The Night Is Young (1935)

Very very predictable, including the post credit scene !!!

Such a frustrating disappointment

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

While it doesn't offer any answers, it both thrills and makes you think.

I had never heard of this film until I saw it recently on Turner Classic Movies as part or a Ramon Novarro salute. What a charming story! It's quite similar to THE STUDENT PRINCE, but with different songs. "The Night Is Young" and "When I Grow Too Old To Dream" are the two standouts in the musical score, and they are delivered charmingly - several times - by Novarro and his leading lady, the beautiful Evelyn Laye.Before viewing this film, I had just seen Jeannette MacDonald opposite Novarro in THE CAT AND THE FIDDLE. Next to the more famous American soprano, Miss Laye is a breath of fresh air - much less affected and more spontaneous in her acting, with an equally beautifully soprano voice. Perhaps because she is British, her enunciation is far superior to MacDonald's, and the voice is far less shrill in its upper register. Her chemistry with Novarro is wonderfully natural.I don't mean to slight Ramon Novarro. He is, by turns, romantic, playful, wistful, and noble as the situation requires. He has a pleasant singing voice, and he acquits himself quite well in this bittersweet operetta.When one adds in some of the excellent MGM supporting players - Una Merkel, Edward Everett Horton, Henry Stephenson, and Herman Bing - and a relatively thankless role for an as yet still supporting Rosalind Russell, it's a winning formula for passing close to an hour and a half.The story is pure fluff, but what delightful fluff! I would really love to find this on DVD to add to my collection.

If you like operettas this is one you'll want to see. Released in 1935, it contains elements from earlier, pre-code days, such as the scene where Evelyn Laye puts on her stockings. It's pure cheese, probably inserted for no other reason than effect since it has absolutely no bearing on the story. In any case it's a minor and not unwelcome blemish on what is otherwise a very enjoyable film. Ramon Novarro is as always adorable (he even sings) and the chemistry between him and Evelyn Laye quite unforced and believable. The songs are also quite good and I found myself whistling their tunes later on that day. The whole thing has a feel of levity, airiness, joy and fun. And the ending is realistic to boot.My only complaint is the casting of Charles Butterworth as the love object of Una Merkel. At 39 he was definitely too old to be introduced as a 'young man' by Novarro and perhaps not too old for 33-year old Una Merkel but he just looked so much older, more like a man in his 50s, while Merkel looked like she was in her 20s.

"The Night Is Young" was the last film Ramon Novarro made as an MGM player, and ended his decade plus run as a Hollywood movie star. It's moderately successful, but apparently couldn't (at the time) make up for its disastrous predecessor "Laughing Boy" (1934), which failed to attract much money in either foreign or domestic markets. So, MGM and Mr. Novarro agreed to a mutual parting of their ways. There are some who believe Navarro was assisted in his declining popularity, due to his sexual preference.But, in hindsight, "The Night Is Young" looks more like the studio tried to rescue Novarro, after his first across-the-board flop. The production values are high, with many accomplished names appearing in the cast and crew. Novarro looks fit again, arresting a growing chubbiness (unfortunately, his character claims to be twenty-five). MGM took a chance with director Dudley Murphy and leading lady Evelyn Lave, however; if either one or the other were a stronger choice, the film might have worked.Most faulty is the story, which had half of its plot removed. Writer Vicki Baum (of "Grand Hotel" fame) originally wrote that Novarro's Prince picked his Ballerina to test his ability to procreate, before an arranged marriage (herein, to Rosalind Russell). Of course, the Prince falls in love with the Ballerina. Due to the adoption of the Hays Production Code, in 1934, the "sanctity of marriage" clause forbid what was to have originally occurred. See "The Student Prince in Old Heidelberg" (1927) for the real story.The soundtrack, by Sigmund Romberg and Oscar Hammerstein II, begot a big ten-inch #1 hit for Kenny Sargent with Glen Gray's orchestra as "When I Grow Too Old to Dream" / "The Night Is Young" spent nearly half of 1935 on hit parades. Novarro declined an immediate return to MGM as "Ricardo" in The Marx Brothers' "A Night at the Opera" (which would have charmed many), and returned as the star of Republic's "The Sheik Steps Out" (1937). As usual, it was an unimaginative role choice.***** The Night Is Young (1/11/35) Dudley Murphy ~ Ramon Novarro, Evelyn Laye, Charles Butterworth, Una Merkel

Ramon Novarro (in his last MGM movie) stars as a prince who falls in love with someone beneath his station--the lovely Lisl (Evelyn Laye). Meanwhile he's being forced into marriage with a horrid woman (Rosalind Russell!!!). What will he do?Lavish musical comedy romance shot in beautiful black and white. By the time this was made, Novarro knew his career at MGM was over. He was a gay man who refused to marry so MGM did not renew his contract when it expired. What's surprising is they went all out to give and gave him a really great film as a sendoff.The budget was obviously huge--some of the sets are really impressive. The script is very good with some truly beautiful songs interwoven (I loved it when people just slipped from talking to singing). The whole cast is good-there's not one bad performance. Evelyn Laye is beautiful and has a wonderful voice--one hell of an actress too. Edward Everett Horton as a prissy palace official is quite funny--just his facial looks had me chuckling. And a very young Rosalind Russell is interesting. Best of all is Novarro--Incredibly handsome with a beautiful smile and voice and also a very good actor. It's really a shame that homophobia ruined his career.The picture has a very romantic feel to it and Laye and Novarro had some serious sexual chemistry between them. I'm only giving this an 8 because of the ending. It's realistic but I didn't like it--it threw the whole film off kilter. Still, this is a real treat worth seeing.This was a HUGE box office bomb when it came out and has disappeared over the years (even Leonard Maltin doesn't have it in his book). Now that TCM is showing it let's hope it gets the recognition it deserves.