Streets of Laredo (1949)

How sad is this?

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This is a must-see and one of the best documentaries - and films - of this year.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The film begins with three amigos robbing the stage. MacDonald Carey is the oldest -- a leader and bon vivant. William Holden is the younger member, soured on women. William Bendix is the comic sidekick. All three are likable rogues, not averse to being sympathetic and generous to others.Along the way, they pick up Mona Freeman, who has the role of "bobcat." She's sassy, dresses like a man, and wields a mean rifle. I kept waiting for the transformation in which she showed up in a pretty dress and appealing makeup. The transformation takes place 17 minutes and 22 seconds into the movie.During a chase by the villainous Alfonso Bedoya ("Gold Hat" in "The Treasure of the Sierra Madre") Carey is separated from the other two and strikes out as an outlaw on his own, until he tries to hold up a stagecoach carrying Holden and Bendix and guarded by Texas Rangers. MacDonald is subdued and stashed in the hoosegow, and Holden and Bendix join the Rangers, hoping to find a way to free Carey.At some points, the movie turns into the kind of recruitment story that was common during the war years, and I suppose that was the model the tale was built on. The Texas Rangers are an elite outfit who can "ride faster and shoot straighter" than anybody else. They're positively anxious to kill. The wall of Squad D is decorated with photos and pistols of the Rangers who have died in combat. The Captain who swears them in explains that he won't shake their hands until he finds out what kind of men they are. Holden and Bendix try to free their old friend but he decks both of them and gallops off into the sunset. His erstwhile companions get KP as punishment. (Is it familiar yet?) As the tale inspissates, Freeman develops a yen for the flippant Carey, despite Holden's sincere offer of marriage. I don't think I'll describe the ending.As is apparent, this isn't an outstanding Western by any means. It's full of stereotypes. Yet, as color Westerns from 1949 go, it's above average because some of the acting is quite good and the ambiguity of the relationships adds an extra dimension. I mean, yes, Carey turns into a bad guy, a murderer, but throughout, he's LIKABLE. The bond between the three men is palpable. Carey's desire to link up with the other two is genuine until it becomes clearly impossible. It's rather more than a simple good guy versus bad guy movie. In his Westerns of the 40s and 50s, Randolph Scott was always the "good guy," sometimes to the point of boredom. But this story reminds me of his best, "Ride the High Country," where we're never quite sure about the character's intentions. Adults may enjoy it more than the kids.

Color made a big difference in the forties, it would become essential for most of the A westerns that would be made in the fifties. Streets of Laredo has color going for it, it also has two of the ideal actors for westerns, William Holden and Macdonald Carey. Mona Freeman has the looks, but is very stiff in her role. The famous Victor Young does the musical score and the song "Streets of Laredo" is only played by the orchestra as background music, although another song by the same name is performed by a woman. The story is the same as "The Texas Rangers"(1936), about three outlaws, two of which become by circumstances Texas Rangers. Thy go through quite a conflict of loyalties between the rangers and their outlaw friend.(MacDonald Carey). Even though I liked the 1936 version I prefer this one, mainly because of Holden and Carey, and also for the fact the colors and the action scenes are excellent. A good western that can still be watched today with great pleasure.

A reasonable enough entry to be included as part of AMC's Saturday morning Western lineup, the film brings together the somewhat unlikely trio of William Holden, MacDonald Carey and William Bendix in a tale of villains and Texas Rangers. The boys start out as amiable bad guys who get separated following one of their adventures, with Jim Dawkins (Holden) and Wahoo Jones (Bendix) eventually joining the Rangers, while their amigo Lorn (Carey) schemes to replace Charley Calico (Alfonso Bedoya) as the main desperado in the vicinity of Laredo. As formulaic as Westerns can be, I can't say that I've seen another quite like it before, especially when Lorn Reming does a Han Solo like bushwhack on his former ally Wahoo later in the picture. Even though Wahoo was planning to turn in his ex-buddy, the vicious turn of Carey's character was a sit up and take notice moment.The story offers a few other novelties as well. Alfonso Bedoya gets a bit more screen time here than he did as 'Gold Hat' in "The Treasure of the Sierra Madre", though he'll never have as great a line as the one about those 'steenking badges' from that movie. I was really caught off guard to see Ray Teal as Calico's henchman Cantrel, virtually any time you see him in a Western he's playing a sheriff.I don't want to forget mentioning Mona Freeman as the story's romantic interest, first intrigued with Lorn Reming, and then when his true nature reveals itself, casting an eye for Jim Dawkins. Because the story spans a couple of years, her character Rannie Carter advances from a cute teenage cowgirl to a mature frontier woman. Bendix' character had a great line when they first met - "You're mighty pretty if you're a her".Though the Texas Rangers as an entity are part of the story, the film doesn't necessarily rely on that connection to work. However it does offer a convenient way for Jim and Wahoo to go straight while their partnership with Lorn falls apart. Of course the ending does submit to a fairly standard formula, but perhaps not in the manner in which it's carried out. For that though, you'll have to keep your eyes peeled for your local cable listings, as I'm unaware of the movie's availability elsewhere.

Holden, Carey and Bendix are three bandits holding up stagecoaches until a chase separates one from the other two. Those two eventually join up with the Texas Rangers and reform, while the one keeps to his old outlaw ways. Thus, the stage is set for the final showdown. Mona Freeman is the love interest who falls for one of the bandits but eventually catches on that the man of her dreams is really someone else. I saw this one when I was a kid and the scene of one of the characters being gunned down in cold blood from beneath the table blew me away. That still packs a wallop, but after having watched "Streets of Loredo" again, I realize it is all pretty routine as Westerns go. Even so, it's full of the clichés and values that made me love them when I was growing up. A young Macdonald Carey stands out as the dashing villain dressed, of course, in black.