Mammy (1930)

Wonderful character development!

One of my all time favorites.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Just watched this on Warner Archive DVD. It also had the trailer for it in which star Al Jolson is "interviewed" by a reporter about his latest picture. I put "interviewed" in quotes because I'm sure that "reporter" was another actor helping plug the picture. Anyway, I enjoyed the story and performances though it's really Jolson's songs-mostly written by Irving Berlin-that help sell the movie on its merits. This version has the restored 2-strip Technicolor sequences that looked pretty good for its age. Some of those scenes had to be accompanied by sepia-toned black and white ones to show them complete which didn't distract me too much. In summary, Mammy-despite some now-politically incorrect stereotypes concerning the blackface sequences-was pretty entertaining.

Aren't you glad the Disney Corpcatters don't own ,"Mammy? If they did we would never see it.They are political correct hypocrites. They are hiding there own racism by not reissuing ,"Song of the South.Time Warner is Moderately politically correct.Cartoon network had began to censor all the classic cartoons to appease Communist family values, that are a threat to our constitution. Then they had them removed, Warner home video D.V.D.took advantage of this . They saw cartoon network ridiculous, Thank goodness for them. T.C.M. does not promote censorship against the past, that is what they already got and shown. But they promote censorship against introducing any more classic propaganda film classic of the third Reich than what they already shown. They are greedy. Warner home video was even thinking of releasing in this country,the restore version , which is not completed yet , of Viedt Harlan's Opfergang, but they chicken out do to his infamous Jude SuS. I am oppose to political correctness . It isn't liberalism. It's a part of the communist manifesto. In Russia the government would send people to Siberia if they criticize the government or express negative views against their comrades.I don't get offended at the black face sequences cause it's history and it's parody based on past attitudes.The minstrel show is a fact of the past. It needs to be excepted.Any negative thing of the past can't offend me. It's too old. Hitler is dead.Al Jolson did black face because in white show biz when a performer was shy he try to cover up his shyness by parody, the black folk. Eddie Cantor did this too. Non of them were racist. Black Vaudeville did the same parodies too.In fact you had black Americans who also did minstrel shows too.Bojangles did .Movies like this are for classic film fans and fans of film history. Political correctness is anti past, prejudice or not.I was sure glad that Warner's did not add a third color to the sequences. The black face cross dressers dress were pure green. They could of filled in the gaps with artificially restoring the red and green through taking the image in a computer and splitting it adding red and green tones to each image and super imposing it together and put it back on new film stock. It would of looked as if it was fully complete. My guess it was probably too expensive and would of taken too long to complete. But it's possible and the restorers wanted to keep the original condition they found it in any how. Since having to fix the color was expensive enough. I did not know that Irving Berlin wrote Pretty Baby. the song.But the numbers are good. The story is good too.About a very bad minstrel show troupe. The struggle that they have to put on to survive. It's a dying art in 1930. Their lead singer is Al. Headed by Lowell Sherman. who is engaged to the daughter of who runs the show. Lois Moran.But Lowell is flirting around and she doesn't like it.Al Fuller is in love with her. Traditionally when you have a color sequence in a black and white movie the actress is more dolled up. Well Miss Moran remains none doll up in the color sequence . No rough . That's more real. The final,of the first show,"Yes we have no bananas," was taken from a broad way show, starring Grace Moore. It was a parody of The Nibelung by Richard Wagner . Moore was dress as Broom Hilde. This is based on a Broad way book I checked out in the library years ago. Instead of hi-ya HiYa hi- YA! they sang Yes we have no bananas. This movie is worth a collection by the casual and serious fan. Available at Warner shop dot com and amazon. 06/25/11 Made a mistake Lois Moran is dolled up at the finale

If Mammy is remembered for anything it is for providing Al Jolson with one of his biggest song hits, definitely the biggest song hit he had written especially for the screen. Irving Berlin wrote this number for Jolson and he does it three times in his usual bravura style and on two of those occasions without black-face.Al Jolson got his start in minstrel shows which were still popular at the turn of the 20th century. He's Al Fuller in this show, lead singer in this troupe and a man with a case of unrequited love for the owner of the show. From there springs the plot.It's unfortunate for Jolson's current reputation that he did not abandon the black-face which was a carryover from his minstrel days. It's considered offensive now and rightly so. But listen to him sing Let Me Sing and I'm Happy and the rest of the score and you're hearing one of the great song stylists ever.Irving Berlin wrote some original material for this film which was interpolated with some other standards. It is also good to hear Jolson do two of his comedy numbers, Who Paid the Rent for Mrs. Rip Van Winkle and Why Do They All Take the Night Boat to Albany. It's his ballads that he's remembered for today, but these numbers give you an idea of more of the kind of material he did on stage.A lot of people will be rightly offended in seeing Mammy now, but like Bing Crosby's Dixie, it's an interesting piece of cinema history.

In general, second rate material all around, though one of the minstrel numbers (the Yes We Have No Bananas Operatic Finale) is quite good. The plot is mainly an excuse to let Al Jolson do his stuff, but he can't carry it aloneThe first part of the movie does give some idea what a white minstrel show might look like, including a parade in the rain.I saw the UCLA restoration, which does include what is known to survive of the 2 color (red/green) Technicolor sequences. Unfortunately, sections of those sequences were lost when Dutch titles were inserted, and some of the cuts from color to sepia tinted black and white are not smooth.