Wonderful Town (1958)

Pretty Good

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

By the time the dramatic fireworks start popping off, each one feels earned.

Leonard Bernstein's music has always come across as highly memorable and rhythmically incisive, that is evident here, Candide and especially West Side Story. He is also a great and influential conductor(though with some quirky podium mannerisms that you either take or leave), particularly in Mahler. Wonderful Town lives up to its name, it's a great musical with a story that sparkles and this TV film is wonderful. The sets are not as opulent as you'd like and have a somewhat shoddily cardboard look, but the lovely costumes and skilled(if not exceptional) filming compensate. So does everything else, of which the standard is very high to outstanding. The music doesn't disappoint, not quite West Side Story good but they have immense charm to them, are fun and don't distract from the story. The score is whimsical, expertly orchestrated and incisive and all the songs work, the best being Swing, Ohio and One Hundred Easy Ways, Ever since hearing Beverly Sills and Sherrill Milnes' rendition It's Love is also a very nice song. The clever and witty lyrics really work in the songs' favour. The choreography is spirited, always full of life and as though the stars are enjoying themselves, Conga, One Note Rag- just hilarious that number is- and Swing are the highlights choreographically. The script is light-hearted and charming, as well as witty and funny, some of it is fluff but endearing fluff that is. The direction is solid and always in command of what is happening, keeping things moving while not feeling too heavy. The cast give it their all and give winning performances. Jacquelyn McKeever is a beautiful and very likable Eileen with a sweet voice, she works really well with Rosalind Russell in Ohio and with Sydney Chaplin in It's Love. Chaplin is charming and good-natured, very ideal for the role and works within the film. Stealing the show is Russell, her singing is not the most beautiful or tuneful(though it is more listenable than it was in Gypsy) but her personal radiance, lively stage presence, spitfire comic timing and her ability to attack everything she's been given with gusto make it a most memorable performance. Overall, wonderful in almost every aspect apart from the sets. 9/10 Bethany Cox

This 1958 TV special aired about 5 years after Rosalind Russell starred in and won a Tony award for the Broadway musical based on the MY SISTER EILEEN book. The show ran for 16 months.Russell plays Ruth Sherwood, an aspiring writer who moves from Ohio to Greenwich Village with her would-be actress sister Eileen. There, they sisters meet all kinds of kooks as they try to make it in the big city. Will the girls succeed? Will they find love? Or will they pack up and go back to Ohio? The music for this show was written by Leonard Bernstein with lyrics by Betty Comden and Adolph Green. By today's standards the production on this TV special is pretty bad. The sets all look like cardboard. But once you get past that and the music starts and Russell makes her first entrance, you forget all about the shoddy look.Russell has several great numbers in this show. She duets with Jacquelyn McKeever (as Eileen) on "Ohio." She then solos on "One Hundred Easy Ways," a wry song about losing men. Russell closes out Act 1 with the boisterous "Conga!" with a bevy of Portuguese sailors. In Act 2, Russell stops the show with the amazing "Swing," a production number that sees Roz go from square to hep, with the help of the local kooks. At age 47, Russell kicks up her heels in this terrific song-and-dance number. Russell and company close the show with the hilarious "Wrong Note Rag" at a club where Eileen has gotten a job.Russell is nothing short of a whirlwind of song and dance and her usual drop-dead retorts. Sydney Chaplin is solid as her love interest. McKeever is also good as Eileen. Others in the cast include Cris Alexander, Jack Fletcher, Dort Clark, and Jordan Bentley as "Wreck." Despite the rough condition of the surviving tape from 1958, this show is just mesmerizing. It's a rare chance to see a great performance by a great star. WONDERFUL TOWN was never made into a movie despite its smash hit status on Broadway (where it also won a Tony for best musical of 1953).

This musical is a prime example of the fluffy, light, grand and vivacious gold that has flown under the radar for decades. It possesses the classic feel-good attitude coupled with a pleasantly light, if somewhat weak storyline that is just good enough for it's problems to go unnoticed under the masterful score by a true genius, Leonard Bernstein. His intricate rhythms and brilliant melodies are complimented beautifully by Comden and Green's wonderfully witty lyrics that, even though they're irrelevant today, deliver some wonderful moments and give the show it's smart, mature yet surreally simple aura that just about forces you to sit back, listen, and enjoy the truly marvelous and colourful characters.The film version of this masterpiece delivers this feeling in grand fashion, considering of course the limitations of the time. But the movie is made more special by the actors, Ms. Rosalind Russell especially since the role of Ruth was created for her to perform.This musical is truly a gem. I recommend the film to any old movie lovers and musical theatre admirers alike. I also suggest picking up the Broadway Revival cast recording with Donna Murphy as Ruth, who delivers a fresh interpretation of Ruth which is in many ways better than the original.

I feel that "Wonderful Town" is great for those of us that dislike the "over done" type Broadway musicals. (Although, I think of it now, over done IS what Broadway IS about!) The story, very simple: two sisters that come from Ohio to hit it big in New York city. But of course, it's not as easy as it sounds. I think they also have some of the biggest sterio typical characters I've yet to see on one screen! Jackie McKeever (a practicly unknown stage actress. Which she'd been and is going to be for the rest of her life!) plays the bubble-headed blond, Eileen. All she cares about is when is her next man going to show up! Which dosen't seem to hard sense almost every man she meets starts to drool when he see's her!Her reasons for coming to New York are very simple. To brake into the theater! ("Well, you have the face and build for it.") Next you have Ruth, Eileen's big sister. Played by none other than Rosalind Russell. Ruth is attractive, tall, dark, sharped witted and repelle's almost every man she meets! ("I did run into one man. And he said, 'Why the hell don't you watch where your goin'!'") There are a lot of other character's that need no going into if you'v read the book, seen the movie or seen the play. The musical numbers for the most part are fun and easy to take. the best song's have to be, "Ohio," (preformed by McKeever and Russell.) One Hundered Easy Ways to Lose a Man," "Swing,"(both mainly done by Roz. Although she has never been thought of for her singing, she was brilliant! She made it all fun and gave everything she did "energy!" Even though she was 51 years, she was still beautiful and more vibrent then the whole cast put together!)"Quite Girl" and "The Wrong Note Rag." I musn't forgett Cris Alexander! He was very funny, and very loveble in the role of Frank Lippincott. He played of everyone very well and was a fine actor. (I think he and Roz were the one's that held the whole thing together, really.)But all and all, this was a great virsion. You well never see these musical numbers done as peppy, or the Ruth so funny and still so radient and lovely. La, what a Wonderful Town it was....