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The Rest Is Personal...

The Rest Is Personal... (2013)

June. 29,2013
|
7.9
| Drama Romance

While shooting a documentary on true love, Pramit learns of a mysterious village named Mohini where anyone who enters will fall in love. He and his camerman decide to seek out this strange place.

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Reviews

ShangLuda
2013/06/29

Admirable film.

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MoPoshy
2013/06/30

Absolutely brilliant

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Taha Avalos
2013/07/01

The best films of this genre always show a path and provide a takeaway for being a better person.

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Philippa
2013/07/02

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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dasguptahirak
2013/07/03

In my view it is one of the best found-footage movie i have ever scene. Sometimes it's the journey that teaches you a lot about your destination. This movie is all about a journey. A journey which will take you along and show you various aspects of love. The end of the movie will surely force you to have a deep thinking. Bakita Byaktigoto is rooted very much in the real, wrapped in a fairy tale bubble, with its fascinating docu-narrative blurring the boundaries between fantasy and reality. Ritwick Chakraborty had done marvelous. Anindya Sundar Chakraborty had given great music. Pradipta Bhattacharyya struggled a lot to place it in silver screen. In total a Worth Watching!!!!! Really awesome

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Mahadyuti Adhikary
2013/07/04

Bakita Byaktigoto (Rest is Personal) is standout film because of its endearing and lucid simplicity. Most of the new-age Bengali films these days overuse and abuse the term surreal. However, Bakita Byaktigoto is rooted very much in the real, wrapped in a fairy tale bubble, with its fascinating docu-narrative blurring the boundaries between fantasy and reality. Riwtik, the lead protagonist, on an incredible quest for a seemingly intangible pursuit of love, steers the story on his able shoulders with a remarkable sense of economy in effortless acting and infectious honesty. Amit Saha and Aparajita Ghosh Das also play out their roles with astounding competence. Sumptuous camera-work, bearing the director's stamp of innate effective minimalism, and the score by Anindya Sundar Chakraborty, transiting from earthy notes to modern sound, are also worth mentioning. A laudable, stellar debut feature by Pradipta Bhattacharyya.

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