The Ballad of Gregorio Cortez (1983)

I like the storyline of this show,it attract me so much

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The Ballad of Gregorio Cortez (1982) was a pretty popular film in schools during the 1980's because it played in many Spanish classes. Along with The Official Story (1985), and El Norte (1983), you'd see it often if you were taking a Spanish class back then.It featured the then unknown, Edward James Olmos, as Gregorio Cortez. Gregorio Cortez is a poor peasant who one day is visited by the local white sheriff who is inquiring about a stolen horse. Gregorio Cortez doesn't speak English and the Spanish interpreter isn't that knowledgeable in the variance of the Spanish language. He asks Gregorio Cortez if he has purchased a horse, and Gregorio Cortez replies that he has not. Gregorio Cortez in fact had purchased a female horse, but it is differentiated in the Spanish language. In Spanish, a female horse is called a "Yegua". Thus Gregorio Cortez had answered truthfully, but pistols are drawn and Gregorio Cortez's brother is killed, and then the sheriff is shot by Gregorio Cortez in self defense.Gregorio Cortez goes off with his horse and there is the action of the film. It has some lovely music and the scenes are done well. The local posse and sheriff are on his trail and finally capture him.The Ballad of Gregorio Cortez was also a song of the time.Gregorio Cortez is based on a true incident.

This is a heartbreaking true story of a miscarriage of justice as well as an examination of racism and prejudice in early 1900's Texas. Edward James Olmos is outstanding in the title role and gives one of the finest performances in this underrated actor's career. The film also has a fine supporting cast of Western character actors headed by Bruce McGill as a reporter following the posse, James Gammon as a dedicated sheriff and Barry Corbin as the lawyer who takes up Cortez' case. The prison, courtroom and post-trial scenes are emotionally powerful. This is a low budget effort which probably explains the poor lighting and sometimes shaky camera work, but this largely unknown and underrated gem deserves to be discovered for its fine acting and compelling story.