Gunsmoke (1953)

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This is a must-see and one of the best documentaries - and films - of this year.

Today was the Celebration of the Débarquement de Provence (in France ...), and I saw an excellent five minutes report on Audie Murphy and his act of war in Ramatuelle. So I decided to watch Gunsmoke I just bought a few days ago, thinking I was going to see a classic Murphy western. But from the first minutes, I discovered a very impertinent Murphy and not looking as fresh as in his other westerns, almost dirty and moving very fast. And permanent twisty action and hit dialogues, even though the subject is well known in westerns, it turns to be very original in its construction with permanent moves sometimes every twenty seconds. The whole casting is good, Susan Cabot, Paul Kelly, Charles Drake, Mary Castle, ... Produced by Aaron Rosenberg (Gunsmoke is not far from Anthony Mann's westerns produced by Rosenberg) and directed by Nathan Juran (who directed two other fine Murphy westerns, Tumbleweed and Drums Across The River), a very tense and unforgettable western.

Hired gun Audie Murphy hits town to help bad guy Matt Telford (Donald Randolph) take over Dan Saxon's (Paul Kelly) spread. After winning Saxon's ranch and cattle in a game of chance, Audie declines Telford's offer and keeps the ranch for himself. Murphy then decides to drive his newly won cattle herd to the railhead to meet the note payment on the ranch, with the help of Saxon, his daughter (Susan Cabot), and their former wranglers. Forced to get a new rent-a-gun, Telford hires Murphy's old cohort Johnny Lake (Charles Drake) to stop Murphy from reaching the rail line.Although "Gunsmoke" is pretty much 1950's drive-in fare, this one has Audie Murphy in top form. Directed by Nathan Juran in just his second film, this movie moves along at a nice clip. A strong script that avoids a lot of clichés, makes the dialog far better than average for this type movie. Murphy and and the familiar face veteran cast all deliver good performances and turn a what might have been a pretty standard medium budget horse opera into one of Audie's best films. Watch for Jack Kelly in his pre-Maverick television series days as malcontent foreman Curly Mather.Entertaining Western. Definitely worth a watch.

Audie's lines are tough and fearless. But I look into his eyes, and wonder where he left his teddy bear, just as I suppose we all do.I have never seen an Audie movie with such a huge disconnect between how tough his lines are, and how sweet his face is. If everyone weren't so deadly serious, it would be satirical.I sit there, and I just can't believe it. That's no way to watch a movie.It's interesting to imagine the lines being delivered by a real tough, like Morgan Woodward or Clint Eastwood. Then the movie would start to make sense.I understand Audie is a courageous war hero, and that Americans owe him as much as any veteran. Based on his baby-face, I have always found that paradoxical. My conclusion has always been that such a decent kid shouldn't have had to go into battle. Yes, it's a lesson.Instead, my problem is with the casting director. Although Audie never lets any doubt leak through to his delivery, there is just no hiding how decent he is. It was a mistake to give him a role that's so darned tough. It just doesn't work.

Good shoot-em-up with Murphy as Reb Kittredge, a gunhand in between jobs. He is offered a job to run a cattleman out of the country so the evil Matt Telford can control the entire valley. In an odd turn of events Kittredge comes into ownership of the disputed acreage and begins a hazardous journey to get the bovine to market before the mortgage to Telford comes due. Of course, Telford does everything in his power to ensure the drive is unsuccessful. A side plot along the way involves Kittredge as one corner of a love triangle, pitting him against a hot headed, back shooting polecat for the love of a beautiful woman: gotta have that thrown in, eh? Pretty standard stuff, but I enjoyed the production.