Tsugaru Folksong (1973)
A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.
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A lot more amusing than I thought it would be.
Pretty good movie overall. First half was nothing special but it got better as it went along.
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
One of the worst ways to make a cult movie is to set out to make a cult movie.
Tsugaru Jongarabushi, Tsugaru Folksong is an outstanding multi faceted drama. Director Koichi Saito came to prominence in the early 1970s with a series of thought provoking movies about young people escaping, searching for their identity, fleeing the big city to the natural settings of the countryside. His film Tsugaru jongarabushi was selected the best film of 1973 in the Kinema Junpo poll of critics, and deservedly so, winning Best Film, Best Director, and Best Actress for Kyoko Enami. Engaging performances from a diverse cast of characters. Absolutely stunning location/outdoor filming is accompanied with beautiful traditional Japanese folk song played on the shamisen. A rich and deeply compelling drama, Highly Recommended...
This tale begins in a slow and confusing manner. A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.It takes until well into the second half before the story gels, and it is worth the effort to get there.Laments accompanied by the shamisen feature prominently in the soundtrack and they illustrate the story well. Also, they sound great. The songs point to what Yuki's life would be like, had she lived in an earlier age.There are terrific performances from most of the actors, particularly Kyoko Enami as the put-upon prodigal trying hard to do the right thing. The cumulative effect of the music, the story slowly gelling, the touching portrait of a small town drained of its fit young people and the performances makes this film, though no classic, certainly worth the effort.