That Certain Summer (1972)

Fresh and Exciting

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This movie came out when I was 17 years old. I remember watching it and at the same time hoping that my parents weren't paying attention or they would have changed the channel. I remember one scene at the park on the band stand. I was struggling with my own sexuality and this movie gave me a peek at the idea that not every gay person was some Nelly queen. That a gay person could look like everyone else and be just like anyone in the world doing any kind of work. I spent years waiting for this movie to be re-released and I am still waiting. I'm 52 years old now when will ABC realize that they can step up to plate and show how progressive they were and can be again. I would like to share this movie with many of those who are in need of role models as shown in the movie. RE-RELEASE THE MOVIE!!! it was life changing for me and I would love to see it before I leave this world just once more. It was and is important.

I saw it when it was first broadcast--and some of it again when rerun a year or two later. It made me very squidgy. The principals and producers weren't really comfortable with the material and it showed. The only thread of the story that was credible was Hope Lange's distress at having her son (or adopted son?) suddenly find out about his father's (or adoptive father's?) live-in boyfriend. Scott Jacoby was horrendously miscast. The only way Hope Lange and Hal Holbrook could have had this ugly, obnoxious kid was to have taken in the child of some (unrelated) friends. Perhaps the other couple got killed in an auto accident--who knows? Anyway, it would make sense for Hal and Hope not to have had any kids of their own, so this created a whole new backstory that was not explicitly dealt with in the script. Here they were stuck with this pushy brat, and bending over backwards to be nice to him and smooth over his ruffled feelings, and they always got bupkis for their trouble. The pivotal scene was Martin Sheen bringing out the birthday cake ('but it's noawt moy boitday!' kvetches the brat) and then Sheen has to swallow endless abuse and innuendo from the little creep, who (let's face it) knew the score from the moment he saw his 'father' living in the same house with this other guy. This is another example of disjuncture between the actual script and the story as portrayed: the Scott Jacoby character is an up-to-date, crudely aware little wiseguy, but the director and adult actors are going around pretending he's this delicate flower who's had a sheltered life. I imagine that the kid was a past-master at subtle psychological blackmail. This new 'revelation' just gives him more ammunition. His poor adoptive parents! And the moral is: Don't adopt a kid who's obviously not yours. You'll get no thanks!

Well-made TV-movie, largely acknowledged as the first made-for-television film to tackle the subject of homosexuality, has divorced San Francisco contractor Hal Holbrook looking forward to a visit from his fourteen-year-old son who lives out in Los Angeles with his mother; things are shaky when the kid meets his dad's new male friend, and once he figures out that Pop enjoys this male companion more so than eligible women, he runs away in anger and confusion. Levinson/Link production won raves upon its first network showing, and indeed it is smart, focused, and without stereotypes. Still, when the kid runs away (for a large section of the film), precious time on the clock is wasted as the adults search for him and worry. The film isn't melodramatic, thankfully; it's brave, it has a thoughtful, melancholy undermining, and the gay theme is served well (only some of the dialogue dates it). But more courageous the whole thing might have been with more hearty talk and less shame and tears.

Hal Holbrook is excellent. Martin Sheen is excellent. The story line is very touching. Hal Holbrook's son does not know his father is gay when he first comes for his annual summer visit. His live in lover, Martin Sheen, moves out during the visit and moves in with his very liberal minded sister and brother-in-law. One of the most memorable exchanges for me, takes place between Martin Sheen and his sister when she tells him how much she understands his lifestyle. His response is unexpected but very right on! The son learns accidently about his father and runs away but befriends a cablecar operator who helps him sort things out. Hope Lange is the perfect ex-wife. Great movie. I wish ABC would re-release it!