Laura (1968)

Just what I expected

A waste of 90 minutes of my life

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I was 21 when this aired, a big fan of the 1944 movie "Laura" and was eagerly anticipating it. However, I remember being very disappointed. I know Radziwill got poor reviews from the critics and it seemed to end her acting career. It might have rerun within that same year. Then it disappeared. I'd almost forgotten it. I do remember a published comment by Robert Stack. Something about the way the camera lenses were used to make Radziwill look younger and "they had me looking like Grandma Moses." And he was right, he looked shockingly old and wrinkled. I looked it up and he was 49 and she was 35 at the time.I would call it a teleplay because it was staged like play not like a TV movie. It had a distinguish cast, but I remember thinking she wasn't a very good actress and wasn't surprised by the critics.

I remember the evening that Laura was on, as if it were yesterday. I was a 7 year old all things Kennedy fan and prepared for HRH Lee by taking my bath early and nestling in front of the black and while set in my pajamas and robe. In retrospect, I was an uber gay Waldo Lydecker...dreaming of the day when I could type my column while soaking in the bath. At 7, I had already seen the original film and found it mesmerizing. I found this version, and Lee's acting, incredible. However, considering I was 7, I don't know that my memory is firing on all cylinders in terms of recall. Was it good? Was it as bad as others recall? We must find a copy...and you know Lee has one. Release it. Release it.

I was 14 years old when I saw this. Though it was not television at its finest (Lee Radziwill deservedly got the "Worst Actress" nod from "TV Guide" critic Cleveland Amory), I didn't think it was the disaster everyone else claimed it to be. The two memorable moments are described in detail by previous posters. I'm so glad someone besides me thinks Capote's ending is superior to the feature film's and I too appreciated the Arlene Francis/Farley Granger moment. Would love to see this again! It's hard for me to believe no one out there has a copy of it. If you find it's available anywhere, please let me know! Ed-176

I have a misty, none-too-clear memory of having watched this when it appeared on TV. SPOILER The main thing which stuck with me, though -- the "touch" which marked this as Capote's take on the story -- was that, when Sanders as Lydecker ended up in the apartment with the gun, what he did was shoot the face off the painting of Radziwill's Laura. As if, in other words, he were revenging himself against the image which haunted them all.Blam! Thud! Wow, man, what an *inspiration* . . . .