The Best Things in Life Are Free (1956)

Sadly Over-hyped

The acting in this movie is really good.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Not a bad bio as bio's go. I'm sure what you see in the film is NOT what really happened in real life for the most part. Still an enjoyable viewing, especially some great musical numbers like BLACK BOTTOM and BIRTH OF THE BLUES. Nice performances by all, especially Ernest Borgnine. Unfortunately this Fox MOD is in the pan and scan version, not Cinemascope as presented in cinemas. Strange that Fox, who invented the Cinemascope process would release some of their scope films flat. This really ruined my viewing experience. There is a disclaimer at the beginning that THIS FILM IS FORMATTED TO FIT YOUR SCREEN. This may have been true several years ago, but now 95% of the population have wide screen TV's, so why would a company who invented the scope process send out films in pan an scan? A tragedy indeed.

Michael Curtiz's 1956 film "The Best Things in Life are Free" was frequently shown on Chicago television in the 1960s. I had not seen the film until it was recently broadcast on the Fox Movie Channel. Unfortunately, it was not a letterboxed print, so it was very difficult to determine the film's merits as it had the left and right margins entirely cut off. That aside, I think it was an attempt at a darkish musical with Curtiz touches and this was reflected in the script.The film is entirely done on soundstages, no exteriors at all, so it feels kind of clunky, as many of the early Cinemascope films were as well.I liked the actors, especially the wonderful actor and dancer Sheree North. Her best number, "Black Bottom", was badly impacted by the lack of a letterboxed print. She was very fortunate to be partnered by one of George Balanchine's finest male dancers, Jacques d'Amboise, photographed here in his dancing prime. Lucky Sheree North! Dancer (and future partner of Fred Astaire) Barrie Chase is also featured in the film.I was amused by Ernest Borgnine's dancing, singing and acting, puzzled by Dan Dailey's lack of dancing, and liked Gordon MacRae, who played Buddy daSylva. I liked the film, and hope to see a letterboxed print in the future.

The Best Things In Life Are Free is once again the typical Hollywood musical biography where the main thing you come to hear are the songs. The output from DeSylva,Brown&Henderson certainly gives you enough material.Buddy DeSylva came from a theatrical family and as played by Gordon MacRae was a man of ambition who enjoyed high living. Lew Brown who was actually born in Russia was a tough kid from the slums and Ernest Borgnine fresh from his Oscar in Marty certainly knew how to play rough characters. And the third member of the trio Ray Henderson is a family and home loving guy from the suburbs as written and played by Dan Dailey.All three of these guys worked together and apart. It is not true as the film has it that Ray Henderson was an unknown who latched on by chance when he was visiting his sister-in-law to DeSylva and Brown. Henderson was already a composer of note when he made the two a trio.DeSylva,Brown&Henderson as a team were together from 1926 to 1930 and wrote several Broadway shows and some early sound musicals. Another mistake shows them writing Sonny Boy for Al Jolson on the spur of the moment after a call from Jolie. Actually they wrote the entire score for The Singing Fool and then followed that up Jolson's third film, Say It With Songs.The title song and The Birth Of The Blues are probably their best known work, but the rest of the score is like a step back in time to the Roaring Twenties. You'll find a lot here and so much more that may have been left on the cutting room floor.I'm sure the trio did have the usual frictions that develop among creative partners. DeSylva in fact did leave the other two to become a film producer, first at 20th Century Fox and later at Paramount. In Star Spangled Rhythm, Walter Abel satirized him as B.G. DeSoto. DeSylva was the promoter of the career of Betty Hutton. The other two eventually went their separate ways.Despite a more than usual amount inaccuracies, The Best Things In Life Are Free can't help being good with all the wonderful music these guys gave us. MacRae, Dailey, and Sheree North give us some really good musical performances, I only wish Dailey had some dance numbers for himself or at least some that made the final film. Acting wise Ernest Borgnine is memorable as the tough slum character who made it on Broadway.There is also a very funny performance by former heavyweight contender Tony Galento as a bodyguard assigned to protect DeSylva after he runs afoul of gangster Murvyn Vye. Galento was certainly dedicated to his profession.The film got one Oscar nomination for Lionel Newman for Best Musical Scoring and considering what Newman had to work with, maybe he should have won the award. The Best Things In Life Are Free is a great musical treat and reminder of the days when songs had real melodies.

It's hard to believe Michael Curtiz directed this film. Mr. Curtiz, one of the most distinguished directors of the American cinema, doesn't bring anything new to this tired 20th Century Fox movie.Maybe the three men at the center of the movie, the great song writing team of De Sylva, Brown and Henderson were too bland to merit a film that celebrated their lives. They made their mark in the theater in the early part of the 20th century, but as it plays on the screen, this musical feels dull and out of place. Some of the trio's best songs are heard in the movie. Songs like Birth of the Blues, which Gordon MacRae sings with panache. Also they wrote that sappy Al Jolson's standard, Sunny Boy, which is sung by the star in black face.Perhaps the casting was the wrong choice for this movie. Gordon MacRae doesn't show any spark as Buddy DeSylva. Dan Dailey is also an enigma, the way he plays Ray Henderson. Ernest Borgnine is the only one that shows some life in his interpretation of Lew Brown. Sheree North is the good Kitty Kane, who played in most of the shows this trio wrote.