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Man from Del Rio

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Man from Del Rio (1956)

October. 30,1956
|
6.4
|
NR
| Western
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Mexican gunfighter Dave Robles outdraws the town's outlaw-turned-sheriff and is invited to fill the dead man's shoes. But a tin star doesn't bring automatic respectability and Robles is shunned by the town's leading citizens. His popularity with its less-savory element, particularly saloonkeeper Bannister, wanes dramatically, too, as he starts to take his job seriously. It is his love for a decent, caring woman that keeps Dave in town, but can she convince him to lay down his gun and start a new life?

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Hellen
1956/10/30

I like the storyline of this show,it attract me so much

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GamerTab
1956/10/31

That was an excellent one.

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GazerRise
1956/11/01

Fantastic!

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ShangLuda
1956/11/02

Admirable film.

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HotToastyRag
1956/11/03

Ah, the good old days, when a slap in the face meant a man loved you. In Man from Del Rio, that's what it meant to Anthony Quinn and Katy Jurado. Believe me, the movie is much more than that, but that scene was pretty amusing.Anthony Quinn stars a half-Mexican from the wrong side of the tracks who isn't really welcomed by the small town he wanders into-in other words, this is a typical Anthony Quinn role. It's a pretty mediocre 1950s western, which is a genre I don't really like, and if it weren't for Tony's good looks-and good performance-I probably would have turned it off. Thankfully he was good looking, and he did add nuances to his character that made him likable and easy to root for, despite slapping Katy Jurado, so I watched the whole movie. Another actor could have rattled off his lines with no feeling, like much of the supporting cast, but Tony decided to give his character motivation and feelings. His main issue revolves around pride: he's ashamed that the town doesn't accept him and he wants to be able to hold his head up high. So, whenever he's challenged to a fight, he can't back down. I'm pretty sure it was Anthony Quinn who made those motivations clear. As you might expect from a movie taking place in the Old West, there are lots of shootouts, slugfests, barroom brawls, and lawless mobs. If you like that genre, you'll probably like this movie. I won't spoil anything, but Richard Carr's story grew to be pretty imaginative, and I ended up liking Man from Del Rio much more than I thought.

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mwillyk-00336
1956/11/04

While slavery and Japanese internment has its proper place in the U.S. history books, what does not is the forced deportation of any person who had the misfortune of having a Spanish name (or looked "Mexican) during the Great Depression, when these people were rounded-up by local and federal agents and simply thrown across the border with little more than what they could carry, with no due process rights. It is estimated that 60 percent of these people were U.S. citizens.During the 1950s, several films--Giant, Trial and Man From Del Rio--provided commentary on anti-Hispanic prejudice in this country, and obviously nothing has changed since then. Today the media and Hollywood fear to tread into the topic of this ongoing prejudice (usually disguised under the guise of "immigration" and "crime"), so it is fortunate that films like this still exist to tell us the ugly truth. David Robles (Anthony Quinn) is seen as just a "thug" who is good with a gun after he arrives to find a man who helped shoot-up his town of Del Rio. Even the only other Hispanic in town, Estella (Katy Jurado) is so desperate to "fit-in" with the Anglos that she also wants him gone. The townspeople offer him a job as sheriff, not to enforce the law, but to be a ready gun when needed. They will not socialize with him, they just want him to do their "dirty work." Sound familiar? There are several ugly scenes that manifest this racism, especially ones involving white women.To Estella's credit, she witnesses one of these debasing incidents and changes her tune. As the film progresses we discover that Robles is not the ignorant "Mexican" the townspeople think he is; he is not just good with a gun, but he displays a cunning level of intelligence that even if the townspeople probably still won't socialize with him, they cannot underestimate him, and he wins the only things he wanted since coming to the town, his self-respect and the love of the only person in town capable of giving it to him.

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edwagreen
1956/11/05

Very slow moving film where Anthony Quinn comes to town to gun down a fellow shooter who evidently had done him wrong 5 years before. There is no explanation whatsoever of why Quinn had the grudge.In a lawless town, Quinn kills 2 more guys and the town asks him to be their sheriff. He complies but he is socially ostracized by the people living in the town as observed at the town dance.He is a drinker and the saloon person, a former gunslinger, wants his aid in promoting Lord knows what.Katy Jurado is the woman who divides her time working in the general store and assisting the town doctor. Married and widowed from a gunslinger, she spurns all advances made by Quinn.There is an inevitable showdown between the Quinn character and the saloon keeper that will keep you wondering if Quinn had really broken his writs in the film.The part of town drunk Breezy, played by Whit Bissell was an interesting character that should have been explored more.

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helpless_dancer
1956/11/06

Good western with Quinn playing a man bent on revenge who lives on the shady side of the law. After coming to a strange town his life is changed completely and he must come to a major decision concerning his future. Lots of good gunplay, bad guys, and, of course, the love interest.

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