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About Face

About Face (1952)

May. 23,1952
|
5.3
|
NR
| Comedy Romance

Three friends enter military school together, but 2 of them don't know that the 3rd one is secretly married.

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Reviews

Nonureva
1952/05/23

Really Surprised!

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MamaGravity
1952/05/24

good back-story, and good acting

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FirstWitch
1952/05/25

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Mandeep Tyson
1952/05/26

The acting in this movie is really good.

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JohnHowardReid
1952/05/27

What we have here has been produced on an obviously moderate budget (which even relies on some stock footage), yet worse it comes across as very much a filmed stage play, as evidenced by all the talk in confined sets. True, there are occasional break-outs into the unexpectedly spectacular like the final surprise tap-dance production number. This is the best choreographed of the numbers, though Joel Grey's delightful solo runs it a close second for sheer energy, vitality and cleverness. Joel Grey is a one-man dance team and it is gratifying to see him acquit himself so well in a major part so early in his career. The rest of the players are not quite in his league, though Mr Wesson makes his usual game try. The girls (Kirk, Gibson and Stanley), though over-made up in typical mid-fifties style, are stylishly dressed and differentiate their characters amusingly. Alas, poor old Eddie Bracken has more than his share of the hokey plot to carry. His heart isn't in it. Even his pratfalls seem contrived and anticipated. But Cliff Ferre is especially good despite some obvious wigs. Keating and Baer also contribute their share to the fun. If only there wasn't so much talk. There's even a half-hour near the end where there's so much plot, even the songs don't get a look in. They are a pleasant if unmemorable lot, some of them quite lavishly (if not particularly inventively) staged.Del Ruth's direction is competent enough and other credits are "A". There's quite a lot of added material that's not in the original stage play and film, including the running gag with the hair dye.

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GManfred
1952/05/28

"About Face" is not really a bad movie - it's just not as good as it could be. It is a remake of a movie made in the 30's called "Brother Rat", which was based on a Broadway play. "Brother Rat" is a better movie than 'About Face" as it had a better cast and a more subtle approach to the comedy angle; "About Face" is somewhat heavy-handed in this regard.In my opinion, what really sinks "About Face" is the forgettable musical score. For some reason it was decided to remake it as a musical, but the songs are very ordinary. The songs are trifling and unmemorable, except for Joel Grey's number. And a reviewer above is right about the closing tap dancing number. It was a show-stopper, but the show was over.I saw "About Face" when it first came out. I was 11 and I loved it, and saw it several times. Funny how time and age can provide a different perspective. It is harmless fare and entertaining to a point, but sometimes a substantial time lapse can lead to disappointment.

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Kirk-Jusko
1952/05/29

Not nearly as good as Brother Rat, the 1938 black-and-white movie (based on a play of the same name) from which it was remade. The humor is much too exaggerated, and it needn't be. The problems the three friends create for themselves should be funny enough. You don't need the added slapstick to musical accompaniment. I normally like Eddie Bracken, but I prefer Eddie Albert's more subtle take on the same character 14 years earlier. Besides, Bracken's looks too old to be a student. Actually, they ALL look too old, but Bracken could play someone's father. Joel Grey's musical number where he imitates Jerry Lewis is the best thing about this movie, even if it doesn't exactly service the plot. I also liked--I'm not sure if this is considered a spoiler or not so I checked the box just to be sure--Cliff Ferre's tap dance that closes out the movie.

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dixie-18
1952/05/30

This film is not bad, but a washed out version of "BROTHER RAT" (1938) that starred Ronald Reagan, Eddie Alber and Wayne Morris, three "rats" who are enrolled at Virginia Military Institute (VMI), a real place. There are never any freshmen at VMI, they are deemed "rats", and the bond between them usually is a lifelong one. This film is a black and white classic that is fondly screend at VMI, in Lexington, to this day.

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