Anna Karamazoff (1991)
This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.
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It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
It's a feast for the eyes. But what really makes this dramedy work is the acting.
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
I am very impressed after seeing this authentic and historical movie. I was interested in the film particularly as some Moscow underground icons were acting in it. You can see Pyutor Mamonov (Zvuki Mu and real star of psychedelic new wave in Russia), Boris Raskolnikov (very good guitar player and the founder of underground club Tretiy Put) and Alexei Tegin (dark wave shaman) in episodes of this brilliant noir , psychedelic surrealism. I can assure you that this film is a monument of the early days of Russian psychedelic revolution back in 90s.It includes very special atmosphere, great suspense, hallucinative and provocative visionary, the mood of 20s silent films and a lot of old mansions in Moscow, filmed in really avangard way. www.myspace.com/neizvestnostlab