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Cinderella Jones

Cinderella Jones (1946)

March. 09,1946
|
5.2
|
NR
| Comedy Music

Judy Jones can claim inheritance only if she marries a genius.

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Micitype
1946/03/09

Pretty Good

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FeistyUpper
1946/03/10

If you don't like this, we can't be friends.

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VeteranLight
1946/03/11

I don't have all the words right now but this film is a work of art.

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Beanbioca
1946/03/12

As Good As It Gets

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gkeith_1
1946/03/13

A 7 from me. Two points off for no spectacular Busby Berkeley scenes (budget poverty??). One more point off for black and white, with no color.I watched it because I wanted to see Joan Leslie in another film besides Yankee Doodle Dandy, yes also black and white to my dismay. Here, Joan plays an uneducated idiot, who can't even come close to the English fauxs pas of that great SZ Cuddles Sakall. Once or twice, these two were saying their butchered English at the same time as each other, and I had to laugh out loud.Gracie Allen stupidity? I was thinking more along the lines of Edith Bunker. Even so, both of these actresses were brilliant with excellent and perfect comedic timing.Robert Alda was somewhat nicer here, than in another movie called April Showers, where his character is cruel to a little boy dance performer.Elisha Cook was hilarious, and riding into the water on that white horse was priceless comedy.The three attorneys were rip-roaringly borrrrring, but they somehow they even contributed their own brand of humor to this film.7/10

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manoftheoldies
1946/03/14

This was one of the more fun "B" movies I have seen recently. I am a movie collector who enjoys clean light comedies, and enjoyed this. It stars S.Z. Sakall, so naturally it doesn't try to cover the meaning of life, or contain any heavy-handed social commentary. My kind of movie!! It has a highly unlikely story line with enough laughs along the way to make it enjoyable. Whether it is a sight gag, plot absurdities, the characters breaking out in song, or "inside" jokes about the actors themselves, it is obvious that everyone involved was having fun.Joan Leslie plays a naive good girl who works odd jobs, and Robert Alda is a band leader. Hungarian character actor S.Z Sakall plays a Hungarian professor from Budapest (go figure). Joan Leslie can inherit ten million dollars if she gets married. But it has to happen very soon, or else the inheritance is off. The movie is spent with Sakall, three young single guys (Alda as band leader, a young professor, and a stalker), and some very eager inheritance lawyers who try to marry off Leslie. After we are introduced to the characters, Sakall is shown walking around outside and chattering about his old science laboratory and how he wants a new one. Then he remembers that he accidentally left dynamite on the stove in his lab, and seconds later we hear it blow up in the distance. "No new laboratory, now no old laboratory." He ends up in jail twice in the movie, but not for accidentally blowing up his lab.A memorable line: (Sakall is on the stand in court): "For how long have you known the ladies in question?" "Question, what's question??" "You DO understand the English language..." "Yes I understand. I talk English perfect. A couple of years ago I had an accent, but I lose it."Will Leslie be able to make up her mind on which guy to marry before the clock runs out? Will some lucky guy end up with Leslie? Will Sakall get his funding for a new science lab? Will the inheritance lawyers strike it rich? Watch it to find out!

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MartinHafer
1946/03/15

This is a very, very contrived film with a very weak story idea. Considering what great films Warner Brothers usually made, the plot is amazingly poor. It's not surprising, then, that the studio held this film for a long time before it was released--as apparently they, too, knew it was a seriously flawed film.The film begins with some radio show that is looking for lost people--and in this case it's the missing heir to a $10,000,000 fortune. When Judy Jones (Joan Leslie) is located, she learns that the money isn't hers yet--she must be married by Saturday to a man of genius IQ or the money is to be given to a museum. The problem is that the only guy who might marry her is a bit of a clod--and certainly NOT a genius (Robert Alda). So, Judy decides the best place to find a smart guy is the local technical college and she manages to charm her way into be admitted to school--even though it's an all-male campus and Jones is a complete idiot (I'm talking almost a Gracie Allen-level idiot!). Will this moron get a guy by the deadline...and will the audience even care? Considering that the leading lady is annoying, dumb and pretty self-centered, I sure didn't.This film proves that even with wonderful character actors like Cuddles Sakall, Ruth Donnelly and Edward Everett Horton you CAN make a bad film. Unlikable characters, a contrived plot, bad writing and unnecessary singing make this a real dud.

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beegeebright
1946/03/16

Maybe it's just me, but is no one else troubled by the apparent ability of just about everyone in this movie to change who they love and whom they want to marry almost at will. No concept of everlasting love troubles the writer and certainly will not trouble any ensuing marriage that would come from this movie. I just found it disappointing. Joan Leslie is good enough, but haven't we come too far (even by 1946) than to think it's funny that women are stupid. And just too idiotically stupid to continue living. Unlike other commentators I did not think the bubbles from the mouth bit funny at all, I just thought it dumb. Which pretty well sums up the movie for me.

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