The Living (2014)

I'll tell you why so serious

hyped garbage

It's entirely possible that sending the audience out feeling lousy was intentional

This is a gorgeous movie made by a gorgeous spirit.

this movie overall was a great movie,, but there is story line I feel like no one really caught but I could just be going crazy. spoilers start here. what I really believe the story actually is is that the wife faked the whole thing. I believe she drugged her husband, and put make up on to appear like she'd been beaten. she took his ring and put some on his hands. in the beginning, look how ready she was to come back home. her husband said he couldn't find his ring, and she had it the whole time. look how willing she was to let him come back for intensive chores like remodeling her house and landscaping the yard. she stated in the middle of the movie that he will just have to make it up to her every day for the rest of their lives. She wanted a relationship where she was pampered and treated like a queen. she wanted to go to a restaurant that all their friends went to so she could gain that much more power over the situation. it's ironic that the brother hired someone to kill his brother in law when it was his sisters faking. I thought it was very strange how willing, how passive the husband was. in the end when the husband was killed, it looked as if she was remorseful also because she finally had what she wanted from her marriage. this makes more sense to me than simply her husband actually beating her and the story going from there. does anyone else feel this way ?

Kenny Wormald as Gordon carries this movie from start to finish. He shines in his role as the confused, spirit broken, son of Angella, brother of Molly, and trapped future-less stock clerk at a local grocery store.Gordon feels defeated by his mother constantly pecking at him and belittling him. Gordon wants to stand up to his abusive brother-in-law but lacks the will and the drive. His mother fails to realize she has destroyed her son. Molly (his sister) and wife to Teddy only stands up for herself when pushed into a corner as shown by how her husband Teddy beat her and then Molly fights back. But she cannot stay away from Teddy at her mother's house because she see's her mother as more abusive psychologically than Teddy's physical abuse.Fran Kranz as the husband Teddy is very smooth and likable in this role as he charmingly worms his way back into Molly's trust only to have Molly reject him again and again. BUT pay attention to the kitchen scene near the end of the movie! His true character is coming out when he gets Molly to 'get' something for him. And she does! She is now back into his control.Chris Mulkey as Howard is one spooky dude! A terrible creature and Gordon doesn't realize this until it's too late and he then knows he's in over his head. Howard has complete control of him. The finest scene is in the restaurant conversation between Howard and Gordon .... it is here that Gordon actually gets Howard to philosophically question himself and his life. But he too is in over his head with his past life and he cannot escape it, his ship is sinking and he might as well go down with it. On the other hand Gordon must find a way off this sinking ship.This film is perfect from start to finish! Bravo's to writer/director Jack Bryan and the entire cast. A must see film!

This movie is a superb combination of thriller and socially conscious film-making. I've never really seen a film that is as good. The acting is great all around. The characters are nuanced. The problem of domestic violence is subtly depicted. The courage of the filmmakers is obvious from the start. I highly recommend this film. My one reservation concerns the depiction of the killer as southern. But the portrayal of people wiling to forgive is truly amazing and impressive. So, I agree totally with this other review: I saw this movie at a screening in Boston MA sponsored by Emerson college. I was impressed with the content of the film and how Jack Bryan the writer/director incorporates his characters and intertwines their lives into the dark depths of alcoholism and domestic violence. His choice of cast members was right on and I particularly liked his portrayal of the killer played by Chris Mulkey. I was surprised by the ending but not disappointed. This is a must see movie. I hope to have the opportunity to experience more works from this group of talented writers, directors, and producers along with all members who made this film what it is.

The title aptly portrays the life of ordinary folks, with all the familiar problems or flaws one expect from them. It shows domestic issues and mundane stuffs in a patient pace, yet the delivery of characters feels so genuinely inviting. Good script and acting make these unassuming characters easily identifiable while presenting twists so bizarre they might just be unnervingly realistic.After what seems to be a domestic violence, Teddy (Fran Kranz) and Molly (Jocelyn Donahue) are not in the best terms. The debacle disturbs Molly's brother Gordon (Kenny Wormald), who has timid personality but is highly determined to resolve the situation. Each character tries to overcome the issue but with much different means, the couple might attempt to sort it out between themselves, but Gordon opts for much dangerous path of hiring a hit-man.It plays out in solemn tone, occasionally switching between trivial matters and risky shady business. Fran Kranz is pretty convincing as the remorseful husband. Heartfelt apology, some humor and compromising nature make him a more likable guy than expected. As for the wife, Jocelin Donahue delivers a very compassionate performance. She remains strong yet it is her weaknesses which serendipitously create a compelling and deep character.Both of them look excessively normal, though in some subtle ways the movie keeps the audience guessing if the forgiveness is warranted. Meanwhile Kenny Wormald looks frightened and confused as he steps outside his comfort zone, meeting the hit-man Howard (Chris Mulkey). As the least confrontational character, Gordon is put in situations he fears the most, especially when Howard is exceptionally aggressive. Gordon seems cowardice and reluctant, though he has a sincere nature which could appeal to the audience. Howard, on the other hand, is incredibly antagonistic, just giving malicious intent with every word spewed.Cinematography produces a somber view of their lives. Using backdrop of mostly rural town it looks modestly slick. Much of the scenes are people dining as the camera shoots them from the side and occasionally pans. The visual lets the actors deliver their emotional lines in laid back manner, when the twists occur the quaint ambiance actually produces more impact. This is a relatively slow thriller, but it is never tedious.The Living presents an intimate look of the characters' lives, so close to home it's both disturbing and also absorbing.