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You Can't Stop the Murders

You Can't Stop the Murders (2003)

March. 12,2003
|
6.1
| Comedy Thriller

Australian small-town cop Gary enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia, who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary -- with the help of big-wig city detective and Don Johnson-wannabe Tony Charles -- begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. ...

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Reviews

Alicia
2003/03/12

I love this movie so much

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Portia Hilton
2003/03/13

Blistering performances.

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Mandeep Tyson
2003/03/14

The acting in this movie is really good.

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Mathilde the Guild
2003/03/15

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Hkr-j
2003/03/16

This is a really refreshing film given the height of junk my country has been spewing onto the silver screen of late.An Australian film with a script and story that doesn't seem like it has gone directly out of the scribble pad and onto the screen. It's funny, dark. The best film made here since Muriel's Wedding. I had hoped it would be the beginning of better things for our industry, but alas it would seem it is just a diamond in the rough.The only thing I have against it is the lack of technical depth with the filming. NOT EVERY Australian FILM HAS TO HAVE EVERY SCENE WITH MAXIMUM LIGHTING. Try having a bit of variety with the look.Definitely one for the DVD collection. Yay SBS Independent, and yay Miramax (if FFC won't fund good films, at least there are companies that will) Loved It!!!!!!!!!!!

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callapm66
2003/03/17

Can't Stop the Murders probably is Australia's worse movie. It's a comedy that has all these stand up comics who cant get a gig but are all put in a film for no particular reason. The script is full of cliches and fails to capture the real comedy of The Castle.

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peterdavis
2003/03/18

When I first read the name of this film and saw the poster I fully expected this to be utter crap.What a revelation.I don't rate the premise of this film at all highly. It's just a simple device to stage the most well realised, inspired and observed human comedy seen on film in a good while.It also captures small town Australia beautifully. So much comedy in the mundanities of life. Director, Mir, an accomplished stand-up comedian exhibits just the right comedy timing on film too.The Village People are so bad they're..... bad. 15 years ago the slight premise of this film might have seemed funny. I doubt people will rush to see that now... BUT RUSH THEY SHOULD!I urge you to see this film and I'm bewildered by some of the other responses on this site. I'm reminded of how poorly received the first Austen Powers movie was (slowly building an audience on video, after a pretty dismal cinema run, that ensured the success of the sequels).With new styles of film comedy, the bandwagon comes later. Check it out now - I want to see more films from these guys!

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donlhumphries
2003/03/19

This movie is so laid-back it's like a female contortionist. The sort of movie which could only be made in Australia; laconic in the Croc Dundee style, yet not so emphatically dinkum aussie as in "G'day mate" jargon. Professional film critics may give it one-and-a-half stars, but I'd give it a good three. Then maybe I'm easily pleased. I found it entertaining and amusing - if you're not too critical. You get a lot of chuckles and also some real laughs. I can imagine off-duty police seeing this picture, because it centres on the relationship between two local cops in a small town, and how their lives are fairly humdrum - until the murders start. A serial killer is loose, and the clue to his/her identity is in the occupation of the victim, and the symbolism of the corpse. The plot seems mainly a vehicle for sight gags and other humour, in Jacques Tati manner (Mon Oncle; M.Hulot's Holiday; Jour de Fête); yet there is an underlying tension due to apprehension as to who's going to be next victim. It's good to see perky Kirstie Hutton again (remember her from "Bullpitt!" on TV?), and all the lead actors are interesting characters; with an able and varied supporting cast. I think this movie should have popular appeal, at least in Australia, and might prove more successful than some would anticipate. ====================================================

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