Oh! And just in case you missed the fact that Santoshi directed The Legend of Bhagat Singh & Khakee (also starring Devgan in pivotal roles), he never misses an opportunity flaunt this as part of his character's Bollywood achievements. Touché!The movies excels in its plight to establish and send a positive message (Santoshi is a pro when it come to that) but fails in its attempt to be modern and stylish. All in all, the film had its moments. Great performance by Devgan (he is such a seasoned actor that even when he plays the younger version of himself in flashback it is so believable), Darshan Jariwala also co-stars. A-

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Avinash Patalay
2008/01/16

Mr. Rajkumar Santoshi needs no introduction. In a true action hero style he made an entry with a "BANG!" (read that "Ghayal"). Then he went ahead and seized up movies like "Damini", "Ghatak" and highly under-rated "Andaz Apna Apna" (PS: the rest are not worthy mentioning anyway). If you look at "Halla Bol" it clearly gives away the fact that Mr. Santoshi has run out of steam. If "Family" was yet another "Ghayal" then "Halla Bol" is definitely "Damini". This time it is Ajay Devgan who witnesses a crime and decides to stand up against it. Coming to his rescue is not a drunkard lawyer with "Dhaai-kilo ka haath" but a reformed dacoit Pankaj Kapoor. The spouse in both versions lend a moral support to the proceedings. The plot has been tweaked to incorporate bits from A.) "Bollywood Calling"/ "Om Shanti Om", B.) Power of public and C.) Jessica Lal murder case.Ajay Devgan:: Passable considering the plagiarised plot he decided to be a party to. Vidya Balan:: Weak character which got compensated with a few fiery sentences like "My husband has got ****". Sorry but that cheesy line made me fall out of my chair. Pankaj Kapur:: Saving grace. Anybody else instead, there would be nothing more than a zilch in the movie.At least the Nadeem-Sharavan's music in "Damini" was melodious here there is hardly a number that stays with you when you walk out of cinema halls. Finally Mr. Santoshi, nobody can fill in the shoes when it comes to your pairing with Sunny Deol. Your newfound partnership with Ajay Devgan is fine but the whole thing is akin to catching a tiger in the jungle. Only that you have caught a bear and trained him to mouth "I am tiger, I am tiger!".

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bobbysing
2008/01/17

It is encouraging to know that in the current scenario of rip offs, remakes and comedies, a filmmaker is there who has the courage to make films on social issues which need to be addressed. Halla Bol is Rajkumar Santoshi's hard hitting movie inspired from a well known real life incident. It has a slow and unimpressive start but gains after the intermission. In the second half you see the good old Rajkumar Santoshi back in form in some well directed scenes. In short some straight conclusions about the movie are : 1. It is inspired from the famous "Jessica Laal" Murder case which questioned our judicial & political system. 2. It can also be seen as a redefined version of Rajkumar Santoshi's own masterpiece "Damini". As here Ajay Devgan witnesses a murder and then fights for the justice. 3. There are few firsts in the movie. A hero using the main hall of a minister's home as his bathroom and Vidya Balan giving some bold statements as the wife of Ajay Devgan to the press reporters. 4. This time Santoshi's 'Sunny Deol' is the powerful "Pankaj Kapoor" who is equally power packed and punchy as Sunny was in "Damini". He is such a great actor that even when he has not got that physical appearance, still he makes you believe when he fights many men single handedly. He gets a author backed meaty role and does full justice with it. The film belongs to him completely.Ajay Devgan plays the role of Bollywood Star who was there in a party where a girl was shot dead. As he comes from a good social background he stands alone against all oppositions and becomes a witness. He is quite impressive but also seems similar to his act of "Aprahan" and "Gangajal" . Pankaj Kapoor is there for his support who was once a dacoit and had surrendered after a moral transformation. The movie is enjoyable in parts, specially the confrontation scenes between Ajay Devgan and the politician father of the murderer, with some powerful dialogues inviting cheers from the viewers. But its all the way "Pankaj Kapoor" which you remember coming out of the theater for his gem of a performance. Vidya Balan has nothing to do as Ajay's wife except one good scene with the press. Whereas music is satisfactory & could have been better, the background music on the other hand enhances the impact of the scenes. The movie is tense and lacks lighter moments of good humour. Rajkumar Santoshi only manages to impress in the second half. If only the first half had been more entertaining and engrossing, it could have resulted into a better movie. "Halla Bol" lacks the complete ingredients of a blockbuster, still it's a welcome change to have a movie on social issues after "Rang De Basanti" and the movie should be watched only for one person, that's Pankaj Kapoor.

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danzs
2008/01/18

Raj Kumar Santoshi as director is at his element while handling a script that demands its pound of action and strong dialogues. With Halla Bol he gets those occasional moments and on their basis the movie is worth a watch. Movie star Ajay Devgan (Sameer Khan) knows the ropes of how the industry works and does his bit as a member of the film fraternity who bitches behind the back of colleagues, acts in umpteen commercials or turns sycophant, dramatic, romantic as the situation in reel or real life may demand. But when he becomes an eye witness to murder at a party (Jessica Lal episode revisited) his conscience is at a crossword.With the aid of his theatre guru Pankaj Kapur (Sidhu) he declares Halla Bol on the nexus of politicians and important businessman who believe they can protect their guilty sons since they control the reins of 'Power' 'Paisa' and 'Public' in the country.The plot dips and loses audience interest at times since its a script that has been done in different variants before but then you can trust the director to deliver a few moments that draw a clap from the audience.The dialogues between Ajay Devgan and the Politician along with those few minutes when Pankaj Kapur reacts to a bribe are strong points and raise the movie above the ordinary.Ajay Devgan puts in a spirited performance but the movie belongs to Pankaj Kapur who lights up the screen every time (reminiscent of Sunny Deol doing his bit with Damini).For his portrayal as Sidhu - a reformed dacoit - and a bit of Ajay Devgan each time he hits out at the political big wig makes Halla Bol a movie to watch and get, shall we say… a bit inspired.

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