Town on Trial (1957)

the audience applauded

Don't listen to the Hype. It's awful

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Close shines in drama with strong language, adult themes.

Copyright 1956 by Marksman Films Ltd. Released through Columbia Pictures Corp. No New York opening. U.S. release: August 1957. U.K. release: 18 February 1957. Australian release: 26 September 1957. 8,654 feet. 96 minutes. NOTES: "Introducing" Elizabeth Seal, although she had in fact previously appeared in Radio Cab Murder (1954). Producer: Maxwell Setton. Copyright 1956 by Marksman Films Ltd. Released through Columbia Pictures Corp. No New York opening. U.S. release: August 1957. U.K. release: 18 February 1957. Australian release: 26 September 1957. 8,654 feet. 96 minutes. COMMENT: You'd think a movie with a cast like this would more than fill the average suburban cinema of a Friday night. Mills, Coburn, Farr were all super-popular players. Farr had even recently played a most successful season on the stage, opposite his actress wife, Muriel Pavlow. But when I saw the movie at my neighborhood Odeon, I was one of only three paying patrons in the theatre! It wasn't only that television had already started to take its big bite out of cinema attendances, but that audiences simply didn't take to Mills as either a policeman or a murder suspect. To most picturegoers, Mills was a serviceman - whether in the army, navy or air force didn't matter, so long as he was in uniform. Out of uniform, he was barely tolerated as a businessman or farmer, completely ignored as either a light romantic figure or comedy cut-up or a disturbed "little man" with serious emotional problems. Thus general audiences chose to ignore all of Mills' best performances. Instead he was "ideally" cast as the epitome of breezy officer types, all-right chaps, stiff upper-lip and all that. A grippingly fast-paced, mystery thriller, Town on Trial is an original screenplay by Ken Hughes and Robert Westerby, written in the classic tradition of credibly-hewn characters, realistic incident and a bobby-dazzler of an action climax. There are only four suspects, yet the writers keep us in fine suspense right up to the climactic revelation. And although the identity of the killer is cleverly concealed, the script plays fair . John Guillermin has directed this fine script with verve, style and imagination. No doubt all the subjective camerawork is detailed in the script, but it's fascinatingly presented all the same. A large budget with lots of extras and location settings also helps. The performances are all major league. From the tantalising glimpse of Magda Miller, through the high-spirited sexiness of Elizabeth Seal, to the nastily vicious (?) or helpfully sincere (?) Charles Coburn who brings all his magnificent charisma to bear on a difficult role which he brings off so superbly. Production credits are likewise absolutely first-rate. Photography, music, film editing and art direction are especially commendable.

I taped the film from C4 and watched it yesterday. I agree it was very disjointed. John Mills was cast completely against character and was not very convincing.Did anyone else notice a scene repeat? After Elizabeth Seal was murdered at the dance, John Mills interviewed Charles Coburn in a side room. He came out of the room to speak to Barbara Bates then instructed a Police Officer to take her home, then is shown coming out of the room again to see her before the next scene! What struck me most was the fact that the Police cars were invariably driven too fast. Charles Coburn was I thought the best actor on show. Nice to see Harry Fowler playing the band leader for a change rather than a spiv.

"Town on Trial" is the kind of film that is simply not made these days. I imagine it is the sort of thing that formed part of the staple repertoire of B-movies that were shown in cinemas in the days when filmgoers were treated to an appetiser before the main feature was aired. Such films were usually unpretentious, workmanlike dramas that provided solid but unmemorable entertainment to get patrons in the mood for the (hopefully) more sophisticated fare that was to follow. "Town on Trial" is a good example of that kind of film. The plot concerns the investigation into the murder of a femme fatale in the commuter-belt town of Oakley Park in what I assume is meant to be southern England of the 1950s. The investigation is undertaken by Superintendent Halloran (John Mills), who becomes romantically involved with the niece of the town's GP. A further murder takes place before Superintendent Halloran solves the case. Any critical analysis of a film such as this is largely superfluous. "Town on Trial" knows exactly what it is doing - and delivers a solidly entertaining mystery that has the air of an early forerunner of an episode of the current British TV series "Midsomer Murders". The cast includes an impressive array of well-known British character actors of the time, such as Raymond Huntley, Derek Farr, Fay Compton, Harry Fowler, Geoffrey Keen, Margaretta Scott and the wonderfully-named Totti Truman Taylor. It is competently directed and scripted and, while it will not live long in the memory, provides 90 minutes or so of undemanding entertainment. 6/10.

I too watched the Channel 4 showing. Must disagree with the previous comment. I thought it was a very mediocre film, especially when you think the story was penned by Francis Durbridge. As for the plot, well please tell what were the motives for the murders? I will agree, an excellent film to watch, if you are looking out for those great 'B' film character actors. ( uncredited appearance of Hal Osmond, then only 38, looking thirty years older). The petrol forecourt scene, and chastisement of Superintendent John Mills by the bicycling village 'plod' were great little scenes. Who was the actor who played the 'bobby'?