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Killer Image

Killer Image (1992)

July. 01,1992
|
4.5
| Thriller

When Max Oliver learns his photographer brother has been killed, he suspects it was no random murder. And when he finds his brothers' last photos of a powerful senator and a prostitute, Max gets a clear picture of a deadly political cover-up. Seeking to expose his brother's killer, Max enters a murderous game of cat and mouse, stalked by a cold-blooded assassin who has Max dead in his sights.

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Reviews

Clevercell
1992/07/01

Very disappointing...

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Freaktana
1992/07/02

A Major Disappointment

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Kien Navarro
1992/07/03

Exactly the movie you think it is, but not the movie you want it to be.

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Deanna
1992/07/04

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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merklekranz
1992/07/05

Two points, one for Michael Ironside, and one for M. Emmet Walsh, both of whom are trapped in this truly terrible film. The writing is some of the worst ever, with zero character development, and scenes that seem to have been randomly inserted in no particular order. Confusion abounds, and the viewer will quickly lose interest. Why should anyone care about characters we know nothing about, in situations that make little sense. Even with the presence of Ironside and Walsh, "Killer Image" is a stinker of major proportions. After about 40 minutes, I couldn't take any more punishment, and hit the eject button. Just one more DVD for my garage sale. - MERK

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Red-Barracuda
1992/07/06

This Canadian movie is a pretty standard early 90's thriller. It's truthfully pretty pedestrian in most ways but it does benefit from the presence of genre legend Michael Ironside and respected character actor M. Emmet Walsh; both of whom play a pair of brothers, whose bad actions get the film's plot underway. The story is essentially about a professional killer who seeks incriminating photographs which are in the possession of a man whose brother he murdered. This leads to all manner of unreasonable behaviour being carried out by out pony-tailed psychopath.This is not a particularly well written film. It is not, for instance, especially clear why the pivotal murder even happens in the first place. And characters continue to act in illogical ways throughout the story. In fairness, it's not the first thriller to succumb to this, so it's hardly a deal breaker. It is a bit lethargic though and really only comes to life when either Ironside or Walsh are on the screen. So, not an awful lot to recommend here but at the same time it does get the job done, it just does it with the minimum effort.

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BA_Harrison
1992/07/07

After taking incriminating snaps of adulterous senator John Kane (M. Emmet Walsh) getting frisky with his unlikely bit on the side, photographer Ric Oliver (Paul Austin) witnesses the murder of the poor woman at the hands of Kane's uncontrollable brother Luther (Michael Ironside). Ric's subsequent actions makes one wonder how someone so dumb could even operate a camera: instead of immediately going to the police with the evidence, the lens-man unwisely follows the killer as he dumps the body into a reservoir (in broad daylight!), but is spotted while taking more pictures. Realising that he has been seen, Ric gets onto his motorbike, but rather than speed off in the opposite direction, he races towards the gun-toting murderer, thereby sealing his own fate.This level of idiocy seems to run in the family, for Ric's brother Max displays a similar lack of common sense in most matters, and soon finds himself being blackmailed by Luther, who is keen to get his hands on the late brother's incriminating roll of film (which he had the foresight to hide in his motorbike's fuel tank before getting himself killed). After repeatedly being manipulated with ease by loathsome Luther, who even tricks him into riding a roller-coaster with a dead hooker, Max comes up with an incredibly crap plan to foil the killer. And this being an incredibly crap film, the incredibly crap plan works!3/10 for being so unintentionally moronic that it is occasionally funny; however, not even the presence of the usually brilliant Ironside (who hams it up a treat on this occasion) can make me rate this movie any higher.

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TalkToMe
1992/07/08

Why is it that Canadian-made movies are so wooden?The script of this movie has potential but it just doesn't work. I think it may be the editing. There is no pacing. The scenes just move along without any buildup of tension.The movie includes two experienced actors, Michael Ironside and M. Emmet Walsh, with Ironside taking the lead as the anti hero.Nothing really happens to make the movie interesting. The hero, John Pyer- Ferguson is unimpressive; the dialogue is boring and the plot is predictable and moves like molasses. Even the color was washed out.I started to watch this movie on the late show and got so bored that I ended up surfing the Internet at the same time and felt that I missed nothing.

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