Sense and Sensibility (1981)
Two sisters of opposing temperaments find love and some heartbreak in Jane Austen's 18th century classic.
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I'll tell you why so serious
Don't listen to the Hype. It's awful
Absolutely the worst movie.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Initially, I found myself wishing I hadn't seen Emma Thompson's version before seeing this one. But about the time I started the 4th half-hour installment I realized that it didn't matter. Even without the 1995 film version to compare it to, this version just falls flat. I've been able to watch and enjoy the smaller, TV-mini-series versions of Austen's novels as much (or even more) than their big, film-versions, but this just didn't work. They were slightly more faithful to the novel, but only slightly, and it didn't work in their favor. The acting is just bad. The actors all seemed as if they were reciting from a teleprompter. I liked very much the production of "Mansfield Park" that came out just a couple of years after this, so I know they were capable of doing so much better. At the very least, the actress playing Marianne should have at least pretended to have as much passion as Marianne was supposed to have, but she didn't even try. I couldn't tell one difference between Marianne's character and Elinor's character. But maybe it was the script. The script didn't seem to give her all that much passion to act out. There are other versions out there that I haven't seen, and I hope they do better.
Having watched the 1995 movie for the first time a few days ago,I decided to watch this fine BBC production again,and found it the more satisfying of the two.The acting was of a good standard;Tracey Childs splendid as Marianne,and Bosco Hogan's interpretation of Edward Ferrers far exceeded Hugh Grant's peculiar effort in the Ang Lee film.The direction and location filming in Dorset/Somerset and the authentic early 1800's feel more than compensated for the budget constraints.Also,Willoughby's telling confession to Eleanor as Marianne lay seriously ill upstairs was,thankfully,retained,unlike the 1995 version.A good miniseries,more Jane Austen than it's "grander" successor!Nine out of ten!
The advantage this television version has over the later 1995 film version directed by Ang Lee is that due to its length it allows more important scenes to be shown. This good BBC version keeps in the visit of Edward Ferrers to Barton Cottage and of Willoughby to see Marianne when she is ill. It also deletes the third sister Margaret, which I think is to the good. It is important when doing Jane Austen not to over act, as suppression makes for tension, and in this the actors do a fine job. The scenes between Elinor Dashwood and Lucy Steele are excellent, seething and polite at the same time. Julia Chambers as Lucy Steele is excellent and equally as good as Imogen Stubbs in the 1995 film.The male actors are not all bland, Donald Douglas gives a jolly performance and Peter Gale is perfectly unctuous as John Dashwood, but also sympathetic, caught as he is between a domineering wife and mother in law. Bosco Hogan and Robert Swann are a bit dull however.This is not a sumptuous Hollywood version but fine on its own terms.
Emma Thompson(Elinor) in the 1995 version scripts herself more time on screen compared to Kate Winslet(Marianne).This version focuses on BOTH of the sisters equally. This version is far more faithful to the novel than the movie made in 1995. The only flaw in this version is the mysterious disappearance (non-inclusion) of the youngest sister, Margaret.