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Who Done It?

Who Done It? (1942)

November. 06,1942
|
7.3
|
NR
| Comedy Mystery

Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.

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GamerTab
1942/11/06

That was an excellent one.

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Actuakers
1942/11/07

One of my all time favorites.

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Limerculer
1942/11/08

A waste of 90 minutes of my life

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Janae Milner
1942/11/09

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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boxthirteen86
1942/11/10

The obvious annoying dumbness becomes visible during the time Abbott and Costello were still working at the soda counter. Then continues on throughout the movie. Lou Costello's comedy makes it look like he has some kind of mental disorder. Bud Abbott is like a mental health nurse that Lou Costello made friends with during his time he was still living in the psychiatric ward and Bud helped him escape. Now they found a job at a soda counter for a local radio station and wanted to be writers for a radio program.

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MartinHafer
1942/11/11

Bud and Lou are talentless aspiring writers who want to get jobs writing murder mysteries for the radio. In the meantime, they are working as soda jerks at the counter in the same building as the network. When a real murder takes place, Bud insists that they investigate, as he assumes that if they can crack the case they can have a leg-up on getting these jobs. Naturally, this makes the boys top targets for this killer. The movie turns out to have, not surprisingly, an angle involving the Nazis and spies--common sorts of propaganda additions for wartime films.What is surprising, though, is Walter Tetley. He plays a role much like Bud did in IN THE NAVY, as some of the familiar Abbott and Costello routines (such as when they made change) are used with him as the straight man to Lou's idiot. Also, and this really surprised me, Tetley looked about 16 in the film but was a decade older. Apparently seeming younger than his real age was a natural for him in films, as he played the voice of Sherman in the "Mr. Peabody and Sherman" cartoons when he was in his mid-40s.As for highlights and lowlights of the film go, there were a few low points. The scene where Lou runs away--through the doors and wall is priceless and really made me laugh. Also funny but completely stupid was the acrobatic sequence. This was supposed to be at a radio station and I kept asking myself "how are the people listening to the radio supposed to enjoy this?!". Otherwise, a very good film and it has a lot going for it--Abbott and Costello are still young and agile, there is no singing and the distracting love interest that Universal insisted on sticking in the early films is toned down--way down. As a result, this film doesn't suffer from all the distractions that are in their early films--no sharing the limelight and no silly (and pointless) production numbers. Instead, the focus is almost exclusively on the team--as it should be in a comedy. Because of all this, it's their best early film. It's funny, as it really is an early film (as it came in their third year in Hollywood) but by this film, the team had already made eight other films--churning out four a year in 1941 and 1942!

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bkoganbing
1942/11/12

Who Done It finds our intrepid duo as soda jerks who want to be mystery writers and work on the Murder at Midnight Show. Bud and Lou go to a broadcast just in time to witness the real murder of the head of the network, Thomas Gomez.So what do our two geniuses think to do? They decide to impersonate police officers and try and capture the criminal themselves. Interfering with a police investigation is an offense unto itself, but when Abbott and Costello do it, it's strictly for laughs.The two cops who don't think it's that funny are William Gargan and William Bendix. Supposedly Costello was not happy with Bendix playing the dim bulb detective because he was getting more laughs than him. Mary Wickes who plays the secretary of Thomas Gomez also said she did not get along with Costello on the set.The actual murderer turns out to be a very peripheral character who only had a couple of inconsequential lines before he's unmasked at the end. I tend to think there was probably more of his part, but it was edited out. Not that there are not a host of suspects like Patric Knowles, Jerome Cowan, Don Porter, Ludwig Stossel, and even Wickes and Louise Allbritton.One actor who did not get any billing, but should have because he was very funny constantly getting the better of poor Costello was Walter Tetley who played the fresh mouthed young elevator operator. What he did to Costello bordered on sadism.Who Done It is a fine slapstick burlesque of all these mystery films that all the studios were putting out back then. I guess it said that if even Abbott and Costello can solve a case anyone can.

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donofthedial
1942/11/13

Oh, this one is so funny! It's got everything going for it with A&C in top form in a tight and tidy comedy/mystery that is filmed with style and flair.Most of the film is set in a sharp looking Streamline Moderne radio station and studio. Crisp photography and great use of lighting.Top flight cast with William Bendix a standout as an extremely dense police detective who is just about as dumb as Lou! The A&C routine with Lou trying to make a telephone call to "Alexander 2222" and having to deal with the operator is a riot from beginning to end. Even before the call - (phone calls were 5 cents back in those days from a pay phone) Bud tells Lou that he'll have to "drop a nickel" if he wants to make a call...so Lou drops a nickel on the floor! Hahaha! What a moron! Lou's facial expression at the end of the short "I'm thinking of a number between one and ten" is so fabulously stupid...and on multiple levels.The film is beautifully paced and is a must see on video as opposed to a broadcast television copy where they have tended for years to cut the opening sequence in some markets.This is one of the true handful of great A&C films and a good one to show to someone who have never seen A&C in action.

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