The Stripper (1963)

Surprisingly incoherent and boring

Memorable, crazy movie

Absolutely Brilliant!

It's entirely possible that sending the audience out feeling lousy was intentional

Joanne Woodward is the one reason this movie gratuitously called 'The Stripper' is worth a look. She comes across as genuine and sincere in a movie that for the most part is full of clichés, a fair of them quite dated.To me, it seemed the screenplay was based on much of the heartbreak that was Marilyn Monroe, with Woodward's character never having a real family as a child, much like Norma Jean Baker.She's hardly a 'stripper', as Joanne's character is basically a platinum blonde magician's assistant who is led into the striptease world by the very capable actor Robert Webber as her cruel and sadistic 'pimp'. This transformation occurs very late in the movie, so by this time the audience is well aware that the title of the film was false titillation.And Joanne is pretty much covered with many balloons when her strip act is revealed. Tack on a rather phony happy Hollywood ending, and there you have 'The Stripper'. I did enjoy seeing the very talented and original Louis Nye in a comic part. And the inclusion of Gypsy Rose Lee was a bit of inspired casting. As I say, Woodward somehow manages to rise above the rather unimaginative script. Like Beymer's character professes to Woodwad's character in the end: you do 'care' about this woman. Too bad the script didn't.

At first glance, "The Stripper" looks like eye candy: a cute young sideshow woman gets dumped by her manager and takes up with a local woman and her son, thereby developing a relationship with the son. But I do think that there was more to the movie than just that (if only a little more). In the lead role, Joanne Woodward gravitates between insecure and self-standing, not about to take from anyone. She does as good a job here as she did in "The Three Faces of Eve". Claire Trevor also does quite well as the woman taking Woodward in, but many of the characters come across somewhat silly as teen rebels. It seemed to me like Richard Beymer was channeling his role as Tony from "West Side Story" (although Carol Lynley and Michael J. Pollard weren't bad).Anyway, "The Stripper" is a movie worth seeing. And if I may say so, Joanne Woodward was really hot in some of those clothes! Also starring Gypsy Rose Lee. I bet that no one imagined that director Franklin Schaffner would later direct the likes of "Planet of the Apes", "Patton", "Papillon" and "The Boys from Brazil".PS: Not that this really relates to anything, but right after I finished watching this movie last night, Joanne Woodward's husband Paul Newman was the guest on "The Late Show with David Letterman"!

William Inge play "A Loss of Roses", originally written with Marilyn Monroe in mind, becomes showy dramatic vehicle for Joanne Woodward playing Lila Green, low-rent actress passing through her hometown in Kansas, ditched by her manager and boarding with an old girlfriend and her teenage son. The screenplay is entirely too straightforward, too rounded off; it should be more mercurial, mysterious, but instead it's routine soapy business. The character of Lila is an unconvincing creation: full of stories of users and hangers-on, she's a dreamer at the dead-end, hopeful but pathetic. Lila has been divorced, yet she's a little naive around men--it's never established how much of a tramp she is or where her reputation stands (as shown, she's more smoke than fire, more sad than sex-driven). It's to Woodward's credit the film is still quite interesting, yet the actress is too innately refined to be convincing as a kittenish tart. She is entirely serviceable, yet one can only watch and think what a more appropriate actress might have done with this material, weak as it is. This is one cleaned-up "Stripper" (awful title!), a film which never sinks to the sordid levels depicted, but remains a tidy middle-of-the-road tale. **1/2 from ****

"The Stripper" is not at all what you think it might be if you go only by the title and the posters and publicity stills. In fact, I think it wins the award for the most shamelessly misleading promo campaign in the history of movies. First off, Woodward's Lila Green (a well-acted performance I might say) is a failed actress/magician's assistant who is not a stripper by trade, except when forced against her will late in the movie by her sleazy manager. Second, the posters and ads all show a smiling, teasing Woodward in her stripper's outfit as though the film promises something out of the climax of "Gypsy" (and then on top of that, they cast Gypsy Rose Lee herself in a small part!) but in fact Woodward's only strip number is a brief one done very flatly to represent her character's disgust with her plight. Quite obviously Daryl Zanuck figured that by misleading the public he could lure a lot of lecherous men into the cinema who didn't realize that they were going to just get a very run of the mill drama story that is really saved only by Jerry Goldsmith's jazzy score and Woodward's performance.This was Franklin J. Schaffner's first feature movie after a decade in live television. Fortunately he went on to much better projects with "Planet Of The Apes" and "Patton", which are both cinematic masterpieces.