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Sky Full of Moon

Sky Full of Moon (1952)

December. 12,1952
|
6.2
| Comedy Western

A cowboy seeks fame and fortune in Las Vegas where he meets a girl working in a casino.

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Moustroll
1952/12/12

Good movie but grossly overrated

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FirstWitch
1952/12/13

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Calum Hutton
1952/12/14

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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Brenda
1952/12/15

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Charles Reichenthal
1952/12/16

Carleton Carpenter had a wonderful charming personality that warmed up every film he made, beginning with the serious and underrated LOST BOUNDARIES. He did some fine work at MGM (delicious number with Debbie Reynolds in the Aba Daba Honeymoon scene and subsequent best-selling recording). But, here,in SKY FULL OF MOON, he turns in a superb, easygoing, depiction of a cowboy in the Las Vegas of the period. A natural ease and a clear nice performance make this film a winner. Of course, Jan Sterling, herself one of the unheralded 'greats' of the screen...and stage... brings her abilities to the pleasant story. The ending of the film is both proper, satisfying, and even tenderly sad. This film was made on a low budget at MGM just prior to Carpenter leaving the studio. But it is worth the search. You will find yourself smiling at the proceedings. You will admire the work of Carpenter and Sterling... and you will get a brief glimpse of Elaine Stewart, one of the screen's great beauties, with talent, who had a short film career. But you won't take your eyes off her during her brief scene. See this film, and relax at the work of pros with a simple, nice script and film.

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lastliberal
1952/12/17

This was really a charming and sweet adventure about a naive cowboy (actor/songwriter Carleton Carpenter)that comes into Las Vegas for the rodeo and has a lucky streak gambling. He comes to attention of a girl Oscar-nominated Jan Sterling (The High and the Mighty) that has been around the block a couple of times and is convinced to participate in a slot machine rigging.There are a lot of laughs as the cowboy manages to fall in love, lose at the rodeo, and lose the girls all in a short 73 minutes.Keenan Wynn provided good support as the slot house owner in one of his 268 roles.

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whpratt1
1952/12/18

Enjoyed this great film from 1952 which features Harley Tumbleweed William, (Carleton Carpenter) who plays the role as a Rodeo Cowboy who has reached the age of 21 years and decides to head to Las Vegas, Nevada and make it rich. Harley visits a small gambling parlor owned by Al, (Keenan Wynn) and starts playing the coin machines and gets very lucky and draws the attention from Dixie Delmar, (Jan Sterling) who is a very attractive slim and trim blonde who makes some suggestions to him about how to gamble on the coin machines. Dixie and Harley decide to try their luck elsewhere and wind up having a very profitable night of gambling. Harley gets to like Dixie very much and offers her a ticket to Los Angeles and a fur coat with his winnings at the Rodeo and the two of them start off with plenty of action in the gambling casino's and then some trouble starts to happen. If you like to see old films of what Las Vegas looked like in the 1950's, this is the film for you. Enjoy.

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theowinthrop
1952/12/19

This odd film was shown at the dinner hour tonight. Odd because it works but it is quite disparate in it's plot lines.Carleton Carpenter (who normally appeared in MGM musicals) is Harlan, a would - be rodeo cowboy, attending a rodeo in Las Vegas. He has been brought up in Kansas, and one of the girls he grew up with is Dixie (Jan Sterling). She is working in a gambling parlor run by Al (Keenan Wynn) but pretends that she is a potential dancer. When Harlan shows up for his rodeo he and Dixie reunite. Harlan leaves his gear at the gambling parlor (Al gives Harlan permission to do so). But what Harlan does not know is that Dixie has gotten involved with a fellow who is planning to rob the one armed bandits in the parlor. When this happens, Dixie is immediately suspected...and by extension Harlan. Instead of doing the sensible thing of confronting Al and the police and proving his innocence, Harlan decides to assist a panicking Dixie in fleeing Las Vegas and heading for the Utah border.Sounds serious, doesn't it? But much of the film's charm works on the interaction of Harlan and Dixie on the road, and how they have conflicting viewpoints but find they have strong feelings for each other. At one point Dixie drives off in her jalopy leaving Harlan behind in a ghost town. She did not like his idea of returning to confront the police. But she returns to pick him up and get him to Utah. She finds him on the side of the road nursing his aching toes. Hardly romantic, but cute as she convinces him to trust her again.It has nice desert scenery of some of the most isolated landscapes in America. And one of the worst to be stuck in. On the road to Utah the jalopy (with leaking radiator and threadbare spare tire put on the car) has to cross a rickety, condemned wooden bridge over a chasm. Later it has to be driven (with no break linings or working gears on the road) driving down a curving narrow mountain. In the end he offers himself to her for a life of ranching. But is ranching what Dixie would be happy with, including feeding chickens and possibly slaughtering an occasional hog (and living in near isolation for most of the year)? We are aware that they really like each other, but can Dixie make the leap that Harlan wants her to make?Wynn plays his role with more heart than one usually sees in his characters. So does someone else in the film, who really only has a small role here - Douglas Dumbrille as a rodeo official (with nothing up his sleeve like a secret agenda). On the whole the film is a sweet one, and if not an earth shaking piece of cinema worth a 90 minute viewing.

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