Nunca es tarde para amar (1953)
A widowed doctor with a sick child marries a famous singer unpremeditatedly, running at first everything fine until she begins to long for his former life and scenic successes representing the only reason for existence.
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Reviews
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
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There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
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All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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The film never slows down or bores, plunging from one harrowing sequence to the next.
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