Happy Now (2001)

Thanks for the memories!

Fresh and Exciting

It's an amazing and heartbreaking story.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Jennifer is a young girl who wins the beauty contest in her local town. That night she runs out of petrol and a kindly tramp goes to get help. While away two young men start bothering Jen and kill her by accident. They take the body and frame the tramp - who gets life. 14 years later Nicky is brought to the village by her mother and startles the locals by being the spitting image of Nicky (despite being born the year after her death).I watched this as I always believe in giving a chance to British films - no matter how poorly they were delivered or received. I didn't know much about the film and came to it with no real expectations or preconceptions. The plot seems to be want to be a quirky paranormal mystery of sorts but it is only slightly successful. As a mystery it really needed to have more emotion to it; threads that had potential were poorly dealt with; although the film does quite well towards the end generally it isn't really good enough to hold it all together.The lack of character is another big fault - the film tries too hard to have side characters who are quirky and weird, and neglects to give the main characters the reality and emotional buy-in that I needed to be able to care. It has been said before, but it does seem to be trying to turn the village into a sort of Welsh Twin Peaks. Even the thread that would have been easiest to draw human drama out of (Tin Man's freedom) is not done very well and the pain it causes is only hinted at. The cast are sort of left drifting without the scripted characters to work with. Rossum is very cute but doesn't seem to know what to do with herself. Considine hams up to no great effect even if Coyle shows a good range. Pugh and Puri are both good actors and their meetings should have been much better, as it is neither is that well served.Overall this is worth watching but really it doesn't work well enough to justify seeing again. At it's core is an interesting story but one that it fails to do anything interesting with. It constantly suggests more interesting threads that it doesn't follow and comes off as self-consciously quirky and dark - to the detriment of the characters, story and film as a whole.

I saw HAPPY NOW on BBC2 on Saturday March 13th. I just stumbled upon it. I had never heard of it before. The fact that it was set in Wales caught my attention initially. Within minutes, I found myself totally gripped by the film. It was such a great story and was very well written and acted, by a very impressive cast. The cinematography was absolutely breathtaking. It really was a feast for the eyes. I also really enjoyed the score. It's such a shame that the film appears not to have had a UK release and also doesn't appear to be available on DVD. How can this be, when so many really lousy UK films get released each year? I thoroughly recommend this film. It really is a little-known gem.

Oh dear the British film industry must be such a bad state when they release such films as this. Ok so it's technically great (it should be - we have the talent) but the script and acting (think Sunday evening drama on BBC and your almost there) are not of 'great' film quality. Very predictable and stereo-typical (film about Wales - oh must have some Sheep in it then...)

After Sara Sugarman and Darren Ripley you might have thought that SGRIN and The Welsh Arts Council would have had enough of camp, self effacing comedians - but no, despite its chocolate box wrapping, Phillipa Cousins debut effort fails to raise many laughs and succeeds in compounding negative welsh stereotypes. I suppose the success of Kevin Allen's cult hit Twin Town started this movement but I wish it would end, quickly. On a more positive note, there are many promising elements in Happy Now. The locations have been well chosen and atmospherically photographed in cinemascope by Richard Greatrex. The sound design and music are also noticeably good. In fact the production values as a whole make Happy Now feel like Hollywood. The strongest scenes include the cult sacrifice of a cat and the engagement of a local black magician to 'disappear' the films young protagonist . If only Happy Now had dropped its knowing self parody and tackled more seriously the darker ingredients of its story it might well have achieved its ambition be 'a Welsh Twin Peaks'.