Piccadilly Incident (1946)

Very very predictable, including the post credit scene !!!

This story has more twists and turns than a second-rate soap opera.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The title of the review is describing what the W.R.E.N. Service is. However it is incorrectly spelt. WRNS is the correct abbreviation as it stands for Woman's Royal Navel Service and phonetically pronounced as Wrens.

First can I say that I consider Mr Reids review to be spot on.I would add that the key to the mediocre production values is that it was made at Welwyn studios,a small studio run by ABPC,used when they had no space at ElstreeI believe that the legalities are fundamentally flawed.In any event this aspect cannot save what is a dull stilted melodrama,which is deservedly forgotten.

Diana (Anna Neagle) and Alan (Michael Wilding) are thrown together into a whirlwind romance after a chance encounter in Piccadilly. They marry before Diana is posted overseas where her ship is torpedoed and all are presumed dead. Alan comes to term with his loss before marrying again and producing a son. However, Diana is one of a few survivors and is living on an uninhabited island. What will happen when she returns home? This is a wartime romance which is quite good. One criticism, though - why on earth have two of the main female leads - Anna Neagle and Brenda Bruce (who plays Sally Benton) - look exactly the same as each other? Neagle performs a curious dance at the beginning of the film, a mish-mash of God knows what. I think it's better suited to a horror-film dream sequence. Anyhow, the film involves you on an emotional level and brings up difficult issues. You may have a cry or two. Roger Moore has an uncredited role according to the credits, but I guarantee that you wont see him. If you want a tragic, wartime romance story, then this film fits the bill.

Anna Neagle plays a WREN (equivalent of the American WAVE) who bumps into a recovering (he was at Dunkirk) Michael Wilding in Piccadilly, London during an air raid.Fortunately Michael has a flat nearby and Anna is convinced for safety it is better to spend the night there.After a whirlwind romance they marry but Anna has been on a secret radio course (cannot tell Michael - wartime discipline) and is bound for the Far East (Singapore).Before this Anna has a chance to show off her dancing pedigree and dances to a strange blend of Beethoven's "Moonlight Sonata" and 1940s swing music.At her naval college she makes friends with a Canadian sailor who fancies her.Unfortunately her ship is torpedoed and Anna, along with her Canadian boyfriend, best girl friend (Brenda Bruce) and a few survivors, are shipwrecked on an uninhabited island.They decide to make a bid for survival and are rescued in the nick of time by an American ship before the sun, exhaustion and thirst can overtake them all.Back in New York and after a decent hairdo, proper clothes, food etc. the survivors make their own way back home courtesy of our American allies.As they have all been missing for so long they have all been legally presumed lost and meanwhile Michael has made friends with then married an attractive American WAVE who has been picnicking along with some other U.S. personnel, outside Michael's grand country house.The WAVE loves England.She and Michael now have a son half English and half American.A bombshell is about to land on this idyll.Under English law at the time a child born out of wedlock cannot assume legal rights of inheritance and Anna is on the way back to reunite with Michael.She meets her American counterpart and the baby she had and when she realises they are married she flees in search of Michael.Michael is giving a recital on piano of "Piccadilly" to the troops and when he has finished Anna makes herself known.I will not divulge more and invite readers to seek out how the film ends as it is surprising.This is another wonderful film from the Neagle/Wilding partnership which they produced under Herbert Wilcox.If you have seen some of their other films, this is well up to standard.I rated it 7/10